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Come, ye Sons of Art
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Vous avez sélectionné:
Come, ye Sons of Art
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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1
Come Ye Sons Of Art
Come Ye Sons Of Art
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Chorale SATB
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FACILE
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Henry Purcell
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Come Ye Sons Of Art
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Schott Music - Digital
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SheetMusicPlus
2 Blockflöten, 2 Oboen, 2 Trompeten, Pauken, Streicher, Basso continuo mixed choir (SATB), soloists (SAAB) and orchestra - easy - SKU: S9.Q26250 O...
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2 Blockflöten, 2 Oboen, 2 Trompeten, Pauken, Streicher, Basso continuo mixed choir (SATB), soloists (SAAB) and orchestra - easy - SKU: S9.Q26250 Ode for the Birthday of Queen Mary, 1694. Composed by Henry Purcell. This edition: score. Downloadable, score. Duration 30 minutes. Schott Music - Digital #Q26250. Published by Schott Music - Digital (S9.Q26250). English.This ode is the last of six birthday pieces that Purcell composed for Queen Mary, wife of William III. It was performed for the 33rd birthday of the Queen on April 30, 1694. The queen died in December of the same year. The poet of the shallow, conventionally flattering text is unknown. It took a genius like Purcell to make this brilliant work out of it. The edition is part of the Trinity syllabus 2007 (grade performer's certificate).
$11.99 ≈
11.13€
Come Ye Sons Of Art
Come Ye Sons Of Art
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Chorale SATB
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FACILE
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Henry Purcell
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Come Ye Sons Of Art
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Schott Music - Digital
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SheetMusicPlus
2 Blockflöten, 2 Oboen, 2 Trompeten, Pauken, Streicher, Basso continuo mixed choir (SATB), soloists (SAAB) and orchestra - easy - SKU: S9.Q3313 Od...
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2 Blockflöten, 2 Oboen, 2 Trompeten, Pauken, Streicher, Basso continuo mixed choir (SATB), soloists (SAAB) and orchestra - easy - SKU: S9.Q3313 Ode for the Birthday of Queen Mary, 1694. Composed by Henry Purcell. This edition: choral score. Downloadable, Choral score. Duration 30 minutes. Schott Music - Digital #Q3313. Published by Schott Music - Digital (S9.Q3313). English.This Ode is the last of six Purcell composed for the celebration of the birthday of Queen Mary, wife of William III. It was performed on 30th April, 1694 when the queen was 33 years old. She died in December of the same year. The author of the feeble, conventionally flattering words is unknown; it needed a genious like Purcell to create out of them this brilliant piece of music.
$3.99 ≈
3.70€
Come Ye Sons Of Art A Cappella SATB
Come Ye Sons Of Art A Cappella SATB
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Chorale SATB
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INTERMÉDIAIRE
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Henry Purcell
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Andrew Emmet
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Come Ye Sons Of Art A Cappella
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.719390 Composed by Henry Purcell (1659 -1695 ). Arranged by Andrew Emmet. A Cappella,Classical,Opera,Rena...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.719390 Composed by Henry Purcell (1659 -1695 ). Arranged by Andrew Emmet. A Cappella,Classical,Opera,Renaissance. 3 pages. Andrew J Emmet #2937805. Published by Andrew J Emmet (A0.719390). SATB A Cappella arrangement.
$4.00 ≈
3.71€
Anim Zemiros
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
2.78€
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Come, ye Sons of Art
