Partitions Numériques de The Call Up"" pour Trio à Cordes: violon, alto, violoncelle

String Trio Cello,Viola,Violin - Level 4 - SKU: A0.526316 By Kanye West. By Jeffrey Bhasker, Kanye West, Malik Jones, Scott Mescudi, Stacy Ferguson, and...(+)

String Trio Cello,Viola,Violin - Level 4 - SKU: A0.526316 By Kanye West. By Jeffrey Bhasker, Kanye West, Malik Jones, Scott Mescudi, Stacy Ferguson, and Warren Trotter. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Pop,R & B,Wedding. 20 pages. Sarah Cellobat Chaffee #6460749. Published by Sarah Cellobat Chaffee (A0.526316). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*All Of The Lights is considered by many to be one of Kanye West's great masterpieces of music. With its detailed production and many layers of instruments, vocals, and effects, the powerful song was critically acclaimed upon its release in 2011 and ended up winning two Grammy awards. Many people have no idea how to translate this song for strings, resulting in charts that make no musical sense or abridged versions that just repeat the first minute and call it a day. This is NOT one of those charts! This Cellobat arrangement for your violin, viola, and cello string trio is a full arrangement of the entire 5-minute album version of All Of The Lights, manifesting even the rap sections and echoey interstitial passages into a driving, harmonious, seriously great-sounding, and fun-to-play arrangement. This was originally written for a wedding, but you won't regret having it in your gig binders for any occasion! This epic chart will be playable for students and sightreadable for professionals. Sarah â€œCellobatâ€ Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their â€œDeuces Are Wildâ€ residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perricoâ€™s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, MÃ¶tley CrÃ¼e, Celine Dion, Halsey, Michael BublÃ©, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

$14.99 ≈ 13.76€

Mysterious Moment for alto flute and string trio

Mysterious Moment for alto flute and string trio #Trio à Cordes: violon, alto, violoncelle #INTERMÉDIAIRE #Contemporain #David Warin Solomons #Mysterious Moment for alto flu #David Warin Solomons #SheetMusicPlus

String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...(+)

String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.

$8.00 ≈ 7.34€

Romantic Flight

Romantic Flight #Trio à Cordes: violon, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Various #Alison Gillies #Romantic Flight #quartetpad.com #SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1401566 By Various. By John Powell. Arranged by Alison Gillies. Film/TV,Wedding. 7 pages. Quartetpad....(+)

String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1401566 By Various. By John Powell. Arranged by Alison Gillies. Film/TV,Wedding. 7 pages. Quartetpad.com #984749. Published by quartetpad.com (A0.1401566). Romantic Flight from How To Train Your Dragon by John Powell, arranged for string trio (with parts for either violin 2 or viola) by Alison Gillies.Romantic Flight (also called Astrid's theme) was first featured in the first film Â of the DreamWorks trilogy, most notably during Hiccup and Astrid's first flight scene. It has since become a popular choice for weddings, with its wistful celtic violin opening and subsequent soaring melody.This arrangement has been transposed up a semitone from the original track to make it more string-friendly!For a full list of arrangements by Alison Gillies, please visit quartetpad.comInstagramFacebookTikTok

$16.99 ≈ 15.59€

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