ISBN 9781610651059.

This collection of vibrant traditional and original tunes captures the variety of mandolin styles in America. The styles represented include old time country and bluegrass, ragtime, swing, Irish, Italian, and neoclassical. Some of the techniques explored are cross-picking, droning, voice-leading, double stops, and pull-offs. Of special interest are tunes that make use of the chord solo potential of the mandolin. A discussion of each tune provides lively commentary on the history and players behind the style, an outline of the arranging and composing ideas that are employed, and tips for practicing and honing technique. Tunes are shown in notation and tablature, and audio is included. This is the perfect anthology for intermediate and advanced players who want to build their skills while expanding their range of styles.

ISBN 9781609749101. A master collection of mandolin music in notation and tablature. Contains classical, early country, bluegrass, fiddle tunes, blues, gospel, and ragtime music. A great source book for mandolin repertoire.

ISBN 9781619118867.

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stephane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives; first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, youall find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Wirtten for intermediate to advanced violinists.

ISBN 9781619112728. Italian Folk Music for Mandolin is an enjoyable collection of pieces from various parts of northern, central and southern Italy. This anthology includes complete texts and translations of the songs with accurate accompanying arrangements for two mandolins, or violin and guitar. The selections include medieval and Renaissance instrumental folk dances, sixteenth-century Neapolitan Villanelle, work songs, lullabies, narrative ballads, prisoner songs, and popular dances including tarantellas, pizzica, Sardinian ballo tondo, quadrille, waltz and saltarello. The book includes an accompanying online audio of all the pieces presented.

ISBN 9781513459684. 8.75x11.75 inches.

The tunes in this collection were chosen from Peggy Carters half-century of performing, teaching, and arranging music for the hammered dulcimer. This anthology contains 60 tunes arranged especially for novice to intermediate-level players of the 12/11 dulcimer, including suggestions for note reading, hammering patterns and embellishments. Playing the dulcimer is not effortless, but it should be fun! The title tune, Dulcimer Frolic, is a family heirloom originally written for mandolin by Peggys grandfather in the early 1920s; transcribed for hammered dulcimer, the tune really lives up to its name. In fact, every tune in the collection is designed for fun and frolic. Some have lyrics, some are presented as bare-bones melodies, and some are embellished. Youll find that these arrangements bring out the best in all of them.