Partitions Numériques de I'm A Wanted Man pour Chorale 2 parties

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I'm A Wanted Man
Non classifié 13

Piano & claviers
Piano seul 9
Instruments en Do 6
Piano, Voix 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano, Voix et Guitare 1

Guitares
Guitare 6

Voix
Chorale SATB 3
Chorale SSAA 1
Chorale 2 parties 1

Chorale TTBB 1

Vents
Saxophone Alto et Piano 1
Cor anglais, Piano 1
Saxophone Baryton, Piano 1
Hautbois, Piano (duo) 1
Flûte traversière et Piano 1

Clarinette 1
Clarinette et Piano 1
Saxophone Tenor et Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Saxophone Soprano et Piano 1

+ 5 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Cor anglais, Piano 1
Cor et Piano 1
Tuba et Piano 1
Trombone et Piano 1

Trompette 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 3
Violon 1
2 Violons (duo) 1
Violon, Violoncelle (duo) 1
Alto, Piano 1

Violoncelle 1
Harpe 1

+ 2 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 3
Marimba 1
Orchestre de chambre 1
Orchestre à Cordes 1

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I'm A Wanted Man

Chorale 2 parties

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1 partition trouvée

Growing Into Me

Growing Into Me #Chorale 2 parties #FACILE #Contemporain #Sally Whitwell #Growing Into Me #Sally Whitwell #SheetMusicPlus

Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whi...(+)

Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composerâ€™s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell

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