ISBN 9781610657556.

This book is designed to give five-string electric bass players an understanding of the bass fingerboard. Such knowledge is essential for the creation of melodic bass lines. Bass players must be able to perform on their instruments to the utmost of their abilities. To do so, they need the same tools that make any musician a powerful performer. The first set of tools consists of scales and arpeggios, which are the basic units from which all melodies and chord progressions are derived. This book will teach you, with a minimum of pain and lost sleep, to play these patterns over the entire range of this beautiful instrument. Written in notation, tablature, and fretboard diagrams. Includes access to online audio containing every exercise in the book.

ISBN 9781619118614.

Improve your bass guitar technique and musicality by studying the music of the masters. Classical Favorites for Electric Bass is a collection of solos and duets featuring the music of Bach, Beethoven, Haydn, Dragonetti and other composers of the Baroque, Classical and Romantic periods. Some of these pieces are well-known and others are a bit off the beaten path, but each composition encourages technical and musical development in players who want to expand the scope of the electric bass beyond traditional bass lines. This book is written in standard bass clef notation and tablature and is recommended for the intermediate to advanced player.

ISBN 9781619119222.

Explore the fretboard and engage your creativity in playing the most awesome musical instrumenta the electric bass! Extreme Bass Grooves reflects the authoras ability to create inspired, rhythmic electric bass compositions that can be played solo or with an ensemble, virtually inviting another instrumentalist to improvise over the bass and percussion lines. Each groove features unique fingering concepts and techniques that will enhance your fretboard knowledge, add new licks to your repertoire, and fuel your desire to become a better bass player. More than simply bass studies, these repetitive, alternately aggressive or hypnotic figures or licks encourage improvisation and would make a refreshing addition to a collegiate recital program. Written in standard bass clef notation and tablature, the collection includes access to online audio of 18 bass and percussion tracks suitable as a foundation for improvisation by any chromatic instrument.

ISBN 9781619115262.

Welcome to the School of the Blues Lesson Series! This book and recording were created to help give you context to all the music you worked so hard to learn. The recorded Play-Along Trax have no bass. This gives you the opportunity to work on your blues bass patterns. I have used several different keys and tempos throughout these Play-Along Trax. These Play-Along Trax give you a very realistic example of how you would play live with a band.Music examples are kept fairly simple to make sure this book is accessible to bass players just above the beginning level. For best understanding of these techniques refer to Mel Bay's Blues Bass, Level 1 (MB21063BCD).Lastly, all the references in this book are written for a right-handed four string electric bass. If you play a 5 string bass you just need to extend the examples to include your B string. If you play left-handed then you need to reverse any references to the left and right hands. We will use standard music notation along with bass tablature (TAB) for this book. Includes access to online audio.

This book is for the bass player who wants to get more familiar with their instrument and where the notes are located. It also gives you a resource for sight-reading and assisting with strengthening your hand-eye coordination while reading music. The book gives you an exercise for all 12 of the major scales and their arpeggios. The exercise also lists and links the chords of each arpeggio with it to give you a little training for your ear. The first etude in the key of C Major has the fingerings, which should be the most suitable, for the student and then leaves the rest of them blank for them to fill in their own and to practice learning the fingerings.

50 Tunes Volume 1 for Bass is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass, Old Time and Celtic tunes for ensembles, families and individuals. This book contains the same 50 tunes as those found in the other 4 books of the series, but carefully designed for the bass. The parts in this book range from beginner to advanced and are arranged in basic, active and solo levels. Basic, a standard accompaniment mode is the simplest level of bass playing. Active bass is a mixture of basic accompaniment and walking which is common in jazz music. Solo bass--which involves fast, syncopated melodic phrases - is the most complex level of bass playing. All parts are written in standard bass clef notation and 4-line bass tablature. Tunes recorded by full band, not all instruments featured in every song. Includes access to extended length online audio.

ISBN 9781513459820. 8.75x11.75 inches.

This book is intended for bass players who want to play some of J. S. Bach's beautiful music to improve their sight reading and technique. These two-part inventions were originally created for keyboard and have been adapted for two 4 string bass. In order to technically fit the range of the instrument some of the parts haven been transposed one octave up or down and some of the ornamentation and special notation has been simplified. On the online recording the right hand, part one, is on the right channel and the left hand, part two, on the left. Practice the parts by yourself before playing it along with the recording. Includes access to online audio.

ISBN 9781619118157.

Classical and Contemporary Studies for Bass Guitar combines essential studies from 19th century composer Giovanni Bottesini; the aPaganini of bassa, with contemporary studies by Gilbert Isbin; one of the leading European composers for guitar, lute and bass. These 33 studies will help build not just your technique, but reading abilities and overall musicianship. The material is intended for serious bass students and can be played on a fretted or fretless bass. While Bottesini's works lie firmly in the classical genre, Isbin's studies bring in elements of classical, jazz and world music. All the studies are written in standard bass clef notation as well as tablature. Includes access to online audio recorded by Rob MacKillop for each study.

ISBN 9781513455242. 8.75 x 11.75 inches.

This book shows how to develop bass fingerboard knowledge quickly, easily and accurately. Is uses visual group theory to transform unmistakable models into chord forms and arpeggios for all triad and seventh-chord types in root position and inverted. Because the examples illustrate by fingerboard patterns rather than by written notes, music readying is not needed to understand the material.

ISBN 9781610653039.

Blues Bass Level 1, within the School of the Blues Lesson Series, is an exciting method that contains the most common grooves used in blues bands today. Areas covered are: Tuning, Achieving Good Tone, Major & Minor Scales & Movable Scale Forms, 12 Bar Blues Progression, Major Blues Bass Lines, Jump Blues, Swing Blues, Box Patterns, Slow Blues, Chicago Shuffles, Two Beat, Rumba Beat, Tramp Beat, Minor Blues, Introductions, Turnarounds & Endings. This series is designed for students of other instruments to play together. If you have friends that play harmonica, guitar, keyboard or drums, tell them about this series so that you can play together.Book is accompanied by online audio recording of all examples (played by author Frank De Rose) along with the background music. For the beginning to intermediate bass player. Includes access to online audio.

ISBN 9781619118065.

This book of seven popular classical pieces in the form of bass duets introduces note combinations and intervals rarely heard in normal bass playing, as well as chords never thought to be playable on the bass guitar. These selections will broaden your sense of dynamics and enrich your phrasing and musicality. Written in standard notation and tab. Includes access to online audio.

Don?t Start Now is a song by English singer, Dua Lipa from her second studio album, Future Nostalgia (2020). Dua Lipa wrote the track with Caroline Ailin, Emily Warren, and its producer Ian Kirkpatrick featuring funky basslines throughout the song. The song was recorded by Kirkpatrick using Scarbee MM-Bass plug-in (Kontakt samples). During live performances, it is played using a 4-string Pbass and bass synthesiser by Matthew Carroll.

This transcription is based on the album version and arranged to be played on a 5-string bass with standard tuning. If you preferred to use a 4-string bass, I have provided an option as indicated by smaller notations in the score (I have also included a small note during the section). You can also play as Matthew Carroll did during his performance with Dua Lipa. He uses 4-string Pbass for the whole song but played the bass synthesiser during the ?Pre-Chorus? sections.

This song is in the key of B minor and is about 3?03? long. The tempo is at 124bpm and quite challenging, where it features a lot of upbeat rhythms. Still, it is perfect for an intermediate player who is looking for a challenge. Aside from playing with plucking technique, you are also required to perform ?pop? technique during the ?Chorus? parts.

This transcription includes 3 parts: 1)both notation and TAB (3 pages); 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.

Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.