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Partitions à imprimer
63 partitions trouvées
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51
Rêvé-je (Am I dreaming) for alto and guitar (mp3)
Rêvé-je (Am I dreaming) for alto and guitar (mp3)
#
Renaissance
#
Gabriel Bataille
#
David Warin Solomons
#
Rêvé-je
#
David Warin Solomons
#
SheetMusicPlus
Alto Voice,Guitar - SKU: A0.1059532 Composed by Gabriel Bataille. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 95. David Wa...
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Alto Voice,Guitar - SKU: A0.1059532 Composed by Gabriel Bataille. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 95. David Warin Solomons #3407715. Published by David Warin Solomons (A0.1059532). Score:https://www.sheetmusicplus.com/title/20179053?aff_id=175705Arrangement of Gabriel Bataille's song of lost love. Sung by David W SolomonsRêvé j'ou s'il est vrai que je vous dis adieu
$2.00 ≈
1.84€
Gangsta's Paradise
Gangsta's Paradise
#
Coolio Featuring L
#
Alison Gillies
#
Gangsta's Paradise
#
quartetpad.com
#
SheetMusicPlus
String Ensemble Cello - Level 4 - SKU: A0.1270942 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Al...
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String Ensemble Cello - Level 4 - SKU: A0.1270942 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Alison Gillies. Contemporary,Film/TV,Hip-Hop,Pop,R & B. 15 pages. Quartetpad.com #863319. Published by quartetpad.com (A0.1270942). Gangsta's Paradise by Coolio featuring L.V. arranged for cello quartet by Alison Gillies.Gangsta's Paradise was the number one biggest-selling single of 1995 on U.S. Billboard and featured on the soundtrack to the movie Dangerous Minds. The song borrows heavily from Stevie Wonder's Pastime Paradise from his 1976 album Songs in the Key of Life. Â This arrangement for 4 cellos is in the same key as the original (C minor) and follows the structure of the single.See other arrangements by Alison Gillies at https://www.quartetpad.comInstagramFacebook
$16.99 ≈
15.59€
Gangsta's Paradise
Gangsta's Paradise
#
Coolio Featuring L
#
Brian Hernandez
#
Gangsta's Paradise
#
The Brass Monkey
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1305483 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Brian Hernandez. Hip-Hop. Brass Band. 13 pages. The Brass Monkey #894929. Published by The Brass Monkey (A0.1305483). A Hip-Hop classic from Coolio's self-titled albumGangsta's Paradise combined with the R&B hit, Survivor from the musical trio, Destiny's Child arranged for a brass band.
$39.99 ≈
36.70€
Gangsta's Paradise
Gangsta's Paradise
#
Coolio Featuring L
#
Christopher Alexander
#
Gangsta's Paradise
#
Christopher Alexander
#
SheetMusicPlus
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1187021 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed...
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1187021 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Christopher Alexander. Hip-Hop,Jazz,R & B,Ragtime,Standards. 48 pages. Christopher Alexander #786650. Published by Christopher Alexander (A0.1187021). When the original song was released in 1995 it became a worldwide sensation, inspiring many artists to create their own covers of this song with their unique twist. Â Postmodern Jukebox fashioned their version into a 1920's jazz and cabaret style to illustrate the gangsters of the era, of which this choral arrangement is based. Â With an easy swing feel and accessible harmonizations, your choir will love to perform this song over and over again.
$25.00 ≈
22.94€
A MALVA ROSE
A MALVA ROSE
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Lars Ek
#
Lars Ek
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A MALVA ROSE
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration ...
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Accordion,Double Bass,Guitar - SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99 ≈
1.83€
"Pavane" from Mother Goose Suite
"Pavane" from Mother Goose Suite
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Maurice Ravel
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Justin M
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"Pavane" from Mother
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contem...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015409. Published by Justin M. Ryan (A0.886893). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and E Minor).
$2.99 ≈
2.74€
"Pavane" from Mother Goose Suite
"Pavane" from Mother Goose Suite
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Maurice Ravel
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Justin M
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"Pavane" from Mother
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886892 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contem...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886892 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015413. Published by Justin M. Ryan (A0.886892). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and D Minor).
$2.99 ≈
2.74€
Just Two
Just Two
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Jazz
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Rachel & Vilray
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George Kaplan
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Just Two
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George Kaplan
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SheetMusicPlus
Small Ensemble - Level 3 - Interactive Download SKU: A0.1177119 By Rachel & Vilray. By Vilray Blair Bolles. Arranged by George Kaplan. This edition: Inte...
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Small Ensemble - Level 3 - Interactive Download SKU: A0.1177119 By Rachel & Vilray. By Vilray Blair Bolles. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 7 pages. Duration 94. George Kaplan #6RqRzMO8445THevqM1BB3C. Published by George Kaplan (A0.1177119). Key: A major.Beautiful duet from R+V's 2023 album I Love A Love Song!
$9.99 ≈
9.17€
Método - Curso de Teclado Primeiros Toques - Volume 2 - Sérgio Cunha
Método - Curso de Teclado Primeiros Toques - Volume 2 - Sérgio Cunha
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Methodes
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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Método - Curso de Tecla
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Sérgio Matias da Cunha
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SheetMusicPlus
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 1 - SKU: A0.1314021 By Sérgio Matias da Cunha. By Sérg...
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 1 - SKU: A0.1314021 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 108 pages. Sérgio Matias da Cunha #902748. Published by Sérgio Matias da Cunha (A0.1314021). Integrando a coleção de quatro volumes, no volume 2 (com 108 páginas), após responder um questionário de revisão, as músicas folclóricas ganharão um novo acompanhamento, desenvolvido através do reconhecimento das notas dos acordes e de sua distribuição dentro de um determinado movimento rÃtmico da mão esquerda. Neste segundo nÃvel, denominado 12 músicas folclóricas - nÃvel 2, serão apresentados 12 padrões rÃtmicos para o acompanhamento com a mão esquerda de cada melodia, um padrão rÃtmico para cada música folclórica, a serem distribuÃdos no pentagrama da clave de FA pelo próprio aluno, que no final deste estudo contará com um gabarito para eventuais correções.  Teremos também jogos musicais;  25 temas didáticos -seção (a) ;  10 estudos progressivos e  25 temas didáticos - seção (b) que trazem várias informações teóricas junto à s partituras, como explicações sobre figuras rÃtmicas, execução das notas, velocidade, grafia, abreviações, sinais de repetição, alterações ascendentes e descendentes das notas naturais, entre outros conceitos que visam embasar o estudante para um pleno crescimento prático e teórico. Algumas músicas do volume 3 poderão ser escolhidas pelo professor para serem tocadas pelo aluno paralelamente enquanto estuda o volume 2. Encontre várias partituras colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$18.00 ≈
16.52€
Método - Curso de Teclado Primeiros Toques - Volume 1 - Sérgio Cunha
Método - Curso de Teclado Primeiros Toques - Volume 1 - Sérgio Cunha
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Methodes
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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Método - Curso de Tecla
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Sérgio Matias da Cunha
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SheetMusicPlus
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 1 - SKU: A0.1314018 By Sérgio Matias da Cunha. By Sérg...
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 1 - SKU: A0.1314018 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 124 pages. Sérgio Matias da Cunha #902745. Published by Sérgio Matias da Cunha (A0.1314018). Integrando a coleção de quatro volumes, no  volume 1 (com 124 páginas) você terá uma seleção de atividades e jogos para o desenvolvimento da percepção rÃtmica e sonora neste estágio inicial de musicalização;  várias atividades para uma introdução ao teclado com o  reconhecimento das teclas e suas relações; estudos preliminares com informações teóricas e introdutórias para a identificação das notas na partitura e no teclado através da formação e progressão dos acordes de três sons; jogos musicais e um panorama geral com os acordes mais populares, atendendo aos que procuram uma atuação mais imediata através da praticidade das cifras. Além disso, um primeiro estudo dos elementos rÃtmicos, baseado nos movimentos do corpo e exercÃcios de coordenação, possibilitando a execução das 12 músicas folclóricas - nÃvel 1, a serem lidas e executadas com a mão esquerda na clave de FA e com a mão direita na clave de SOL. Encontre várias partituras colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$18.00 ≈
16.52€
Bereden väg för Herren
Bereden väg för Herren
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Noël
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Nils Landgren
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Bereden väg för Herr
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Soundnotation
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SheetMusicPlus
Voice, trombone, and piano - Intermediate - SKU: 2S.4251133770834 By Nils Landgren. By Traditional. Arranged by Eva Kruse, Ida Sand, Jeanette Köhn, J...
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Voice, trombone, and piano - Intermediate - SKU: 2S.4251133770834 By Nils Landgren. By Traditional. Arranged by Eva Kruse, Ida Sand, Jeanette Köhn, Jessica Piläs, Johan Norberg, Jonas Knutsson, and Sharon Dyall. This music book contains the original sheet music for the Christmas song - Bereden väg för Herren - for Trio by Nils Landgren. Christmas. Score. 10 pages. Soundnotation #4251133770834. Published by Soundnotation (2S.4251133770834). This music book contains the original sheet music for the Christmas song - Bereden väg för Herren - for Trio by Nils Landgren. The scores consists of vocals, trombone and piano accompaniment. Medium difficulty in D major with lyrics.
$10.95 ≈
10.05€
Método - Curso de Teclado Primeiros Toques - Volume 4 - Sérgio Cunha
Método - Curso de Teclado Primeiros Toques - Volume 4 - Sérgio Cunha
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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teoria musical
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Método - Curso de Tecla
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Sérgio Matias da Cunha
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SheetMusicPlus
C Instrument,Digital Keyboard,Electronic Keyboard,Piano - Level 3 - SKU: A0.1314028 By Sérgio Matias da Cunha. By Various. Arranged by Sérgio Mati...
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C Instrument,Digital Keyboard,Electronic Keyboard,Piano - Level 3 - SKU: A0.1314028 By Sérgio Matias da Cunha. By Various. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 98 pages. Sérgio Matias da Cunha #902756. Published by Sérgio Matias da Cunha (A0.1314028). Integrando a coleção de quatro volumes, no volume 4 (com 98 páginas), em Teoria 2, seguimos aprimorando os conhecimentos sobre intervalos; teoria musical; acordes; escalas; harmonia e leitura rÃtmica, também auxiliado pela aplicação de vários jogos musicais no decorrer dos estudos. Aqui teremos: 15 temas e canções; 10 movimentos de suÃte e 13 temas clássicos. Para expandir o desempenho ao teclado, serão relacionados padrões de acompanhamento, com aplicação devidamente exemplificada e sugestivamente distribuÃdos nas músicas do repertório deste curso. Tabela de andamentos, tabela de expressões e intensidade e observações sobre o monocórdio de Pitágoras, são apresentadas como material de consulta. ATENÇÃO: Algumas músicas com direitos autorais do volume 3 e do volume 4 estão disponÃveis para compra em: https://www.sheetmusicplus.com/ e também  no site: https://www.sheetmusicdirect.com/  (Encontre o código da música junto ao Ãndice). Encontre várias partituras colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$15.00 ≈
13.77€
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
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Contemporain
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music P...
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Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music Publishing #44853. Published by Musik Fabrik Music Publishing (A0.532827). 1. Une vision continuellement renouvelée par l'émotion II. Les forces expressives d'attraction semblent aller en s'amplifiant III. Les chants flamboyants tournoient et s'entrechoquent en un bouillonnement intense Perhaps the composition of a string quartet is a task for the mature age of a composer. It could be that this sort of work could be seen as a sort of musical will. Whatever the case, the author wanted to use, as much as possible, the great expressive possiblities of this ensemble. The quartet and the piano, by attraction or repulsion, share their specific forces and come together in a flamboyant osmosis. In each of these three movements, one can see the manifestations of a great sonic mass, an intense emotion and, the author hopes, the beauty of inspired music mvt 1 https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 2. https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 3. https://www.youtube.com/watch?v=rB1UlvGT9y4.
$25.95 ≈
23.81€
Método - Curso de Teclado Primeiros Toques - Volume 3 - Sérgio Cunha
Método - Curso de Teclado Primeiros Toques - Volume 3 - Sérgio Cunha
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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teoria musical
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Método - Curso de Tecla
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Sérgio Matias da Cunha
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SheetMusicPlus
C Instrument,Digital Keyboard,Electronic Keyboard,Piano - Level 2 - SKU: A0.1314023 By Sérgio Matias da Cunha. By Various. Arranged by Sérgio Mati...
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C Instrument,Digital Keyboard,Electronic Keyboard,Piano - Level 2 - SKU: A0.1314023 By Sérgio Matias da Cunha. By Various. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 102 pages. Sérgio Matias da Cunha #902751. Published by Sérgio Matias da Cunha (A0.1314023). Integrando a coleção de quatro volumes, no volume 3 (com 102 páginas), em Teoria 1, são aprimorados os conhecimentos sobre intervalos; teoria musical; acordes; escalas; leitura rÃtmica; coordenação e percepção. Inicia-se aqui a execução das primeiras músicas de um repertório diversificado, dividido por fases em seus diferentes estilos. Nesta primeira fase teremos: 10 pequenas valsas; 14 músicas de natal; 12 tradicional brasileiro; 39 temas e canções; 5 movimentos de suÃte e 5 temas clássicos. ATENÇÃO: Algumas músicas com direitos autorais do volume 3 e do volume 4 estão disponÃveis para compra em: https://www.sheetmusicplus.com/ e também  no site: https://www.sheetmusicdirect.com/  (Encontre o código da música junto ao Ãndice). Encontre várias partituras colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$15.00 ≈
13.77€
Ceathair - Zwei Quartette für vier Flöten
Ceathair - Zwei Quartette für vier Flöten
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Kathrin Beddig
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Ceathair - Zwei Quartette f&uu
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
4 flutes - intermediate - SKU: S9.Q583608 Jahresgabe 2023 des Vereins Freunde der Querflöte e. V.. Composed by Kathrin Beddig. Downloadable, S...
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4 flutes - intermediate - SKU: S9.Q583608 Jahresgabe 2023 des Vereins Freunde der Querflöte e. V.. Composed by Kathrin Beddig. Downloadable, Score and parts. Duration 6' 25. Musikverlag Zimmermann - Digital #Q583608. Published by Musikverlag Zimmermann - Digital (S9.Q583608). The edition 'Ceathair' (Gaelic: 'four') comprises two quartets for four flutes by the German composer and flutist Kathrin Beddig, in which the historical references between traditional Irish and Persian culture can be heard. The two compositions are entitled 'Suantrai' (sweet, lulling to sleep) and 'Ambubaiae' (Syrian flute girls). Join us in exploring these two pieces!Die Ausgabe „Ceathair“ (gälisch: „vier“) umfasst zwei Quartette für vier Flöten, in denen die historischen Bezüge zwischen traditionell irischer und persischer Kultur anklingen. Die beiden Kompositionen tragen die Titel „Suantrai“ (süß, einschläfernd) und „Ambubaiae“ (syrische Flötenspielerinnen).
$12.99 ≈
11.92€
Brudmarsch från Väddö
Brudmarsch från Väddö
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Folklorique/Traditionel
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Hans Röjås
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Johanna Thür
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Brudmarsch från Väd
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSATB chorus - SKU: BJ.1274 Composed by Hans Röjås. Arranged by Johanna Thür. Folk. Octavo. 2 pages. Bo Ejeby Forlag - Digital #1274. Published...
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SSATB chorus - SKU: BJ.1274 Composed by Hans Röjås. Arranged by Johanna Thür. Folk. Octavo. 2 pages. Bo Ejeby Forlag - Digital #1274. Published by Bo Ejeby Forlag - Digital (BJ.1274). 8.27 x 11.7 inches.A traditional Swedish wedding marsch with no words, after fiddler Hans Röjås. Also available for women’s voices.
$2.00 ≈
1.84€
Fyra stycken för gitarr
Fyra stycken för gitarr
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Olle Adolphson
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Fyra stycken för gitarr
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Spanish Guitar - SKU: BJ.1454 Composed by Olle Adolphson. Edited by Mats Bergström. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1454. Published by B...
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Spanish Guitar - SKU: BJ.1454 Composed by Olle Adolphson. Edited by Mats Bergström. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1454. Published by Bo Ejeby Forlag - Digital (BJ.1454). 8.27 x 11.7 inches.Four songs for guitar.Contents:Carl, En liten pojke förklarar (Eriks visa), Habanera, Resa med en vänNever before published music by one of Sweden's most beloved troubadours. Edited by Mats Bergström.
$14.00 ≈
12.85€
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 page...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95 ≈
27.48€
Chuyện Cổ Nghi Tàm (arrangemet)
Chuyện Cổ Nghi Tàm (arrangemet)
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Thanh Tùng
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Äá»— Bảo
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Chuyện Cổ Nghi T&a
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NEWAGE MEDIA
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SheetMusicPlus
Small Ensemble Fiddle,Guitar,Hand Percussion,Multi-Percussion - Level 2 - SKU: A0.987021 Composed by Thanh Tùng. Arranged by Äá»— Bảo. Fo...
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Small Ensemble Fiddle,Guitar,Hand Percussion,Multi-Percussion - Level 2 - SKU: A0.987021 Composed by Thanh Tùng. Arranged by Äá»— Bảo. Folk,Pop,World. Score and parts. 3 pages. NEWAGE MEDIA #1988949. Published by NEWAGE MEDIA (A0.987021). Má»™t sáng tác năm 2008 của nhạc sÄ© Thanh Tùng, được cho là sáng tác cuối cùng trong sá»± nghiệp của ông. Bà i hát do Äá»— Bảo hòa âm cho Ä‘Ã n guitar Ä‘iện, nhị (erhu), và trống (percussion), trong liveshow Má»™t Mình năm 2008 của nhạc sÄ© Thanh Tùng, TrÃch: http://www.tienphong.vn/van-nghe/chuyen-co-thanh-tung-982699.tpo Sáng tác cuối cùng của Thanh Tùng được cho là bà i Chuyện cổ Nghi Tà m - má»™t bà i hát có ca từ không giống chất Thanh Tùng nhÆ° thÆ°á»ng thấy. Giai Ä‘iệu nghe rất xẩm Bắc bá»™. Những mÅ© rÆ¡m thá»i sÆ¡ tán, Xuân Äỉnh, Xuân La vá»›i mùi ổi găng, mùi hoa hoà ng lan giữa nắng rát mặt và mÆ°a bom trên đầu. Những bỡ ngỡ của cáºu trai trẻ miá»n Nam lần đầu tiên bÆ°á»›c chân ra vùng đất lạ thể hiện qua ca từ ngồ ngá»™: Củ hà nh là nhà Trung Ã, mái bằng là nhà Liên Xô. Có lẽ trải qua những yêu Ä‘Æ°Æ¡ng và vô và n trải nghiệm, ký ức thá»i má»™c mạc trá»—i dáºy ở tuổi xế chiá»u. Dù váºy, trong xứ Nghi Tà m xa xÆ°a ấy, vẫn có tuổi hồng dà nh cho nhau. Nghe kể lại, thá»i Nghi Tà m, cùng lứa táºp kết ra Bắc vá»›i Thanh Tùng có nhiá»u bạn bè thân là m quan to cấp trung Æ°Æ¡ng. Do đó, Chuyện cổ Nghi Tà m có khi nhÆ° má»™t lá»i nhắc tá»›i bạn bè: Äồ rằng anh quên hết nên tôi kể chuyện ngà y xÆ°a.
$1.99 ≈
1.83€
NÆ°á»›c Mắt Hoàng TrÆ°á»ng Sa - Score Only
NÆ°á»›c Mắt Hoàng TrÆ°á»ng Sa - Score Only
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Châu Gia Chuyển
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Châu Gia Chuyển
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Nước Mắt Ho&agra
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Châu Gia Chuyển
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1038267 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia Chuyển. Children,Multicu...
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Large Ensemble - Level 5 - SKU: A0.1038267 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia Chuyển. Children,Multicultural,Standards,Video Game,Wedding,World. Score and parts. 1 pages. Châu Gia Chuyển #643202. Published by Châu Gia Chuyển (A0.1038267). NÆ°á»›c Mắt Hoà ng TrÆ°á»ng Sa Sáng tác và trình bà y : Châu Gia Chuyển Từ ngà n xÆ°a nòi giống Lạc Long Bốn ngà n năn gây dá»±ng cÆ¡ đồ Dòng máu Ä‘Ã o tuôn rÆ¡i khắp nÆ¡i Bao hùng anh ghi danh sá» và ng Việt Nam Æ¡i chim bay bốn phÆ°Æ¡ng Luyện võ công dâng sức trao Ä‘á»i Nà o Ngại gì gian khó hiển nguy Cùng chung tay giữ gìn quê hÆ°Æ¡ng Vison 2 : Ngoà i khÆ¡i xa bão tố cuồng phong Äếm ngà y đêm sôi sục căm há»n Lòng tạc dạ chẳng phút nà o quên Con nguyện Ä‘i bảo vệ biên cÆ°Æ¡ng Biển quê hÆ°Æ¡ng hai tiếng thiêng liêng Trong lá»i ru vá»ng mẹ ngân nga Con vùng dáºy quét phá phong ba Äất nÆ°á»›c nay in hình bóng cha Äiệp Khúc : Hoà ng TrÆ°á»ng Sa là máu của ta Äã khóc rồi ngÆ°á»i Æ¡i thấy không Hãy cùng nắm tay HÆ°á»›ng vá» biển đông Luyện tôi ý chà vững tin bạn Æ¡i ! Dân nÆ°á»›c Nam nòi giống rồng tiên Hoà ng TrÆ°á»ng Sa hãy cùng hiên ngang Hô vang khà thế Äánh tan giặc thù Lau khô nÆ°á»›c mắt cho Hoà ng,TrÆ°á»ng Sa.
$2.00 ≈
1.84€
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
10.05€
Finnish National Anthem for String Orchestra
Finnish National Anthem for String Orchestra
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Fredrik Pacius
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Keith Terrett
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Finnish National Anthem for St
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Pra...
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String Orchestra - Level 3 - SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [ˈmɑːmːe]) or Vårt land (Finland Swedish: [ˈvoːrt ˈlɑnːd]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min izāmō (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
$8.99 ≈
8.25€
Pitti Pieps rettet das Weihnachtsfest
Pitti Pieps rettet das Weihnachtsfest
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Almut Werner
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Pitti Pieps rettet das Weihnac
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Recorder(n) - SKU: S9.Q54752 Eine Geschichte. Composed by Almut Werner. This edition: teacher's book. Downloadable, Teacher's edition. Musikverla...
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Recorder(n) - SKU: S9.Q54752 Eine Geschichte. Composed by Almut Werner. This edition: teacher's book. Downloadable, Teacher's edition. Musikverlag Zimmermann - Digital #Q54752. Published by Musikverlag Zimmermann - Digital (S9.Q54752). German.Pitti ist der kleinste Sprössling der Vogelfamilie Pieps und lebt in einer wunderschönen Tanne im Wald. Doch die Menschen bedrohen das Zuhause der Vögel, denn sie wollen die Bäume für das bevorstehende Weihnachtsfest fällen. Wie die Vögel ihren Wald retten und es für alle, Mensch und Tier, ein fröhliches Weihnachtsfest wird, erfahrt Ihr in dieser Geschichte. Nach Das kleine Gespenst Huschwusch (ZM 34860) hier nun eine neue Geschichte von Almut Werner, wiederum gut geeignet für die szenische Aufführung in der Schule oder Musikschule für Kinder ab 7 Jahren nach ca. eineinhalb Jahren Blockflötenunterricht.
$9.99 ≈
9.17€
The Day of Rest for Cantor and SSA Treble Chorus (Piano-Vocal Edition, Ashk'nazic Hebrew Dialect)
The Day of Rest for Cantor and SSA Treble Chorus (Piano-Vocal Edition, Ashk'nazic Hebrew Dialect)
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Sylvan
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The Day of Rest for Cantor and
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1509983 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter Solomon Gross, E...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1509983 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter Solomon Gross, Editors. Holiday,Jewish,Praise & Worship,Religious,Sacred. Score. 304 pages. Ayotte Custom Musical Engravings #1085185. Published by Ayotte Custom Musical Engravings (A0.1509983). The Day of Rest was commissioned for the Beth Abraham Youth Chorale, Dayton, Ohio, and its director, Hazzan Jerome B. Kopmar, by Dr. and Mrs. Michael Jaffe in honor of Mr. and Mrs. Lawrence Jaffe, Mrs. Albert Abrams, and in memory of Mr. Albert Abrams.Part I: Lël Shabôs (Sabbath Evening Service)L’chu N’ran’nôKol AdoshemL’chô DodiAdoshem MôlôchV’shôm’ruShôlom AlëchemPart II: Shacharis L’shabôs (Sabbath Morning Service)Shochein AdTisbôrachMim’kom’chôAnô AvdôSh’ma YisrôeilL’chô Adoshem Hag’dulôPart III: Shacharis L’shabôs (Cont’d)PreludeY’hi RôtzonMi Sheôsô NisimUv’nucho YomarPart IV: Musaf L’shabôs (Additional Service for the Sabbath)K’dushas MusafNaªritz’chôKôdoshMim’komoSh’ma YisrôeilYimlochL’dor VôdorYism’chuPart V: Motzôë Shabôs (The Conclusion of The Sabbath)PreludeHavdôlôHamavdilEiliyôhu Hanôvi.
$99.99 ≈
91.76€
The Day of Rest for Cantor and SATB Mixed Chorus (Piano-Vocal Edition, Ashk'nazic Hebrew Dialect)
The Day of Rest for Cantor and SATB Mixed Chorus (Piano-Vocal Edition, Ashk'nazic Hebrew Dialect)
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Sylvan
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The Day of Rest for Cantor and
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1510019 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter Solomon Gross, E...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1510019 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter Solomon Gross, Editors. Holiday,Jewish,Praise & Worship,Religious,Sacred. Score. 345 pages. Ayotte Custom Musical Engravings #1085208. Published by Ayotte Custom Musical Engravings (A0.1510019). The Day of Rest was commissioned for the Beth Abraham Youth Chorale, Dayton, Ohio, and its director, Hazzan Jerome B. Kopmar, by Dr. and Mrs. Michael Jaffe in honor of Mr. and Mrs. Lawrence Jaffe, Mrs. Albert Abrams, and in memory of Mr. Albert Abrams.Part I: Lël Shabôs (Sabbath Evening Service)L’chu N’ran’nôKol AdoshemL’chô DodiAdoshem MôlôchV’shôm’ruShôlom AlëchemPart II: Shacharis L’shabôs (Sabbath Morning Service)Shochein AdTisbôrachMim’kom’chôAnô AvdôSh’ma YisrôeilL’chô Adoshem Hag’dulôPart III: Shacharis L’shabôs (Cont’d)PreludeY’hi RôtzonMi Sheôsô NisimUv’nucho YomarPart IV: Musaf L’shabôs (Additional Service for the Sabbath)K’dushas MusafNaªritz’chôKôdoshMim’komoSh’ma YisrôeilYimlochL’dor VôdorYism’chuPart V: Motzôë Shabôs (The Conclusion of The Sabbath)PreludeHavdôlôHamavdilEiliyôhu Hanôvi.
$99.99 ≈
91.76€
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