Gettin\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"" Non classifié 214 Vents Saxophone (partie séparée) 24 Quatuor de Saxophones: 4 saxophones 21 Flûte traversière 18 Clarinette 16 Saxophone Alto 16 Flûte, Hautbois, Clarinette, Basson 12 Saxophone Tenor 11 Clarinette et Piano 9 Flûte traversière et Piano 9 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 8 Quatuor de Clarinettes: 4 clarinettes 8 Hautbois (partie séparée) 8 Saxophone Alto et Piano 7 Hautbois, Piano (duo) 6 Flûte à Bec 5 Quatuor de Flûtes : 4 flûtes 5 Clarinette (partie séparée) 5 Saxophone Tenor et Piano 5 Ensemble de Clarinettes 4 3 Saxophones (trio) 3 3 Clarinettes (trio) 3 Saxophone Soprano 3 Clarinette, Guitare (duo) 3 Instruments en Mib 2 Ensemble de Flûtes 2 Quintette de Clarinettes: 5 clarinettes 2 Saxophone Baryton, Piano 2 Clarinette Basse, Piano 2 2 Clarinettes (duo) 2 Flûte, Clarinette (duo) 2 2 Clarinettes, Basson 2 Saxophone Soprano et Piano 2 Flute (partie séparée) 2 2 Flûtes traversières (duo) 2 Trio de Flûtes: 3 flûtes 1 Cor anglais, Piano 1 Quintette de Saxophone: 5 saxophones 1 Piccolo 1 Flûte et Guitare 1 2 Flûte à bec (duo) 1 Saxophone et Guitare 1 Cor Anglais 1 Flûte, Hautbois, Clarinette (trio) 1 Flûte à Bec, Piano 1 Quatuor de Flûtes à bec 1 Flûte, Clarinette et Basson 1 Flûte, Violon et Violoncelle 1 Flûte, Harpe et Violoncelle 1 Piccolo, Piano 1 Cuivres Trombone (partie séparée) 21 Trompette (partie séparée) 19 Trompette 15 Quatuor de Cuivres : 2 trompettes, trombone, tuba 12 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 11 Cordes Quatuor à cordes: 2 violons, alto, violoncelle 51 Violon 26 Violoncelle 20 Harpe 16 Violon et Piano 12 Violoncelle, Piano 10 Violon (partie séparée) 9 2 Violoncelles (duo) 9 Violon, Violoncelle (duo) 9 Alto seul 9 Alto, Piano 8 Alto, Violoncelle (duo) 6 Trio à Cordes: violon, alto, violoncelle 6 Contrebasse (partie séparée) 6 Alto (partie séparée) 4 Violon, Alto (duo) 3 2 Harpes (duo) 3 2 Violons (duo) 2 Trio à Cordes: 2 violons, violoncelle 2 Contre Basse 2 4 Harpes 1 Violoncelle , Guitare (duo) 1 2 Altos (duo) 1 Trio à Cordes: 3 violoncelles 1 Ensemble de Violoncelles 1 Contrebasse, Piano (duo) 1 Violon, Guitare (duo) 1 4 Violoncelles 1 Autres
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Pax Aeternam for tuba and piano
Pax Aeternam for tuba and piano # Tuba et Piano# AVANCÉ# Contemporain# Maria Thompson Corley# Pax Aeternam for tuba and pian# Maria Thompson Corley# SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Publish...(+)
Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
