Partitions Numériques de No More Night pour Cor et Piano

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No More Night
Non classifié 79

Piano & claviers
Piano seul 53
Piano, Voix 47
Piano, Voix et Guitare 12
Piano Facile 10
Piano Trio: piano, violon, violoncelle 4

Piano Quatuor: piano, violon, alto, violoncelle 2
Orgue 2
1 Piano, 4 mains 1
Instruments en Do 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 9
Guitare 3
Basse electrique 1

Voix
Chorale SATB 12
Chorale 2 parties 10
Voix duo 5
Voix duo, Piano 3
Chorale SSAA 1

Chorale Unison 1
Voix Alto, Piano 1
Voix haute 1
Voix moyenne, Piano 1

+ 4 instrumentations

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Vents
2 Saxophones (duo) 11
Saxophone, Clarinette (duo) 6
Flûte traversière et Piano 5
Hautbois, Piano (duo) 5
2 Flûtes traversières (duo) 5

Clarinette, Violon (duo) 4
Clarinette, Trompette (duo) 4
Saxophone Alto et Piano 4
Saxophone Soprano et Piano 4
Quatuor de Clarinettes: 4 clarinettes 3
Flûte, Hautbois, Clarinette, Basson 3
Flûte, Clarinette (duo) 3
Saxophone Tenor et Piano 3
Clarinette et Piano 3
Clarinette et Alto 2
Hautbois, Clarinette (duo) 2
Flûte, Violon 2
3 Hautbois 2
Quatuor de Saxophones: 4 saxophones 2
Flûte, Saxophone (duo) 2
Flûte, Alto (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Hautbois, Basson (duo) 2
Flûte, Trompette (duo) 2
2 Hautbois (duo) 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Hautbois, Flûte 2
Quintette de Saxophone: 5 saxophones 1
Saxophone Tenor 1
Ensemble de Clarinettes 1
3 Clarinettes (trio) 1
Hautbois (partie séparée) 1
Clarinette Basse, Piano 1
Trio de Flûtes: 3 flûtes 1
Saxophone Baryton, Piano 1
Saxophone Alto 1
Clarinette 1
Ensemble de Flûtes 1

+ 33 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Trombone et Piano 5
Trompette, Saxophone (duo) 4
Cor et Piano 3

Trompette, Trombone (duo) 2

Trompette, Piano 2
Trompette 2
2 Trombones (duo) 2
2 Tubas (duo) 1
Quatuor de cuivres: 4 trombones 1
Euphonium, Piano (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
2 Trompettes, Clavier (piano ou orgue) 1
Euphonium, Tuba (duo) 1
Trompette, Cor (duo) 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 13
Violon et Piano 7
Harpe 5
Violoncelle 4
Alto, Piano 4

2 Violoncelles (duo) 4
Violoncelle, Piano 4
Violon, Violoncelle (duo) 3
2 Altos (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Violon 2
2 Violons (duo) 2
Violon, Alto (duo) 2
Harpe, Voix 2
Violon (partie séparée) 1
Contrebasse, Piano (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
4 Violoncelles 1
Contre Basse 1
Alto seul 1
Piano Trio: Violon, Alto, Piano 1
Trio à Cordes: 3 violoncelles 1

+ 17 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 33
Orchestre à Cordes 9
Orchestre 8
Ensemble de cuivres 6
Jazz combo 5

Orchestre de chambre 3
Ensemble Jazz 2
Ensemble de Percussions 2
Cloches 2
Batterie 1
Fanfare 1
Quintette de Cuivres: autres combinaisons 1

+ 7 instrumentations

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No More Night

Cor et Piano

Partitions à imprimer

3 partitions trouvées

DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano

DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano #Cor et Piano #FACILE #Classique #Antonin Dvorak #James M #dynamic control #DvoÅ™ák: Largo from #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 2 - SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stand...(+)

French Horn,Piano - Level 2 - SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494249. Published by jmsgu3 (A0.549438). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. DvoÅ™Ã¡k Background AntonÃn DvoÅ™Ã¡k (1841 â€“1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia). Â DvoÅ™Ã¡k relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame DvoÅ™Ã¡k was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to DvoÅ™Ã¡k in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed DvoÅ™Ã¡k to the publisher Simrock. Later, the publisher commissioned DvoÅ™Ã¡k to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, DvoÅ™Ã¡k's worldwide status was launched. International Status DvoÅ™Ã¡k visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed DvoÅ™Ã¡k as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, DvoÅ™Ã¡k composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

$32.95

Eine Kleine Nachtmusik (1st Mov.) for Horn and Piano

Eine Kleine Nachtmusik (1st Mov.) for Horn and Piano #Cor et Piano #INTERMÉDIAIRE #Classique #Wolfgang Amadeus Mozart #Diego Marani #Eine Kleine Nachtmusik #Diego Marani #SheetMusicPlus

French Horn,Piano - Level 3 - SKU: A0.528333 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,We...(+)

French Horn,Piano - Level 3 - SKU: A0.528333 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 13 pages. Diego Marani #5758829. Published by Diego Marani (A0.528333). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Horn (F and Eb parts) faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.

$8.99

O Come All Ye Faithful for French Horn & Piano

O Come All Ye Faithful for French Horn & Piano #Cor et Piano #DÉBUTANT #Noël #Wade #James M #O Come All Ye Faithful for Fre #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113....(+)

French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.

$24.95

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