Partitions Numériques de Concerto for piano and orchestra pour Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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Concerto for piano and orchestra
Non classifié 182

Piano & claviers
Piano seul 113
2 Pianos, 4 mains 23
Accompagnement Piano 5
Orgue, Piano (duo) 3
Piano Trio: piano, violon, violoncelle 3

1 Piano, 4 mains 3
Piano Facile 3
Piano, Voix et Guitare 2
Orgue 1
Piano, Voix 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano (partie séparée) 1
Piano Quatuor: piano, violon, alto, violoncelle 1
Accordéon 1
Accordéon et Orchestre 1

+ 10 instrumentations

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Guitares
Piano, Guitare (duo) 3
Guitare 2

Voix
Chorale SATB 1
Chorale TTBB 1

Vents
Flûte traversière et Piano 20
Clarinette et Piano 15
Saxophone Alto et Piano 13
Hautbois, Piano (duo) 12
Clarinette 10

Saxophone Soprano et Piano 6
Saxophone Tenor et Piano 5
Cor anglais, Piano 4
Saxophone Baryton, Piano 4
Clarinette Basse, Piano 4
Flûte traversière 3
Flûte traversière, Orchestre 3
Quatuor de Clarinettes: 4 clarinettes 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Flûte à Bec 1
Hautbois et Orchestre 1
Flûte, Violoncelle, Piano (trio) 1
2 Clarinettes (duo) 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte, Violon, Piano 1
Flûte à bec Soprano 1
Harmonica, Piano 1
Quatuor de Flûtes : 4 flûtes 1
2 Saxophones (duo) 1
Quatuor de Saxophones: 4 saxophones 1
Saxophone 1

+ 22 instrumentations

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Cuivres
Trombone et Piano 19
Trompette, Piano 10
Cor et Piano 9
Cor anglais, Piano 4
Tuba et Piano 3

Euphonium, Piano (duo) 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

Cor 1
2 Trompettes (duo) 1
Trompette 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
2 Trompettes, Clavier (piano ou orgue) 1

+ 7 instrumentations

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Cordes
Violon et Piano 46
Violoncelle, Piano 24
Alto, Piano 14
Quatuor à cordes: 2 violons, alto, violoncelle 11
Contrebasse, Piano (duo) 6

Alto seul 3
Alto et orchestre 3
Violoncelle, Basse continue 3
Violoncelle, Orchestre 1
Violon 1
Trio à Cordes: 3 violoncelles 1
2 Altos (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Harpe et Piano 1

+ 9 instrumentations

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Orchestre & Percussions
Orchestre 102
Orchestre de chambre 85
Orchestre à Cordes 54
Piano et Orchestre 30
Orchestre d'harmonie 10

Jazz combo 4
Orchestre, Violon 3
Ensemble de Percussions 2

+ 3 instrumentations

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Concerto for piano and orchestra

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet

Beethoven: Sonata Op. 49 No. 2 for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #Beethoven: Sonata Op. 49 No. 2 #jmsgu3 #SheetMusicPlus

Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...(+)

Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethovenâ€™s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.

$49.95 ≈ 45.81€

A Child’s Garden of Jazz for Brass Quintet

A Child’s Garden of Jazz for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #AVANCÉ #Wolking, Henryenry #A Child’s Garden of Jazz #Gordon Cherry #SheetMusicPlus

Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cher...(+)

Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composerâ€™s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.

$27.50 ≈ 25.22€

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