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Ballade No. 3
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Vous avez sélectionné:
Ballade No. 3
VIOLONCELLE
Partitions à imprimer
2 partitions trouvées
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Alla Mazurka
Alla Mazurka
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georg Goltermann
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Alla Mazurka
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53293 Trois morceaux caractéristiques, No. 3. Composed by Georg Goltermann. Edited by Be...
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Cello and piano - intermediate to advanced - SKU: S9.Q53293 Trois morceaux caractéristiques, No. 3. Composed by Georg Goltermann. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 41/3. 7 pages. Schott Music - Digital #Q53293. Published by Schott Music - Digital (S9.Q53293). English • German.Cellist, conductor and composer Georg Goltermann, born in Hannover on 19.8.1824, died in Frankfurt (Main) on 29.12.1898, had cello lessons with the principal cellist of the royal court orchestra in Hanover, August Christian Prell (1805-1885), a pupil of Bernhard Romberg. From 1847-49 he continued his studies in Munich with the celebrated cellist Joseph Menter and studied composition with Ignaz Lachner, Director of Music at the court in Munich. Goltermann undertook numerous concert tours as a cellist; from 1853 he was Assistant Director of Music at the municipal theatre in Frankfurt am Main, becoming Director of Music from 1854. He wrote numerous pieces for cello and had a particular gift for the Romantic character piece, composing lyrical pieces with titles such as Ballade, Elegie, Song Without Words and various dances. As his compositions are generally not too demanding, they are well liked by amateur musicians and frequently used for tuition purposes. This Mazurka comes from the set of Trois morceaux caractéristiques op. 41, published by Schott in 1864 (plate no. 17419).
$3.99 ≈
3.62€
Solage: Le basile for Cello Quartet
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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Ballade No. 3 
