This arragement is an instrumental interpration of the world famous Beatles Classic. One of the most covered songs in the history of recorded music. A must for your upcoming concerts! Instrumentation: Part I (Trumpet in C/Bb), Part II (Horn in Eb/F/Bb) Part III (Trombone in C/Bb)

This well known infectious tune is perfect for your next Christmas concert. Your students will really enjoy playing this and learn 6/8 time and independence at the same time. 2017 Holiday Contest Entry

"A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells verse; some polka and swing elements and a ?Grand Finale? in maestoso ? This is the perfect arrangement for your upcoming concerts in the holiday season.About this arrangement: Instrumentation: Full ScorePart I Trumpet in CPart I Trumpet in BbPart II (Trumpet in BbHorn in FEb)Part III (Trombone in Bb/CTubaBass in Bb)Any individual arrangement and substitute parts are available on request.Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic.

This arrangement is an instrumental interpretation of John Lennon's great idea - Urgently needed in those days. The best-selling single of John Lennon's solo career, its lyrics encourage the listener to imagine a world at peace without the barriers of borders or the divisions of religion and nationality, and to consider the possibility that the focus of humanity should be living a life unattached to material possessions. Easy to play, a perfect concert piece for your ensemble. Instrumentation: Part 1 in Bb, Part 2 in Bb/F. Part 3 in Bb/C

Mozart's 5 Divertimenti K439b, originally written for 3 basset horns, have been arranged for many combinations of instruments. I have arranged this one (No.1) for three euphoniums (or trombones) . I have transcribed the parts into concert pitch F in order to fit all the parts into a comfortable range. I have taken some liberties in the 3rd part, transposing up an octave where necessary, but avoiding any "clash" with the two upper instruments. There is an overlap sometimes where 3rd is playing higher than 2nd, but the harmonies are still fine. I have included both bass and treble clef versions of all 3 parts, as well as a bass clef tuba part as an alternative to the 3rd part. I feel it works well as a low brass trio.