Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Brass Quintet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Clarinet Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

German.

Finally a modern anthology of folksongs for accordion! The songs are set in easy arrangements and can be played on various occasions, be it at home, at school, or in an ensemble. The arrangements can also be performed with an optional second part. Songs like Greensleeves, Auld lang syne, Cielito lindo, El Condor Pasa or Oh Happy Day not only are catchy tunes but will certainly take musicians and audience into a different land!

Digital Pack includes:

1. He's Gone Away (An American Folktune Setting for Concert Band) - Full Score
2. He's Gone Away (An American Folktune Setting for Concert Band) - Flute
3. He's Gone Away (An American Folktune Setting for Concert Band) - Oboe
4. He's Gone Away (An American Folktune Setting for Concert Band) - Bassoon
5. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Clarinet 1
6. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Clarinet 2
7. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Clarinet 3
8. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Bass Clarinet
9. He's Gone Away (An American Folktune Setting for Concert Band) - Eb Alto Saxophone 1
10. He's Gone Away (An American Folktune Setting for Concert Band) - Eb Alto Saxophone 2
11. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Tenor Saxophone
12. He's Gone Away (An American Folktune Setting for Concert Band) - Eb Baritone Saxophone
13. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Trumpet 1
14. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Trumpet 2
15. He's Gone Away (An American Folktune Setting for Concert Band) - Bb Trumpet 3
16. He's Gone Away (An American Folktune Setting for Concert Band) - F Horn 1
17. He's Gone Away (An American Folktune Setting for Concert Band) - F Horn 2
18. He's Gone Away (An American Folktune Setting for Concert Band) - Trombone 1
19. He's Gone Away (An American Folktune Setting for Concert Band) - Trombone 2
20. He's Gone Away (An American Folktune Setting for Concert Band) - Trombone 3
21. He's Gone Away (An American Folktune Setting for Concert Band) - Baritone B.C.
22. He's Gone Away (An American Folktune Setting for Concert Band) - Baritone T.C.
23. He's Gone Away (An American Folktune Setting for Concert Band) - Tuba
24. He's Gone Away (An American Folktune Setting for Concert Band) - String Bass
25. He's Gone Away (An American Folktune Setting for Concert Band) - Percussion
26. He's Gone Away (An American Folktune Setting for Concert Band) - Mallet Percussion 1
27. He's Gone Away (An American Folktune Setting for Concert Band) - Mallet Percussion 2
28. He's Gone Away (An American Folktune Setting for Concert Band) - Timpani

Japanese Folksongs for the Small Harp contains 23 Japanese folk songs and lullabies taken from folksongs and Koto literature including the popular ?Sakura? transcribed from Kototablature and adapted for the large Lever Harp. The arrangements are appropriate for a smalllever harp with 1 octave below middle C and tuned to Eb or C. Songsin two keys are noted with an * in Contents. Thesongs are very accessible and appropriate for mid-beginner to intermediateplayers with limited or easy lever changes and endeavor to remain true to thesound of the Koto zither. Some of thesongs in the book include both an easy and intermediate arrangement.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute quartet by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Flute 1 - 3, and alto with an alternate 4th flute for the alto.

4 Irish Folksongs arranged by Charles Villiers Stanford and set for flute trio by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 3 Flutes. The tunes are : Trottin' to the Fair, At the Brink of the White Rock, Lost Light of My Eyes, and Leatherbags Donnell.

3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.

Charles Stanford arranged these six Irish folksongs for chorus in 1901. They are very well suited for a string ensemble and here they are set for string quartet by John Gibson. The six pieces run about 9 minutes total. The audio sample is of the 1st movement.

German.

Finally a modern collection of folk tunes for violoncello! The songs come from England, Ireland, Scotland, Russia, Italy, France, Spain and the USA. Popular melodies such as 'Auld lang syne' and 'Oh happy day' are set in easy arrangements and can be played on various occasions, be it at home, at school, or in an ensemble. The arrangements can also be played with an additional second part.

ISBN 9781682968161. 9 x 12 inches.

Running out of ways to review D major patterns with your students? Using all the notes of the scale in all parts, these four folksongs are just the ticket for you. The medley includes Oats, Peas, and Beans, Boil 'em Cabbage Down, Hot Cross Buns, and Steak 'n' Kidney Pie.

ISBN 9781682968154. 9 x 12 inches.

Running out of ways to review D major patterns with your students? Using all the notes of the scale in all parts, these four folksongs are just the ticket for you. The medley includes Oats, Peas, and Beans, Boil 'em Cabbage Down, Hot Cross Buns, and Steak 'n' Kidney Pie.

A folksong from the province of Leyte, Philippines. Listen to the arrangement of the haunting melody, simple harmony, and the gentle influence of a Spanish habanera in the background. [ Audio clip is a recording of the piano (for rehearsal only) part. A performance of a choir will be uploaded once it is available.] A complete copy for a conductor's perusal is available upon request through http://www.amajormusicpublishing.com/contact-us/

German.

Finally a modern collection of folk tunes for the trumpet! The songs come from England, Ireland, Scotland, Russia, Italy, France, Spain and the USA. Popular melodies such as 'Auld lang syne' and 'Oh happy day' are set in easy arrangements and can be played on various occasions, be it at home, at school, or in an ensemble. The arrangements can also be played with an additional second part.

Bernard Scherr has arranged six lovely Portuguese Folksongs for Brass Quintet entitled:

1. Mourisca do Santo João de Braga (Moorish architechture of Saint John of Braga) as a march

2. A Pastorinha (The Shepherdess) - a lovely andantino

3. O Xi-Xi (Wee-wee) - a silly song

4. O ai, o linda! (Oh, the beauty!) - a lyrical romance

5. Coradinha (The blushing one) - a dance-like jaunt

6. Carro amaricano (American Car) - driving around in the auto

These movements are of contrasting styles and will make a lovely addition to your program.

Instrumentation is for 2 Trumpets in B-flat, Horn, Trombone & Tuba.

For advanced performers.