Partitions Numériques de Scherzo in C pour Violon et Piano

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Scherzo in C
Non classifié 24

Piano & claviers
Piano seul 24
Orgue 4
Piano Facile 4
Piano Trio: piano, violon, violoncelle 1
2 Pianos, 4 mains 1

Guitares
Guitare 3

Voix
Chorale SATB 2

Vents
2 Saxophones (duo) 4
Ensemble de Flûtes 2
2 Hautbois (duo) 2
2 Clarinettes (duo) 2
2 Flûtes traversières (duo) 2

Ensemble de Clarinettes 2
Clarinette et Piano 1
Quintette de Clarinettes: 5 clarinettes 1
Saxophone Tenor et Piano 1
Saxophone Alto et Piano 1
Flûte traversière 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1

+ 7 instrumentations

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Cuivres
Trompette 5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
2 Euphoniums (duo) 2
2 Cors (duo) 2
2 Trombones (duo) 2

2 Trompettes (duo) 1
Euphonium, Piano (duo) 1
Ensemble de Trombones 1
Euphonium, Tuba (duo) 1
Quatuor de cuivres: 4 trombones 1

+ 5 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 16
Violon 4
2 Violoncelles (duo) 2
Violoncelle 2
Violon, Alto (duo) 2

Alto seul 2
Violon et Piano 2

Alto, Piano 1
Violoncelle, Orchestre 1

+ 4 instrumentations

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Orchestre & Percussions
Orchestre 6
Orchestre à Cordes 4
Orchestre d'harmonie 3
Ensemble de cuivres 1

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Scherzo in C

Violon et Piano

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2 partitions trouvées

Sonata for Fortepiano & Violin in C (VB 162)

Sonata for Fortepiano & Violin in C (VB 162) #Violon et Piano #INTERMÉDIAIRE #Classique #Joseph Martin Kraus #Bertil van Boer #Sonata for Fortepiano & Vi #Artaria Editions #SheetMusicPlus

Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. P...(+)

Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. Published by Artaria Editions (A0.1488842). Artaria Editions AE436Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. This sonata is the most virtuosic and imposing work in this genre that the composer wrote. Of particular interest is the use of a slow introduction with lyrical violin solo, the long Adagio with its alternating solo passages, and the playful final Scherzo which bears a thematic similarity to the now-lost original third movement of Kraus's Violin Concerto (VB 151). Indeed, this complex work merits the rubric Great C major.Allan Badley.

$30.00 ≈ 27.53€

Stefano Maria Torchio: Scherzino

Stefano Maria Torchio: Scherzino #Violon et Piano #INTERMÉDIAIRE #Stefano Maria Torchio #Stefano Maria Torchio: Scherzi #Stefano Torchio #SheetMusicPlus

Piano,Violin - Level 3 - SKU: A0.1022755 Composed by Stefano Maria Torchio. Concert,Contemporary,World. 4 pages. Stefano Torchio #3115915. Published by ...(+)

Piano,Violin - Level 3 - SKU: A0.1022755 Composed by Stefano Maria Torchio. Concert,Contemporary,World. 4 pages. Stefano Torchio #3115915. Published by Stefano Torchio (A0.1022755). Stefano Maria Torchio: ScherzinoAs the title says (engl.: little scherzo), it's a small, playful, light and bouncy piece, that features a free atonal style and funny asimmetrical rhythms and metrics. It's not difficult but it could be wise to practice it slower at first, in order to check careful the intonation and the correct smooth and legato articulation between the fingers of left hand of the Violin player. The most careful precision in rhythm and differentiation between the articulations (that in general tends to a light staccato) is required.The piece is also suitable for school pourposes and concerts and also for liturgical ones (for example at the offertory or as final piece) by special festive occasion. Primarily it was composed for a wedding ceremony and it was for Piano and Organ and for Church Bell Carillon.Composer's dataStefano Maria Torchio is an Italian Violinist, Composer and Orchestra and Choir Conductor born in Padova, who builded his education between Italy (Conservatories of Padova and Vicenza, Accademia Chigiana in Siena, Accademia L. Perosi in Biella and R. Romanini Foundation in Brescia) and the University for Music and Performing Arts in Vienna.He's member of S.A.C.E.M. for copyright protection.You can find me on: facebook, instagram (stefano.mus) and twittere-mail: stefanotorchio84@gmail.com

$11.50 ≈ 10.55€

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