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Bringin' It with Me ("A New Thought for Choirs" Edition)
Bringin' It with Me ("A New Thought for Choirs" Edition) # Chorale SATB # FACILE # James C # Moderate to Easy # Bringin' It with Me # James C Vandenburg # SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1003539 Composed by James C. Vandenburg. Country,Gospel,New Age,Sacred,Spiritual. Octavo. 23 pages. James C Vand...(+)
Choral Choir (SATB) - Level 2 - SKU: A0.1003539 Composed by James C. Vandenburg. Country,Gospel,New Age,Sacred,Spiritual. Octavo. 23 pages. James C Vandenburg #2858341. Published by James C Vandenburg (A0.1003539). For SATB choir; Moderate to Easy; Fast-Paced, Country-Feel (A Cowboy Shuffle); Lots of laughs and chuckles throughout the song; A lot of fun for the choir and audience with a powerful message. Themes: Love, Wholeness, Being the Love and Light (and of course, bringin' it with you), Being the changeI'm not lookin' for love I'm bringin' it with me.It's who and what I am and not just something that I pray that I might someday be. It's part of my knowin', part of my growin' it's where I'm from and where I'm goin'. ​Im not lookin' for love I'm bringin' it with me.** This edition is part of the collection, A New Thought for Choirs and includes a Vocals-Only version to save in printing/copying and to help in rehearsals.
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY) # Musique Sacrée # Stuart Richard Brown # Stuart Richard Brown # On That Cross # Stuart Brown Music # SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...(+)
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
O My Stars...It's Christmas
O My Stars...It's Christmas # Noël # Anne Claire and Betty Hager # O My Stars...It's Christmas # Fred Bock Music Company # SheetMusicPlus
Choral (CD 10-pak) SKU: HL.8739879 Composed by Anne Claire and Betty Hager. Fred Bock Publications. Children, Christmas, Christmas Sacred, Musicals. CD o...(+)
Choral (CD 10-pak) SKU: HL.8739879 Composed by Anne Claire and Betty Hager. Fred Bock Publications. Children, Christmas, Christmas Sacred, Musicals. CD only. Fred Bock Music Company #BG7549CP. Published by Fred Bock Music Company (HL.8739879). UPC: 073999728682. 5x5 inches. A. Claire, B. Hager & F. Bock.In this Christmas musical fantasy, Andro, a young star, is forced to leave a heavenly chorus of stars because of singing off-key. Feeling rejected and unloved, Andro believes he has no gift worthy of serving the Lord. To his surprise, he is appointed the 'Star of Bethlehem,' enabling him to witness the birth of Jesus, God's Son. Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette, Preview Pak (Singer's Edition and Listening Cassette) and Bulletins.
All I Really Want is Peace on Earth - SSA with Soloist(s), Lead Sheet
All I Really Want is Peace on Earth - SSA with Soloist(s), Lead Sheet # Chorale 3 parties # DÉBUTANT # Lytingale # Lois J Henrickson (Lytingale) # All I Really Want is Peace on # Lytingale Music # SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449530 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Ch...(+)
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449530 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 5 pages. Lytingale Music #1029286. Published by Lytingale Music (A0.1449530). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
All I Really Want is Peace on Earth - SSA with soloist(s) + Piano
All I Really Want is Peace on Earth - SSA with soloist(s) + Piano # Chorale 3 parties # DÉBUTANT # Lytingale # Lois J Henrickson (Lytingale) # All I Really Want is Peace on # Lytingale Music # SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449529 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Ch...(+)
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449529 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 8 pages. Lytingale Music #1029285. Published by Lytingale Music (A0.1449529). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
Life Has Loveliness (Downloadable)
Life Has Loveliness (Downloadable) # Chorale SATB # INTERMÉDIAIRE # Stephen Chatman # Life Has Loveliness # Galaxy Music Corporation - Digital # SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.7.0734-E Composed by Stephen Chatman. 14 pages. Galaxy Music Corporation - Digital #7.0734-E. Published by Galax...(+)
SATB choir and Piano - Medium - SKU: MQ.7.0734-E Composed by Stephen Chatman. 14 pages. Galaxy Music Corporation - Digital #7.0734-E. Published by Galaxy Music Corporation - Digital (MQ.7.0734-E). English.This work was commissioned by St. Roch Catholic Secondary, Brampton, Ontario, Canada. “Life has loveliness to sell†is the opening line of Sara Teasdale’s poem, Barter, from her collection titled Love Songs (1917). Chatman’s setting reflects the poem’s optimistic spirit and the beauty or loveliness of life through lines pertaining not only to life’s “value†but also exemplifying nature, music, children, love and peace. Teasdale’s famous words of advice, “Spend all you have for loveliness, Buy it and never count the cost;†inspire a hushed, dramatic statement. Alternating homophonic and contrapuntal sections modulate and evolve, rising to a climactic ending. Duration 4:00.
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan # Voix Soprano, Piano # AVANCÉ # Classique # Richard Strauss # Nicole Elyse DiPaolo # Grossmächtige Prinzessin # Nicole Elyse DiPaolo # SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
Bring His Love
Bring His Love # Chorale SATB # INTERMÉDIAIRE # Musique Sacrée # the first of the year I had th # Kevin Longley # Bring His Love # Kevin Longley # SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. ...(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.