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Continuum
Non classifié 12

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Continuum

Orchestre à Cordes

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2 partitions trouvées

Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part

Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part #Orchestre à Cordes #AVANCÉ #Carson Cooman #Carson Cooman: Concerto for Ba #Musik Fabrik Music Publishing #SheetMusicPlus

String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Musi...(+)

String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.

$29.95 ≈ 27.77€

'Re-Creation'

'Re-Creation' #Orchestre à Cordes #Contemporain #Craig Michael Davis #'Re-Creation' #Jack Harrison Inc. #SheetMusicPlus

String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...(+)

String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to Californiaâ€™s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the authorâ€™s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of itâ€™s own, free from the confines of itâ€™s author and any concert hall it is performed in.

$15.00 ≈ 13.91€

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