Partitions Numériques de Flight of the Bumble Bee pour Saxophone Alto et Piano

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Flight of the Bumble Bee
Non classifié 74

Piano & claviers
Piano seul 59
Piano Facile 28
1 Piano, 4 mains 5
Piano, Voix et Guitare 3
Instruments en Do 2

Orgue 2
Piano grosses notes 1
Piano Quatuor: piano, violon, alto, violoncelle 1
Accordéon 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 9
Guitare 5
Banjo 2
2 Guitares (duo) 2
Basse electrique 1

Voix
Chorale SATB 4

Vents
Clarinette et Piano 14
Flûte traversière et Piano 13
Flûte traversière 9
Saxophone Alto 7
Quatuor de Saxophones: 4 saxophones 7

Saxophone Soprano et Piano 6
Saxophone Tenor et Piano 6
Clarinette 6
Piccolo, Piano 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Saxophone Baryton, Piano 4
Saxophone Tenor 4
3 Clarinettes (trio) 4
Hautbois, Piano (duo) 4
Clarinette Basse, Piano 3
Trio de Flûtes: 3 flûtes 3
Saxophone Alto et Piano 3

Quatuor de Flûtes : 4 flûtes 3
Flûte, Hautbois, Clarinette, Basson 3
3 Saxophones (trio) 2
Flûte et Guitare 2
Quatuor de Clarinettes: 4 clarinettes 2
2 Flûtes traversières (duo) 2
Clarinette, Trompette (duo) 1
Saxophone et Orgue 1
Saxophone 1
Saxophone (partie séparée) 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 14
Trombone et Piano 11
Cor et Piano 7
Euphonium, Piano (duo) 6
Tuba et Piano 5

Trompette, Piano 5
Trompette 3
Quatuor de Cuivres 3
Trombone 3
Trombone basse et Piano 2
2 Trompettes (duo) 1
Euphonium 1
2 Euphoniums et 2 Tubas 1
Cor 1

+ 9 instrumentations

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Cordes
Violon 12
Violon et Piano 11
Violoncelle, Piano 9
Quatuor à cordes: 2 violons, alto, violoncelle 8
Alto, Piano 7

Violon (partie séparée) 4
Violoncelle 4
Trio à cordes 3
Trio à Cordes: violon, alto, violoncelle 3
Alto (partie séparée) 2
Violoncelle (partie séparée) 2
Contrebasse, Piano (duo) 1
Violon, Violoncelle (duo) 1
Alto seul 1

+ 9 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 10
Ensemble Jazz 10
Orchestre à Cordes 5
Orchestre de chambre 4
Quintette à Vent 4

Fanfare 2
Orchestre 2
Percussion 1
Ensemble de cuivres 1

+ 4 instrumentations

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Flight of the Bumble Bee

Saxophone Alto et Piano

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3 partitions trouvées

Nikolai Rimsky-Korsakov: The Flight of the Bumblebee for alto saxophone & piano #Saxophone Alto et Piano #AVANCÉ #Classique #Nikolai Rimsky-Korsakov #Virtualsheetmusic

This is an exclusive transcription for alto saxophone & piano of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical...(+)

$6.99 ≈ 6.46€

Korsakov: Flight of the Bumblebee for Alto Sax & Piano

Korsakov: Flight of the Bumblebee for Alto Sax & Piano #Saxophone Alto et Piano #AVANCÉ #Classique #Contemporain #Nikolay Andreyevich Rimsky-Kor #James M #Korsakov: Flight of the Bumble #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...(+)

Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 â€“1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire.Â Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music.Â Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â

$32.95 ≈ 30.47€

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