Look What I\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Non classifié 113 Vents Flûte traversière 7 Clarinette 6 2 Clarinettes (duo) 6 2 Saxophones (duo) 4 2 Flûtes traversières (duo) 4 Clarinette et Piano 3 Quatuor de Saxophones: 4 saxophones 3 Quatuor de Clarinettes: 4 clarinettes 3 Hautbois, Piano (duo) 3 Saxophone Tenor 3 3 Clarinettes (trio) 2 Flûte traversière et Piano 2 Hautbois (partie séparée) 2 Saxophone Alto 2 Saxophone Alto et Piano 2 3 Saxophones (trio) 1 Trio de Flûtes: 3 flûtes 1 Flûte, Hautbois, Clarinette, Basson 1 Flûte, Hautbois, Clarinette (trio) 1 Hautbois, Violon, Piano 1 Flûte, Clarinette, Violon (trio) 1 Saxophone Baryton, Piano 1 Ensemble de Flûtes 1 Quatuor de Flûtes : 4 flûtes 1 2 Flûte à bec (duo) 1 Ensemble de Clarinettes 1 Cordes Quatuor à cordes: 2 violons, alto, violoncelle 19 Violon 11 Harpe 10 Violon et Piano 9 Violoncelle 6 2 Violons (duo) 4 Alto, Piano 4 Alto seul 3 2 Violoncelles (duo) 3 Violoncelle, Piano 3 Trio à Cordes: violon, alto, violoncelle 2 Trio à Cordes: 2 violons, violoncelle 2 Alto et Harpe 1 Harpe, Voix 1 Alto, Violoncelle (duo) 1 Quintette à cordes: 2 violons, 2 altos, violoncelle 1 Contre Basse 1 Alto (partie séparée) 1 Violon, Violoncelle (duo) 1 Autres
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What Was I Made For?
What Was I Made For? # Clarinette et Piano# DÉBUTANT# Pop musique# Billie Eilish# BTmusic# What Was I Made For?# BTmusic# SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.1270585 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by BTmusic. 21st Century,...(+)
B-Flat Clarinet,Piano - Level 1 - SKU: A0.1270585 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by BTmusic. 21st Century,Film/TV,Pop,Rock,Singer/Songwriter. Score and part. 13 pages. BTmusic #862960. Published by BTmusic (A0.1270585). This is a very nice arrangement for What was I made for?, by Billie Eilish, from Barbie movie, for Clarinet in Bb and piano accompaniment, followed by Chord Symbols.If you are a beginner at the Clarinet or a Billie Eilish fan, this sheet music of What was I made for? is perfect for what you are looking for. Enjoy it!
Agent Provocateur: Sonatina for Clarinet and Piano
Agent Provocateur: Sonatina for Clarinet and Piano # Clarinette et Piano# INTERMÉDIAIRE/AVANCÉ# Contemporain# Brian Joyce# Agent Provocateur: Sonatina fo# Brian Joyce# SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyc...(+)
Clarinet,Piano - Level 4 - SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyce (A0.836709). A piece shrouded in mystery and intrigue. For myself, I mean: I don’t even know what the title means, nor why this particular piece should wear it. The music and the title came as a package deal, falling on me out of the blue one day. It wasn’t on my to-do list, nor was I looking for extra work. But perhaps that’s the answer: the piece itself is the Agent, breaking into my nicely ordered studio and disrupting things for the next few months. I’ll have to think about this some more.But I digress. Whatever its meaning or provenance, it’s an odd little sonatina. For instance, at its heart the second movement is a traditional scherzo and trio, but it is as misshapen as anything H. P. Lovecraft himself might have envisioned. Even I am not sure where the beginnings and endings of the sections are without a score in hand. Mystery upon mystery. Another example: as I began to work on the third movement, I wasn’t sure if it would be a simple binary or ternary form, a rondo or a sonata-allegro. I never did find out, to be honest. All I know is that, to my ears, it sounds like what might have resulted if I had been asked to write the theme to The Simpsons. The audio sample will give you some idea of what I mean.More questions than answers.Performance time is a little under 14 minutes.
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