Partition numérique de Madeleines

Mon compte
(connectez-vous)

€

Matériel de Musique ▾

Non classifié 210 892

Imprimer aprés achat

Accueil

PARTITIONS GRATUITES
189 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Partitions à imprimer

Madeleines

Madeleines #Piano seul #John Carbon #Madeleines #John Carbon #SheetMusicPlus

Piano Solo - SKU: A0.966218 Composed by John Carbon. 20th Century,Contemporary. Score. 25 pages. John Carbon #3586217. Published by John Carbon (A0.966218). Composed in 2016, Madeleines is similar to my two sets of Spanish Lessons (1988 and 2001) which are both suites of character pieces for piano inspired by my admittedly limited travel in Spain. Madeleines is inspired by a much earlier hairbrained trip I took to France (and the rest of the Grand Tour) with my sister when I was in college. The title refers to Proust's episode of the madeleine, in which involuntary memory overwhelms the protagonist when he bites into one of these small cakes. I also sometimes experience poignant memories from our fondly remembered trip triggered by various catalysts. The five episodes in this set of pieces attempt to capture the essence of some of these memories. The first piece, MeÌmoire triste dans un cafeÌ (sad memory in a cafeÌ), serves the purpose of a preÌlude. One might conclude that the madeleine is sampled in this location. Il pleut aÌ Brest (It is raining in Brest) evokes memories of the wet weather in Brest, a city in Brittany near the coast. I was curious about this area because, during our travels, we met a boy in Paris with dark and dangerous eyes named FrancÌ§ois (FrancÌ§ois et ses yeux dangereux) who was from that area. In Il pleut the sound of rain alternates with church bells and fog horns (one of the poetic sensations I remember vividly about Brest). The third piece (FrancÌ§ois) is a blend of a barcarolle and a funeral march. I continued to send one-way letters to FrancÌ§ois after we returned and one day the French police called to tell me that he was dead and that they had found one of my letters on his body, which had been tossed into the Seine. They wanted more information, and they revealed that he had been smuggling drugs out of Turkey. I think the next piece, Promenade dans la meÌnagerie de Versailles (Walk in the zoo at Versailles), is tempered by later memories of a trip I took to the zoo at SchoÌˆnbrunn palace near Vienna, the oldest Baroque zoo, which was in a terrible state of decay when I saw it, hence the wistful air. The finale of the set, Madeleine deÌteste les devoirs (Madeleine hates homework) is a bow to the French primer I grew up with, which had as one of its main characters a little girl who I think may have been named Madeleine. I know her father was named FrancÌ§ois. My memories are mixed up, the actual FrancÌ§ois Thibaud is remembered as the inventor of the fast-track method of learning French, which was in vogue when I first studied it in 6th grade. The idea here is that Madeleine, the daughter of FrancÌ§ois, is having a tantrum and playing with her hoops or a bike rather than doing her English homework.John Carbon

$6.99 ≈ 6.42€

Acheter des Partitions Numériques à Imprimer