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Vous avez sélectionné:
Alexander Scriabin
Alto, Piano
Partitions à imprimer
7 partitions trouvées
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1
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.65€
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95 ≈
30.81€
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984720. Published by jmsgu3 (A0.1401537). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95 ≈
30.81€
Scriabin's Etude Op. 2 Nr 1 for viola
Scriabin's Etude Op. 2 Nr 1 for viola
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Alexander Scriabin
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Haydn Reeder
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Scriabin's Etude Op. 2 Nr 1 fo
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Haydn Reeder
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.953817 Composed by Alexander Scriabin. Arranged by Haydn Reeder. Romantic Period,Standards. Score and part. 2 pages. Hay...
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Piano,Viola - Level 4 - SKU: A0.953817 Composed by Alexander Scriabin. Arranged by Haydn Reeder. Romantic Period,Standards. Score and part. 2 pages. Haydn Reeder #2878001. Published by Haydn Reeder (A0.953817). This arrangement of Scriabin's piano solo is of about advanced intermediate difficulty. The soloist will comfortably play from the score. The piece would be highly suitable grouped with other nineteenth century works or as a memorable encore.
$3.50 ≈
3.27€
Scriabin: Prelude in G Minor for Viola & Piano
Scriabin: Prelude in G Minor for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude in G Minor f
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550349 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Sacred,Standar...
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Piano,Viola - Level 3 - SKU: A0.550349 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614163. Published by jmsgu3 (A0.550349). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$15.95 ≈
14.91€
Etude
Etude
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Alto, Piano
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Alexander Scriabin
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Timofei Dokshitser
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Etude
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Editions Marc Reift - Digital
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SheetMusicPlus
Viola & Piano - Grade 4 - SKU: R0.49601 Opus 8, Nr. 12. Composed by Alexander Scriabin. Arranged by Timofei Dokshitser. Viola & Piano. Score and ...
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Viola & Piano - Grade 4 - SKU: R0.49601 Opus 8, Nr. 12. Composed by Alexander Scriabin. Arranged by Timofei Dokshitser. Viola & Piano. Score and parts. 7 pages. Duration 2'18. Editions Marc Reift - Digital #49601. Published by Editions Marc Reift - Digital (R0.49601).
$13.95 ≈
13.04€
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Alto, Piano
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Alexander N
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Ilia Chkolnik
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Editions Marc Reift - Digital
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SheetMusicPlus
Viola & Piano - Grade 4 - SKU: R0.46777 Opus 8, Nr. 11. Composed by Alexander N. Scriabin. Arranged by Ilia Chkolnik. Viola & Piano. Score and pa...
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Viola & Piano - Grade 4 - SKU: R0.46777 Opus 8, Nr. 11. Composed by Alexander N. Scriabin. Arranged by Ilia Chkolnik. Viola & Piano. Score and parts. 6 pages. Duration 2'55. Editions Marc Reift - Digital #46777. Published by Editions Marc Reift - Digital (R0.46777).
$13.95 ≈
13.04€
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Alexander Scriabin
