Partitions Numériques de Ludwig Erk pour Voix duo, Piano

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Ludwig Erk
Non classifié 8

Piano & claviers
Piano seul 16
Piano, Voix 1
Orgue 1
Piano, Voix et Guitare 1

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Voix duo, Piano 1

Chorale SATB 1
Chorale SSAA 1

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Flûte à bec Soprano 8
Flûte à bec Alto 8
Flûte et Guitare 2
Flûte traversière 1
2 Flûtes traversières (duo) 1

Hautbois (partie séparée) 1
Hautbois, Guitare (duo) 1
Clarinette, Guitare (duo) 1

+ 3 instrumentations

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Cuivres
Quatuor de cuivres: 4 cors 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 2
2 Altos (duo) 1
Violoncelle , Guitare (duo) 1
Alto, Guitare (duo) 1
Violon, Violoncelle (duo) 1

2 Violons (duo) 1
Alto seul 1
Alto, Violoncelle (duo) 1
Violon, Alto (duo) 1
Violon 1
Violoncelle 1
Harpe 1
2 Violoncelles (duo) 1

+ 8 instrumentations

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Orchestre & Percussions
Orchestre 5
Orchestre à Cordes 5

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• Göransson, Ludwig

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Ludwig Erk

Voix duo, Piano

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Hänsel und Gretel

Hänsel und Gretel #Voix duo, Piano #INTERMÉDIAIRE #the way, the â€˜cock-a-doo #Engelbert Humperdinck #Hänsel und Gretel #Schott Music - Digital #SheetMusicPlus

2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...(+)

2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinckâ€™s fairy tale opera HÃ¤nsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinckâ€™s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the HÃ¤nsel und Gretel was begun in 1890. Adelheidâ€™s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a â€œvery pretty folkloricâ€ Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her â€œdear sugar-sweet little brother... Engel-BÃ¤rtchen [angel beard]â€. She enclosed the corresponding verses with the letter and â€œfor funâ€ also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition BrÃ¼derchen kommâ€™ tanzâ€™ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die VÃ¶gelein und Tirelireli! â€˜s ist nicht mehr frÃ¼h â€œfor two childrenâ€™s voices and piano accompanimentâ€ (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: â€œAs you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the â€˜cock-a-doodle-dooâ€™ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettesâ€™ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a â€œKinderstubenweihfestspielâ€œ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks MÃ¤rchenoper HÃ¤nsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes MÃ¤rchenspiel gleichen Namens, welches sie gemeinsam mit ihren TÃ¶chtern im Familienkreis auffÃ¼hrte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. WÃ¤hrend BrÃ¼derchen, komm tanz mit mir und Tirelireli in verÃ¤nderter Form auch in die spÃ¤tere MÃ¤rchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks HÃ¤nsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprÃ¼ngliche Lieder, die in dieser Fassung erstmals in editierter Form verÃ¶ffentlicht werden, ebenso wie den vollstÃ¤ndigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

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