Partitions Numériques de Wolf Call"" pour Clarinette et Piano

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Wolf Call""
Non classifié 54

Piano & claviers
Piano seul 15
Orgue 3
Piano Facile 3
Piano Trio: piano, violon, violoncelle 2
Piano, Voix 1

Guitares
Guitare notes et tablatures 2
Guitare 1
Ukulele 1

Voix
Chorale SATB 7
Chorale Unison 3
Chorale 2 parties 2
Voix duo, Piano 1

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 12
Flûte traversière et Piano 10
Flûte, Hautbois, Clarinette, Basson 6
Quintette de Saxophone: 5 saxophones 5
Clarinette 4

Saxophone Alto et Piano 4
Quatuor de Saxophones: 4 saxophones 4
Quatuor de Clarinettes: 4 clarinettes 4
Saxophone Tenor et Piano 3
Clarinette et Piano 3

Quintette de Clarinettes: 5 clarinettes 3
2 Flûtes traversières (duo) 3
Hautbois, Piano (duo) 3
Saxophone Baryton, Piano 3
Flûte, Clarinette (duo) 2
Cor anglais, Piano 2
3 Clarinettes (trio) 2
Clarinette Basse, Piano 2
Ensemble de Flûtes 2
Saxophone Soprano et Piano 2
Hautbois, Clarinette (duo) 1
Clarinette, Guitare (duo) 1
Clarinette, Violoncelle, Piano (trio) 1
Flûte, Clarinette et Basson 1
Quatuor de Flûtes : 4 flûtes 1
Trio de Flûtes: 3 flûtes 1
3 Saxophones (trio) 1
Ensemble de Clarinettes 1
2 Clarinettes (duo) 1
Flûte à bec Soprano 1

+ 25 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Trombone et Piano 5
Trompette 4
Euphonium, Piano (duo) 3
Cor et Piano 3

Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Cor anglais, Piano 2
Tuba 1
2 Trombones (duo) 1
Tuba et Piano 1
Trompette, Piano 1
2 Tubas (duo) 1
Trombone, Tuba (duo) 1
2 Trompettes (duo) 1
Trio de Cuivres 1
2 Cors (duo) 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 15
Alto, Piano 6
Violoncelle, Piano 4
Violon et Piano 4
Trio à Cordes: violon, alto, violoncelle 2

Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Harpe 2
2 Violoncelles (duo) 2
Violon, Guitare (duo) 1
2 Altos (duo) 1
Alto, Guitare (duo) 1
2 Contrebasses (duo) 1
4 Violoncelles 1
Alto (partie séparée) 1
Violon (partie séparée) 1
2 Violons (duo) 1
Trio à Cordes: 3 violoncelles 1
Violon, Violoncelle (duo) 1
Trio à Cordes: 2 violons, violoncelle 1

+ 14 instrumentations

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Orchestre & Percussions
Orchestre à Cordes 6
Orchestre d'harmonie 4
Orchestre 4
Orchestre, Violon 1
Ensemble de Percussions 1

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Artistes :
• Wolf, Howlin'
• First Call
• Caedmon's Call

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Wolf Call""

Clarinette et Piano

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3 partitions trouvées

Bach: Wachet auf for Clarinet & Piano

Bach: Wachet auf for Clarinet & Piano #Clarinette et Piano #FACILE #Classique #Johann Sebastian Bach #James M # #Bach: Wachet auf for Clarinet #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...(+)

B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

$24.95 ≈ £19.47

Adagio from Sonata K. 332

Adagio from Sonata K. 332 #Clarinette et Piano #INTERMÉDIAIRE #Classique #Wolfgang Amadeus Mozart #Ian Fitze #Adagio from Sonata K. 332 #Ian Fitze #SheetMusicPlus

Clarinet,Piano - Level 3 - SKU: A0.1346942 Composed by Wolfgang Amadeus Mozart. Arranged by Ian Fitze. Classical,Contest,Festival,Instructional,Sacred,W...(+)

Clarinet,Piano - Level 3 - SKU: A0.1346942 Composed by Wolfgang Amadeus Mozart. Arranged by Ian Fitze. Classical,Contest,Festival,Instructional,Sacred,Wedding. Score and part. 4 pages. Ian Fitze #931732. Published by Ian Fitze (A0.1346942). From the 2nd movement of the F Major Piano Sonata.A typically interesting and tuneful Mozart work.

$1.99 ≈ £1.55

Bach: Bist du bei mir BWV 508 for Clarinet & Piano

Bach: Bist du bei mir BWV 508 for Clarinet & Piano #Clarinette et Piano #FACILE #Classique #Johann Sebastian Bach #James M #Bach: Bist du bei mir BWV 508 #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...(+)

B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508.Â Bist du bei mir Bach adapted this aria from a lost StÃ¶lzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. Â He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2. Â Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time. Â Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair handsÂ Â Â Â Â Â Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. RevivalÂ Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

$32.95 ≈ £25.71

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