With this sheet music, you can play "La Foule" by Édith Piaf on piano!

It's an accurate, carefully created piano arrangement of the full song.

The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.

Originally, "La Foule" was an Argentine song titled "Que nadie sepa mi sufrir" ("Let no one know my suffering"). It was composed by tango legend Ángel Cabral, with lyrics
by Enrique Dizeo.
The original Spanish version of the song has been recorded by many artists, including Alberto Castillo, Julio Iglesias and María Dolores Pradera.

Édith Piaf recorded a French version of the song in 1957, with new lyrics by Michel Rivgauche. Under its new title "La Foule", it became one of her most famous chansons!

The combination of Spanish tango rhythms and the softness of French chansons makes "La Foule" a timeless classic.

It's also a wonderful piece to play on the piano!

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Avec cette partition, vous pouvez jouer "La Foule" par Édith Piaf au piano!

C'est un arrangement pour piano précis et soigneusement créé de la chanson complète.

La mélodie entière est incluse dans la partie piano, ce qui en fait une parfaite reprise de solo instrumental / piano.

À l'origine, "La Foule" était une chanson argentine intitulée "Que nadie sepa mi sufrir" ("Ne laissez personne connaître ma souffrance"). Il a été composé par la légende du tango Ángel Cabral, avec des paroles
par Enrique Dizeo.
La version espagnole originale de la chanson a été enregistrée par de nombreux artistes, dont Alberto Castillo, Julio Iglesias et María Dolores Pradera.

Édith Piaf a enregistré une version française de la chanson en 1957, avec de nouvelles paroles de Michel Rivgauche. Sous son nouveau titre "La Foule", elle est devenue l'une de ses chansons les plus célèbres!

La combinaison des rythmes du tango espagnol et de la douceur des chansons françaises fait de "La Foule" un classique intemporel.

C'est aussi une pièce magnifique à jouer au piano!

For pianists who enjoy playing the time-tested hymns of the faith, I am delighted to present to you this collection, ?Classic Hymns for Piano.? In this book, you will discover eleven beloved hymns artfully arranged for solo piano. I have crafted these solos by capturing the essence of each hymn yet infusing them with my personal style. It is my hope that these arrangements will offer you the opportunity to bring these timeless, cherished hymns to life through your fingertips.

Contents:
Great Is Thy Faithfulness
Near the Cross
All Creatures of Our God and King
O Worship the King
It Is Well with My Soul
What a Friend We Have in Jesus
Near to the Heart of God
He Hideth My Soul
The Old Rugged Cross
This Is My Father?s World
The Love of God

ISBN 9780787773748.

An arrangement for solo piano of the classic song from the film Breakfast at Tiffany's. Performance duration is about 3 minutes, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

Several passages feature significant melodic material in both hands. In some of these (bars: 9-12, 17-24, 41-43, 55-59) the performer can explore which part to make more prominent. In other passages (bars: 37-40, 45-48, 73-80) the prominence should definitely be in the left hand part.

Fingering suggestions have been included.

This is a transcription of Jacob Collier's Fix You cover.

ISBN 9780193544161.

For solo piano. A welcome collection of piano transcriptions, made by the composer, of eight of his best-loved choral pieces, from early classics such as 'The Lord bless you and keep you' to recent gems like 'A flower remembered'. The pieces in this collection have been recorded by Wayne Marshall on Decca Records.

An arrangement of the timeless classic song that combines the rich harmonic palette of the jazz idiom with some keyboard techniques of the 19th century romantic composers. Performance duration is about 3 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

A six bar introduction hints at the bridge of the song before the first two verses are presented; the first with chordal writing and the second introducing some left hand arpeggios. The first appearance of the bridge stays close to the original. This is followed by two more verses where the right hand takes flight with figurations that at first outline the famous melody, before the roulades of notes lose sight of the melody and instead weave around the harmonic changes. At bar 48 the bridge reappears with the melody incorporated into a right hand figuration inspired by passages from a Chopin etude (Op. 25, No. 11). However, the much slower tempo makes this section far more approachable than Chopin's fearsome etude. At bar 56 an earlier version of the verse is repeated, which then leads to the close.

A flexible tempo should be used, with generous rubato in appropriate places. In particular, bar 41 should not sound rushed and tempo can be held back significantly here. Fingering suggestions are given in many places, but these will not suit all hands. The closest attention to fingering is required in bars 48-49 and 52-54. The dynamic markings should be viewed as a rough guide and the performer is encouraged to find their own interpretation.

All I want for Christmas is you for piano solo. Piano solo with simple melody, accompaniment with bass and chord and fingering.With chords.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.