Partitions Numériques de When We Stand Together pour Flûte traversière et Piano

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When We Stand Together
Non classifié 34

Piano & claviers
Piano seul 14
Piano, Voix et Guitare 4
Piano, Voix 2
Instruments en Do 1

Guitares
Guitare notes et tablatures 12
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 7
Chorale 2 parties 2
Chorale 3 parties 1
Chorale TTBB 1
Chorale SSAA 1

Vents
Hautbois (partie séparée) 3
Clarinette (partie séparée) 3
Saxophone (partie séparée) 3
Clarinette et Piano 2
Flute (partie séparée) 2

2 Flûtes traversières (duo) 2
2 Clarinettes (duo) 2
Clarinette 2
Quintette de Clarinettes: 5 clarinettes 1
Saxophone Tenor et Piano 1
Flûte traversière et Piano 1

Flûte, Hautbois, Clarinette, Basson 1
Saxophone Soprano et Piano 1
Flûte traversière 1
Quatuor de Saxophones: 4 saxophones 1
Hautbois, Piano (duo) 1
Saxophone Alto et Piano 1
Flûte, Clarinette, Piano (trio) 1

+ 13 instrumentations

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Cuivres
Trompette (partie séparée) 3
Tuba 2
Cor 2
2 Trompettes (duo) 2
Trombone (partie séparée) 2

Trompette 1
Cor et Piano 1
Trompette, Euphonium (duo) 1
Trombone et Piano 1
Tuba (partie séparée) 1
Cor (partie séparée) 1
Trombone 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trompette, Piano 1

+ 9 instrumentations

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Cordes
Violon 3
Violon et Piano 3
2 Violons (duo) 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Alto, Piano 2

Violon, Alto (duo) 1
Violoncelle 1
Harpe, Voix 1
Alto (partie séparée) 1
Violon, Violoncelle (duo) 1
Contre Basse 1
Alto seul 1

+ 7 instrumentations

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Orchestre & Percussions
Fanfare 26
Orchestre d'harmonie 4
Cloches 4
Orchestre 3
Ensemble de cuivres 3

Percussion (partie séparée) 2
Percussion 1
Timbales (partie séparée) 1

+ 3 instrumentations

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When We Stand Together

Flûte traversière et Piano

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1 partition trouvée

A Night In Tunisia

A Night In Tunisia #Flûte traversière et Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...(+)

Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

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