Five Musical Moments for Brass Quintet by Petros Shoujounian is a work of contrasts. Each movement is unique and different than the others, yet they have an integrated feeling when performed as a whole work.

The work is about 11 minutes in length and appropriate for advanced performers.

27 November 1860 - 16 April 1935

Ewald was a Russian composer of music, mainly for conical brass instruments.He was born in Saint Petersburg and died in Leningrad. He also collected andpublished Russian folk songs. Ewald?s professional life, like that of many of his musicalcontemporaries, was in an entirely different field; that of a civil engineer, in which heexcelled, being appointed in 1900 as professor and manager of the Faculty ofConstruction Materials at the Institute of Civil Engineers. Brass players however areindebted to him for something very different ? a series of quintets which have becomea staple of the repertoire and which represent almost the only, and certainly the mostextended examples of original literature in the Romantic style. Ewald?s formal musicaltraining began in 1872 when he enrolled at the St Petersburg Conservatory at the ageof twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of itskind in Russia and it was here that Ewald received lessons in cornet, piano, horn,cello, harmony and composition.As an adult he worked alongside fellow musicalnationalists known collectively as the Mighty Handful?Borodin, Mily Balakirev,

César Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.

All of these men had ?day jobs? in non-musical fields.
Ewald?s contributions as a composer reflected an abiding love for brass

instruments for which he wrote his quintets scored originally for two cornets, altohorn, baritone horn and tuba.

I've edited these four quartets using Ewald's original instrumentation, but thereare also separate substitute parts for the modern brass quintet (2 trumpets, horn in F,trombone and tuba).

Morten Lauridsen's setting of the sacred text The excellent ragtime work from the 1974 LP, Streetlife Serenade by Billy Joel arranged for brass quintet. F Major. Optional drum set. Difficult.

Watch here: https://youtu.be/sklOyfz55pc"O Magnum Mysterium" was written for the Los Angeles Master Chorale and has become a beloved piece in the choral literature. Finding its way into the Wind Band world, this piece has been a staple of bands worldwide too. This adaptation for Brass Quintet opens up this beautiful setting for brass musicians. This piece is perfect for recitals, concerts Holiday. shows and more!

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Brass Quintet. This cute little number was first featured in the Broadway Musical ?No, No, Nanette? and is a show tune standard. This is an advanced intermediate to earlier advanced ?Cha Cha-ish? arrangement and is suitable for a variety of audiences. Playing time 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Gottschalk was one of America's firstimportant composers. His numerous worksfor piano are mostly light. His Marche desGibaros from the Souvenir de Porto Ricotranscribed by Karl Hinterbichler is lively andbright. American born Louis MoreauGottschalk (1829-1869) was one of thegreat pianist/composers of his day. Hebegan his career in Europe but spent mostof his life touring from coast to coast in theUS, as well as South America, and theCaribbean.

He composed more than 100 works whichcombine the typical European Romanticvirtuoso style with musical traditions fromSouth America, the Caribbean, Spain andsacred and popular songs from the UnitedStates.

Originally for solo piano, Souvenir de PortoRico (op. 31), bears the subtitle Marche desGibaros, a reference to the peasants of theisland. The simple melody derives from aPuerto Rican song 'Si me dan pasteles, lesdénmelos calientes,' 'If you give me cakes,give them to me hot,' sung by strollingmusicians during the Puerto RicanChristmas season. This simple melody isthen subjected to a series of variations. Themusic depicts the sound of strollingmusicians, first heard in the distance,coming ever closer, rising to a climax andthen fading as the Gibaros march away intothe distance. The syncopated rhythmsstrongly suggest its Caribbean origins.

Instrumentation is for 2 Trumpets in Bb(Trumpet 1 doubles on Piccolo), Horn,Trombone and Tuba.

An arrangement of the regional anthem of Brittanny for Brass Quintet.

Bro Gozh ma Zadoù (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.

The Breton lyrics are the creation of François Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Régionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Pathé in 1910.

James James (also known by the bardic name Iago ap Ieuan) (1833?1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).

He was born on 4 November 1832, at the ?Ancient Druid? inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.

James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.

A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.

For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com

Four Directional Fanfares for Brass Quintet and optional tympani) was arranged and compiled in 2020 expressly for the Spanish Brass. Each fanfare is named after the four directions of the compass with each having a different duration. I. North (70 seconds), II. South (50 seconds), III. East (20 seconds) and IV. West (2 Minuets and 30 seconds).

An optional timpani part has been added in the score and may be used to enhance the sound in ceremonial situations.

The composer has played and conducted in many brass ensembles over the years as well as composing many fanfares of different lengths to suit the occasion. A brass ensemble can always use new fanfares. These fanfares were recorded by the Spanish Brass in 2020 on the CD ?Music for Brass Quintet by Gregory Fritze? on the Spanish Brass label. These fanfares are also on YouTube and Soundcloud.

Christmas Carols for Brass Quintet Vol.3

5 Christmas carols with beautiful arrangement

1. Silent Night
2. Joy to the World, the Lord is Come
3. Away in a Manger (James R. Murray)
4. O Christmas Tree
5. Christians Awake! Salute the Happy Morn

Total duration: 12 minutes

47 pages (score and parts)

Level: medium

by Arkstar BrassMusic

Il " James Bond Theme " è la firma principale tema dei James Bond film e ha caratterizzato in ogni Eon Productions film di James Bond dal Dr. No , uscito nel 1962. Il pezzo è stato utilizzato come un accompagnamento fanfara alla sequenza di canna della pistola in quasi ogni film di James Bond.

Il "James Bond Theme" ha accompagnato i titoli di testa due volte, come parte del medley che si apre Dr. No e poi di nuovo nei titoli di testa di Dalla Russia con amore (1963). E 'stato usato come musica nel corso dei titoli di coda di Dr. No , Thunderball (1965), Al servizio segreto di Sua Maestà (1969), Il mondo non basta (1999), Casino Royale (2006), Quantum of Solace (2008) , Skyfall (2012), e la Spectre (2015).

Here is a description of the music by the composer, Henry Wolking.

"The Mannequin Challenge is a work for brass quintet inspired by the participatory video fad in which a group of people are shown posing stock-still for the camera while music is playing in the background. It became a social media participating video fad in November 2016 (with the hashtag #mannequinChallenge). Since then it has had become a world-wide phenomena, sort of like the Ice-Bucket Challenge, which I considered writing about, but then got cold feet. This work inverts the mannequin challenge sequence in that the music plays first, and then the musicians freeze in brief silence. Though the freezes are only in 3/8 in between the particularly beguiling musical interludes, they may be extended to any length. Long live social media and brass quintet mannequin challenges!"

This piece is scored for traditional brass quintet with Trumpets in B-flat and for advanced performers of about 2+ minutes in length.

Daughters of The American Revolution for Brass Quintet
by J. Bodewalt Lampe Aarranged by Jari Villanueva
Score, 2 Trumpets, Horn, Trombone, Tuba, Drums (optional)
https://youtu.be/l3Z_b0T8Spg

JensBodewalt Lampe (November 8, 1869 ? May 26, 1929) was a Danish-born Americancomposer, arranger, performer and band-leader of ragtime and syncopated dancemusic. He wrote this march in 1909