Partitions Numériques de A Lover And His Lass pour Ensemble Jazz

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.746235 By Stevie Wonder. By Richard Rodgers. Arranged by Michael Pilley. Jazz. Score and parts. 77 pages...(+)

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.746235 By Stevie Wonder. By Richard Rodgers. Arranged by Michael Pilley. Jazz. Score and parts. 77 pages. Michael Pilley Music #5453455. Published by Michael Pilley Music (A0.746235). The first track on The Temptations in a Mellow Mood, an album released as a crossover to white audiences, this classic Rodgers & Hammerstein tune is a great example of The Temptations close harmony skills. This is an arrangement for Big Band with Solo Male Vocal and TTBB, playable by intermediate ensembles and transcribed note for note from the recording. Starting in a Latin style reminiscent ofÂ Manteca, thisÂ arrangementÂ isÂ mainlyÂ inÂ aÂ bigÂ bandÂ swingÂ styleÂ andÂ brieflyÂ transitionsÂ toÂ aÂ jazzÂ waltzÂ inÂ theÂ middleÂ section. Due to the vocals being featured, the horns are used sparsely and there are few sections where extended rehearsal is needed. AlthoughÂ theÂ albumÂ itselfÂ doesn'tÂ breakÂ downÂ whoÂ arrangedÂ thisÂ initially,Â itÂ moreÂ than likelyÂ isÂ an OliverÂ NelsonÂ creation. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsmÂ paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found atÂ www.michaelpilleymusic.comÂ and follow me atÂ https://www.facebook.com/MichaelPilleyMusic/Â orÂ https://twitter.com/MPilleyMusic

$50.00 ≈ 44.81€

Hop Off

Hop Off #Ensemble Jazz #AVANCÉ #Fletcher Henderson And His Orc #Peter StÃ¶ve #Hop Off #Peter Stove #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter StÃ¶ve. 20th ...(+)

Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter StÃ¶ve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter StÃ¶ve â€˜What If Benny Goodmanâ€¦â€™ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestraâ€™s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schullerâ€™s tell us, Benny Goodmanâ€™s rendition of Jelly Roll Mortonâ€™s â€˜King Porter Stompâ€™ in the arrangement of Fletcher Henderson â€˜ushered in the Swing Eraâ€™. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Mortonâ€™s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the â€˜twenties and â€˜thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album â€˜There Comes A Timeâ€™. But during the â€˜twenties, Henderson picked up more â€˜jazz and stompâ€™-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime â€˜professorsâ€™). That is the composition â€˜Hop Offâ€™, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike â€˜King Porter Stompâ€™, Henderson never chose to â€˜adaptâ€™ this tune for his â€˜thirties swing-style orchestra, and so it never became a part of the Goodman Orchestraâ€™s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his â€˜Letâ€™s Danceâ€™-library? â€˜Hop Offâ€™ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other â€˜hotâ€™ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Soloâ€™s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play â€˜King Porter Stompâ€™, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class â€˜BG-wannabeâ€™: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

$49.99 ≈ 44.80€

Just Friends - Score Only

Just Friends - Score Only #Ensemble Jazz #DÉBUTANT #Jazz #John Klenner and Sam M #@Jhavilah #Just Friends - Score Only #Jhavilah #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1227019 Composed by John Klenner and Sam M. Lewis. Arranged by @Jhavilah. Blues,Contemporary,Film/TV,Jaz...(+)

Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.1227019 Composed by John Klenner and Sam M. Lewis. Arranged by @Jhavilah. Blues,Contemporary,Film/TV,Jazz,Multicultural,World. 1 pages. Jhavilah #815171. Published by Jhavilah (A0.1227019). Just Friends is a jazz standard composed by John Klenner with lyrics by Sam M. Lewis. It was first recorded in 1931 by Red McKenzie and his Orchestra, and has since become a beloved classic in the jazz world. The song's catchy melody and playful lyrics have made it a popular choice for jazz musicians and singers over the years.The song is often played at a moderate tempo, and features a swinging, upbeat rhythm that is typical of the jazz music of the time. The melody is catchy and memorable, with its playful, syncopated phrasing and use of chromaticism. The lyrics tell the story of a couple who have decided to end their romantic relationship but remain friends, with lines like Just friends, lovers no more, just friends, but not like before.Over the years, Just Friends has been covered by many jazz greats, including Chet Baker, Charlie Parker, and Billie Holiday. Each artist brings their own unique interpretation to the song, showcasing their individual improvisational skills and musicality. The song has also been used in several films and television shows, cementing its place in popular culture.Despite its popularity, Just Friends remains a challenging piece to play, requiring both technical proficiency and a deep understanding of the nuances of jazz music. Its enduring appeal is a testament to the power of great songwriting, and to the lasting impact of jazz music on popular culture.

$4.99 ≈ 4.47€

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