"6 Easy Dixieland Tunes" for French Horn in F and Piano, great ideas for beginners/intermediate, comfortable range and key (complete parts). Contents: 1. Down By The Riverside ? trad. (*key C) 2. Joshua Fight The Battle of Jerico ? trad. (*key F min.) 3. Just A Closer Walk With Thee ? trad. (*key C) 4. Swing Low, Sweet Chariot - trad. (*key Bb) 5. Washington and Lee Swing ? Mark W. Sheafe and Thornton W. Allen. (*key Eb) 6. When The Saints Go Marching In - trad. (*key F). *Concert Key.

Für Elise * К Элизе * エリーゼのために * Για τον Elise * בשביל אליז * Beethoven WoO59, Score 7 pages, duration ca. 3:00
Composed in 1810.

CHRISTMAS HORN is a compilation of 6 Christmas songs arranged by Gary Lanier for Horn in F and Piano. The titles are (1) Silent Night, (2) Hark! The Herald Angels Sing, (3) Go Tell It on the Mountain, (4) O Holy Night, (5) O Little Town of Bethlehem, & (6) Good Christian Men Rejoice. Perfect for any Christmas event (54 pages).

A Mp3 piano accompaniment track is available containing all six songs listed as:
CHRISTMAS HORN (Piano Accompaniment for Horn in F)

Fred Stride composed his dynamic work Fanfare and Scherzo for solo Horn, Strings and Timpani in the 1980's for horn virtuoso Martin Hackleman. It was first performed with the CBC Radio Orchestra of Vancouver.

The work has many dimensions, from the angular Fanfare, flashy scales, dance-like syncopations and calm bridge sections of the Scherzo.

This edition is the reduction of the chamber string version, is about 9 minutes in length, is appropriate for advanced performers and is available for Horn with Piano reduction accompaniment.

The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott?s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as ?Here Comes the Bride?. Queen Victoria?s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark?s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the?trumpet stop?. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul?s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn?s Wedding March was originally written in 1842 as incidental music to Shakespeare?s famousplay, Midsummer Night?s Dream. When Queen Victoria?s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

For horn in F.
Score and horn part included.

Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.

This arrangement for F or Eb Horn with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.

Super Mario Bros Theme for Horn in F and Piano.

One of the most widely used traditional English Christmas carols of all time has now been freshly arranged with jazz harmonies and also utilizes Johann Pachelbel's "Canon In D" and scored for a French Horn solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.

"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Horn in F and Piano by Harry Walker.

How to Train Your Dragon is a 2010 American computer-animated action fantasy film produced by DreamWorks Animation and distributed by Paramount Pictures. John Powell composed an orchestral score, combining bombastic brass with loud percussion and soothing strings, while also using exotic Scottish and Irish tones with instruments like the penny whistle and bagpipes.

This arrangement for F or Eb Horn with Piano is suitable for classroom, repertoire and recital.

Drivers License - Olivia Rodrigo \| French Horn and Piano

Deja Vu - Olivia Rodrigo \| French Horn and Piano

The tender ballad that was sung by Gene Wilder in the movie "Willy Wonka & the Chocolate Factory", has now been freshly arranged for a French Horn solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.

A faithful transcription for solo french horn and piano of Hans Zimmer's spectacular cue from The Prince of Egypt
Duration : ~6'30.

A faithful arrangement for French Horn & Piano of Joe Hisaishi's memorable piece from Spirited Away.

Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento ? quarter note = 40. Piano part: 2 pg. solo part 1 pg.
Schumann Background
Robert Schumann (1810 ?1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.

The Beginning of the End
In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world?soldest orchestras had come under great criticism.

Last Period
Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann?s last great collection of piano literature.

Abendlied
Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.

18 Easy Gospel Hymns Vol.2 for Solo Tenor Horn in E Flat and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.



The standard is early intermediate. Players with a year or two?s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.



The hymns are in alphabetical order and are as follows



· O Mary Don?t You Weep,

· O When the Saints,

· Old Time Religion,

· Onward Christian Soldiers,

· Rock of Ages,

· Shall We Gather at the River,

· Stand Up, Stand Up for Jesus,

· Standing in the Need of Prayer,

· Swing Low Sweet Chariot,

· Steal Away,

· There is a Fountain Filled with Blood,

· There is Power in the Blood,

· This Little Light of Mine,

· Wade in the Water,

· Were You There?

· What a Friend We Have in Jesus,

· When the Roll Is Called Up Yonder,

· When We All Get to Heaven.



If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Tenor Horn and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.