Partition numérique de Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score

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Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score

Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score #Orchestre de chambre #AVANCÉ #Contemporain #Thierry PÃ©licant #Thierry Pélicant: Conce #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry PÃ©licant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry PÃ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpÃ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrÃ© Messager Orchestre and has also directed the Orchestre Philharmonique de lâ€™Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, PÃ©licant reconstructed the Messe solennelle of L.V.A BoÃ¯eldieu and Te Deum of 1792 by Philidor and premiÃ¨red and recorded the Suite Parnassienne, Massenetâ€™s last work. At the same time, he has also served the music of our time in premiÃ¨ring or recording the works of Dazzi, Marchand, Braconnier, BÃ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme Ã§a, Ribouldingue, Ã‰lise et le fantÃ´me) ; With the poet Luis Porquet, he wrote the song cycle Ombre lÃ©gÃ¨re (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de lâ€™Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GÃ lvez-Vallejo, childrenâ€™s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorÃ©e, (quintet for oboe and strings), Sextuor dâ€™Ã©tÃ©, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..

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