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Vous avez sélectionné:
I Believe It
GUITARE
Partitions à imprimer
41 partitions trouvées
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1
26
Make Believe It's Your First Time
Make Believe It's Your First Time
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
#
The Carpenters
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John Fries
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Make Believe It's Your First T
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John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202167 By The Carpenters. By Bob Morrison and Johnny Wilson. Arranged by John Fries. 20th Century,Jazz,Pop...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202167 By The Carpenters. By Bob Morrison and Johnny Wilson. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Score. 2 pages. John Fries #800826. Published by John Fries (A0.1202167). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Make Believe It's Your First Time is a song written by Bob Morrison and Johnny Wilson. Originally recorded by Bobby Vinton, the song was twice recorded by Karen Carpenter, both as a solo act and as a member of the Carpenters. Between 1979 and 1980, Karen Carpenter went to New York to record a solo album with Phil Ramone as producer. Make Believe It's Your First Time was one of twenty songs recorded. This version was ultimately shelved until 1996, with the release of her eponymous album, Karen Carpenter. Karen's solo version is far more subdued with only a piano, bass and drums as her accompaniment. The Carpenters recorded a version of Make Believe It's Your First Time for their 1981 album Made in America. The song, like Karen's solo version, went unreleased in her lifetime and was not included on the album. After Karen's death in 1983, the song was placed on the Carpenters' next album, Voice of the Heart, and was released as a single. Richard Carpenter's arrangement uses far more instrumentation, adds a bridge written specifically for this version, key modulation during the last chorus, and the inclusion of background vocals.
$4.99 ≈
4.63€
Suite for Guitar No. 1 Op. 25 (1/2) Tablatur
Suite for Guitar No. 1 Op. 25 (1/2) Tablatur
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Guitare
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AVANCÉ
#
Classique
#
Fabio Henrique Teles Martins
#
Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 13 pages. Fabio Dentello #800379. Published by Fabio Dentello (A0.1201762). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00 ≈
18.57€
Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur)
Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur)
#
Guitare
#
AVANCÉ
#
Classique
#
Fabio Henrique Teles Martins
#
Fabio Henrique Teles Martins
#
Suite for Guitar No. 1 Op. 25
#
Fabio Dentello
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 23 pages. Fabio Dentello #800380. Published by Fabio Dentello (A0.1201763). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$30.00 ≈
27.85€
Suite for Guitar No. 1 Op. 25 (1/2) Partitur
Suite for Guitar No. 1 Op. 25 (1/2) Partitur
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Guitare
#
AVANCÉ
#
Classique
#
Fabio Henrique Teles Martins
#
Fabio Henrique Teles Martins
#
Suite for Guitar No. 1 Op. 25
#
Fabio Dentello
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 10 pages. Fabio Dentello #800376. Published by Fabio Dentello (A0.1201759). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00 ≈
18.57€
I Know Him So Well
I Know Him So Well
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Guitare
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INTERMÉDIAIRE
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Rock
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Tim Rice
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David Jaggs
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I Know Him So Well
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David Jaggs
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SheetMusicPlus
Guitar, Classical Guitar - By Tim Rice. Arranged by David Jaggs. Solo Part. 3 pages. Published by David Jaggs...
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Guitar, Classical Guitar - By Tim Rice. Arranged by David Jaggs. Solo Part. 3 pages. Published by David Jaggs
Another of David's arrangements. This is "I Know Him So Well" from the show "Chess". Many people believe this is a Lloyd Weber song, but actually it was written by Benny and Bjorn from Abba! A relatively easy piece to play and fingering is provided where uncertain. There is also a version of this arrangement available with tablature on this website.
$6.99 ≈
6.49€
I Know Him So Well (including tablature)
I Know Him So Well (including tablature)
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Guitare notes et tablatures
#
Rock
#
Tim Rice
#
David Jaggs
#
I Know Him So Well
#
David Jaggs
#
SheetMusicPlus
Guitar Tab - By Tim Rice. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jaggs ...
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Guitar Tab - By Tim Rice. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jaggs
Another of David's arrangements. This is "I Know Him So Well" from the show "Chess". Many people believe this is a Lloyd Weber song, but actually it was written by Benny and Bjorn from Abba! A relatively easy piece to play and fingering is provided where uncertain. There is also a version of this arrangement on this website without tablature.
$6.99 ≈
6.49€
Landscape I - New Edition
Landscape I - New Edition
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Pablo Emiliano Fedele
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Landscape I - New Edition
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Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
$5.99 ≈
5.56€
Landscape I - Standard Guitar Edition
Landscape I - Standard Guitar Edition
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Pablo Emiliano Fedele
#
Landscape I - Standard Guitar
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99 ≈
4.63€
Alice In Wonderland
Alice In Wonderland
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Guitare
#
AVANCÉ
#
Bill Evans
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Christopher J
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Alice In Wonderland
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/...
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Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99 ≈
4.63€
Larry Williams Compositions- The Guitar Book
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00 ≈
18.57€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.85€
Kosmos Place 1
Kosmos Place 1
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Musique Sacrée
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THEMIS KOUTRAS
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Kosmos Place 1
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THEMIS KOUTRAS
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SheetMusicPlus
Guitar - SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. ...
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Guitar - SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. Published by THEMIS KOUTRAS (A0.1066774). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declaring these new worlds will then be part of planet earth the space mission today has the ability power to do this and I believe one day they will do this it has a final meaning that the space ships will mean we will travel without technology it is that the nick name space ship is given by me for the name of the holy spirit because his beyond all-powerful I know in parable because he will ascend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back here the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always
$3.99 ≈
3.70€
Passacaglia
Passacaglia
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99 ≈
2.78€
Gigue
Gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99 ≈
2.78€
Study: Dynamics
Study: Dynamics
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Guitare notes et tablatures
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FACILE
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Brian Streckfus
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Study: Dynamics
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages. Brian Streckfus #764039. Published by Brian Streckfus (A0.1163698). It is rare to find something that tests someones dynamics knowledge while relating to guitar, so I composed such a piece. Its genre is modern, classical and romantic. It personally reminds me of Chopin in harmonic language. Tips:1. I believe the volume indicated reflects the chord quality quite well. For example, a Gmaj7 or augmented chord sounds bad loud because they are sleepy and dreamy chords.2. The Ab/C chord in measure 15 is a Neopolitan chord in the key of G major. 3. This piece takes advantage of a key well suited for guitar: E minor. 4. This piece is a good example of a composing technique where you keep notes the same between chords, having little concern for how complex of a chord name that results.5. Rolling the chords is okay and often sounds quite good.
$1.99 ≈
1.85€
What A Wonderful World
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99 ≈
4.63€
Norwegian Wood (This Bird Has Flown)
Norwegian Wood (This Bird Has Flown)
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Guitare
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INTERMÉDIAIRE
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The Beatles
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James Stephens
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Norwegian Wood
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James Stephens
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1489116 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Stephens. 20th Century,Contemporary,Instruc...
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Solo Guitar - Level 3 - SKU: A0.1489116 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Stephens. 20th Century,Contemporary,Instructional,Rock. Individual part. 6 pages. James Stephens #1065965. Published by James Stephens (A0.1489116). Here is a unique arrangement for solo fingerstyle guitar using a capo at the second fret, drop D tuning, and includes strumming. I believe this arrangement captures the spirit of the original while adding something new. It includes a notation and tablature version and a notation-only version. Both versions include fingering.
$5.99 ≈
5.56€
As Time Goes By
As Time Goes By
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Guitare
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INTERMÉDIAIRE
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Johnny Nash
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Eric Charles Mokotoff
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As Time Goes By
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eric mokotoff
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1078839 By Johnny Nash. By Herman Hupfeld. Arranged by Eric Charles Mokotoff. 20th Century,Classical,Film/TV,Jazz,Standa...
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Solo Guitar - Level 3 - SKU: A0.1078839 By Johnny Nash. By Herman Hupfeld. Arranged by Eric Charles Mokotoff. 20th Century,Classical,Film/TV,Jazz,Standards. Individual part. 1 pages. Eric mokotoff #683036. Published by eric mokotoff (A0.1078839). This is my original arrangement for Classical Guitar of this iconic song from Casablanca . I do not believe it has been done on Classical Guitar before,.
$4.99 ≈
4.63€
Habanera 'L'amour est un oiseau rebelle' from Carmen
Habanera 'L'amour est un oiseau rebelle' from Carmen
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Georges Bizet
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Dan Jones www
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Habanera 'L'amour est un oisea
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1408429 Composed by Georges Bizet. Arranged by Dan Jones www.danjonesguitarist.com. 19th Century,Classical,Opera. 21 pages. D...
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Guitar - Level 3 - SKU: A0.1408429 Composed by Georges Bizet. Arranged by Dan Jones www.danjonesguitarist.com. 19th Century,Classical,Opera. 21 pages. DanJonesGuitarist #991016. Published by DanJonesGuitarist (A0.1408429). Habanera (L'amour est un oiseau rebelle)by Georges Bizet. Arranged for Four Guitars by Dan Joneswww.danjonesguitarist.comI have provided a score with notes and TAB, a score with notes only (to facilitate directors' page turns) and all parts with notes and TAB or just notes.L'amour est un oiseau rebelle (Love is a rebellious Bird) or Habanera is one of opera's most popular arias. The melody was actually written by the Spanish musician Sebastián Iradier. Bizet mistakenly believed it to be a folk melody but was quick to credit the original author upon being informed of its origin.  Iradier had a gift for creating popular melodies as he also wrote the beautiful La Paloma. This arrangement employs a variety of timbres and the full range of the instruments. Guitars 3 & 4 are tuned to D and Guitar 1 has the option of playing up to a high A (fret 17), although this passage is equally effective played an octave lower (see note in score). I have provided a score with notes and TAB, a score with notes only (to facilitate directors' page turns) and all parts with notes and TAB or just notes. A video performance of this arrangement is available on YouTube or at www.danjonesguitarist.comFor a huge range of writings, arrangements, compositions and much more, for guitarists of all levels of experience, please visit www.danjonesguitarist.comI hope you enjoy playing Habanera as much as I have enjoyed arranging and performing it.
$6.95 ≈
6.45€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
11.13€
10,000 Reasons (bless The Lord)
10,000 Reasons (bless The Lord)
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Musique Sacrée
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Matt Redman
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Kyle Pudenz
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10,000 Reasons
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding...
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Guitar - Level 2 - SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #810792. Published by ViolinVagabond Music (A0.1213599). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a solo violin wedding gig on less than 24 hours' notice, and found this song right at the top of the list. Having not played or listened to it in... a while, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of (insert current minimum price for SMP chart). While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a church service I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to worship songs wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$3.99 ≈
3.70€
Come Home To You
Come Home To You
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Ian Munsick
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Kyle Pudenz
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Come Home To You
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contem...
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Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99 ≈
4.63€
Long Live Cowgirls
Long Live Cowgirls
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Ian Munsick & Cody Johnson
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Kyle Pudenz
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Centu...
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Guitar - Level 3 - SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99 ≈
4.63€
Frank Vignola- Building Guitar Finger Strength
Frank Vignola- Building Guitar Finger Strength
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Guitare
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INTERMÉDIAIRE
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Jazz
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Frank Vignola
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Frank Vignola- Building Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (flatpicking) - Intermediate - SKU: M0.99659EB And 26 Different II-5-I Progressions. Composed by Frank Vignola. Style. Jazz. E-book and on...
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Guitar (flatpicking) - Intermediate - SKU: M0.99659EB And 26 Different II-5-I Progressions. Composed by Frank Vignola. Style. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99659EB. Published by Mel Bay Publications - Digital Sheet Music (M0.99659EB). ISBN 9781619112582. 8.75x11.75 inches.In the Building Finger Strength section of this book, we will cover 12 different finger-strengthening exercises. Practice these exercises slowly and accurately before trying to build speed. On the optional practice-along recording you will find three different tempos for each individual exercise. This is to help you build up your speed and your finger strength one step at a time. Obviously beginners should start with the slow tempo. I also believe that the more advanced students should start with the slow tempo to build accuracy. I found when recording these exercises for the practice-along recording that the slowest tempo was the hardest to execute with no mistakes. Diligent practice will build flexibility and strength!In the latter section of this book (26 ii-V-I Progressions), we will be looking at 26 different ways to play the ii û V û I chord progression. We will be working in the key of C. The ii chord is Dm7, the V chord is G7 and the I chord is C. It is recommended that you transpose these into other keys. These studies can be used for ear training and to facilitate improvisation on standard chord progressions. Includes access to online audio.
$12.99 ≈
12.06€
23 Left Hand Exercises for Guitar
23 Left Hand Exercises for Guitar
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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23 Left Hand Exercises for Gui
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1162518 Composed by Brian Streckfus. Instructional. Guitar Tab. 8 pages. Brian Streckfus #762886. Published by Brian Streckfu...
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Guitar - Level 1 - SKU: A0.1162518 Composed by Brian Streckfus. Instructional. Guitar Tab. 8 pages. Brian Streckfus #762886. Published by Brian Streckfus (A0.1162518). Hopefully after playing these you will believe in all of your fingers more and be able to minimize any unnecessary movement. Often musicians are guilty of not thinking about technique when playing songs, so it's nice to have some bread and butter notes to allow you to focus on your technique, such as getting your pinky to be closer to the fret board, or playing on your finger tips more.This is a work in progress but it is eight pages. I have to work on making the formatting look cleaner and perhaps adding more than 23 exercises with guitar tablature.
$1.99 ≈
1.85€
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