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Opera Non classifié 323 Piano & claviers Piano, Voix 411 Piano Facile 142 Piano seul 135 Piano, Voix et Guitare 79 Instruments en Do 26 1 Piano, 4 mains 16 2 Pianos, 4 mains 4 Piano Trio: piano, violon, violoncelle 4 Piano grosses notes 4 Accordéon, Voix 2 Orgue 2 Piano Quatuor: piano, violon, alto, violoncelle 2 Piano Quintette: piano, 2 violons, alto, violoncelle 2 Clavecin 1 Piano Quatuor: piano, 2 violons, violoncelle 1 Vents Flûte traversière et Piano 74 Clarinette et Piano 69 Hautbois, Piano (duo) 56 Saxophone Alto et Piano 38 Clarinette 34 Quatuor de Saxophones: 4 saxophones 33 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 30 Flûte traversière 26 Quatuor de Flûtes : 4 flûtes 23 Saxophone Soprano et Piano 23 Hautbois (partie séparée) 20 2 Flûtes traversières (duo) 19 Quatuor de Clarinettes: 4 clarinettes 17 2 Saxophones (duo) 15 Cor anglais, Piano 14 Saxophone Tenor et Piano 12 Flûte, Hautbois, Clarinette, Basson 12 Quintette de Clarinettes: 5 clarinettes 8 3 Saxophones (trio) 8 2 Clarinettes (duo) 8 Ensemble de Clarinettes 8 Quintette de Saxophone: 5 saxophones 6 3 Clarinettes (trio) 5 Hautbois, Clarinette, Basson (trio d'anches) 5 Ensemble de Flûtes 5 Saxophone Alto 5 2 Saxophones, Piano 4 Flûte, Clarinette (duo) 4 Quintette de Flûte : 5 flûtes 4 Saxophone Baryton, Piano 4 Trio de Flûtes: 3 flûtes 3 Flûte, Hautbois, Basson 3 Saxophone Tenor 3 Clarinette Basse, Piano 3 Flûte, Clarinette et Basson 3 5 Flûtes à bec 3 2 Hautbois (duo) 2 Clarinette, Violoncelle (duo) 2 Saxophone (partie séparée) 2 Flûte, Violon et Violoncelle 2 Quatuor de Flûtes à bec 2 Flûte et Guitare 2 Saxophone, Clarinette (duo) 2 Flûte, Clarinette, Piano (trio) 2 Hautbois, Basson (duo) 2 Clarinette, Basson (duo) 2 2 Flûte à bec (duo) 2 Flûte à Bec 2 Flûte, Violon 1 Clarinette, Harpe (duo) 1 2 Flûtes traversières, Piano 1 Flûte, Hautbois, Piano (trio) 1 Flûte à bec Soprano 1 Flûte à Bec, Piano 1 Flûte traversière, Basse continue 1 Flûte, Saxophone (duo) 1 Clarinette, Trompette (duo) 1 Flûte de Pan 1 Ensemble de saxophones 1 Flûte à bec Alto 1 Flûte à bec, Guitare (duo) 1 Clarinette, Violon (duo) 1 3 Flûtes à bec (trio) 1 Flûte, Violon, Piano 1 Saxophone 1 2 Clarinettes, Piano 1 Clarinette (partie séparée) 1 Hautbois, Harpe 1 Flûte, Violoncelle 1 Piccolo, Piano 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Flûte, Hautbois, Clarinette (trio) 1 2 Flûtes à bec, Guitare 1 Cuivres Cor et Piano 48 Trompette, Piano 41 Cor 41 Trombone et Piano 40 Trompette 34 Tuba et Piano 27 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 25 Quatuor de Cuivres : 2 trompettes, trombone, tuba 19 Trombone 18 Tuba 18 Cor anglais, Piano 14 Ensemble de Trombones 9 Quatuor de cuivres: 4 trombones 8 Euphonium, Piano (duo) 8 2 Trombones (duo) 8 Quatuor de cuivres: 4 cors 4 2 Trompettes (duo) 4 Ensemble de Trompettes 4 Trompette, Trombone (duo) 3 Ensemble de Cors 3 3 Trombones (trio) 2 4 Tubas 2 3 Tubas (trio) 2 3 Cors (trio) 2 Trompette (partie séparée) 2 2 Cors (duo) 2 Quatuor de cuivres: 4 trompettes 2 Trompette, Cor (duo) 1 Cor (partie séparée) 1 Trompette, Saxophone (duo) 1 2 Tubas (duo) 1 Euphonium, Tuba (duo) 1 Quatuor de Cuivres 1 Trombone, Cor (duo) 1 Tuba et Orgue 1 Trompette, Trombone, Piano 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 2 Euphoniums (duo) 1 Cordes Violon et Piano 77 Violoncelle, Piano 64 Alto, Piano 60 Quatuor à cordes: 2 violons, alto, violoncelle 53 Violon 35 Violoncelle 25 Contrebasse, Piano (duo) 22 Contre Basse 19 Violon, Violoncelle (duo) 16 Alto seul 16 Harpe 13 Harpe, Flûte (duo) 12 Trio à Cordes: violon, alto, violoncelle 11 Alto (partie séparée) 8 4 Violoncelles 7 Violon, Alto (duo) 7 2 Violoncelles (duo) 6 2 Violons (duo) 6 2 Altos (duo) 5 Trio à Cordes: 3 violoncelles 4 Trio à Cordes: 2 violons, violoncelle 4 Alto, Violoncelle (duo) 3 Quatuor à cordes: 4 violons 3 Quatuor à cordes : 4 altos 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Trio à cordes: 3 violins 2 Trio à cordes: 3 altos 1 Violon, Guitare (duo) 1 Flûte, Contrebasse (duo) 1 Harpe, Violon (duo) 1 Violon, Basse continue 1 Violon (partie séparée) 1 Piano Trio: Violon, Alto, Piano 1 2 Violons, Piano 1 Violon, Basson (duo) 1 Autres
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Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano # Saxophone Alto et Piano# INTERMÉDIAIRE/AVANCÉ# 1871, Mayeur was also named Sa# Louis Adolphe Mayeur# Paul Wehage# Louis Mayeur: Grande Fantaisie# Musik Fabrik Music Publishing# SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Scor...(+)
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
Handel: Largo (from Xerxes) for alto sax and piano
Handel: Largo (from Xerxes) for alto sax and piano # Saxophone Alto et Piano# INTERMÉDIAIRE# G F Handel# Colin Kirkpatrick# Handel: Largo# Colin Kirkpatrick Publications# SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages...(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
O Holy Night for Alto Sax & Piano
O Holy Night for Alto Sax & Piano # Saxophone Alto et Piano# DÉBUTANT# Noël# Adam# James M# piano# O Holy Night for Alto Sax &# jmsgu3# SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jm...(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
Sullivan: The Lost Chord for Alto Sax & Piano
Sullivan: The Lost Chord for Alto Sax & Piano # Saxophone Alto et Piano# INTERMÉDIAIRE/AVANCÉ# Sir Arthur Seymour Sullivan# James M# dynamic control# Sullivan: The Lost Chord for A# jmsgu3# SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...(+)
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
Brindisi from "La Traviata" for Alto Saxophone and Piano
Brindisi from "La Traviata" for Alto Saxophone and Piano # Saxophone Alto et Piano# INTERMÉDIAIRE# Classique# Giuseppe Verdi# Diego Marani# Brindisi from "La Traviat# Diego Marani# SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.528287 Composed by Giuseppe Verdi. Arranged by Die...(+)
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.528287 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #5731495. Published by Diego Marani (A0.528287). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Eb Alto Sax with Piano Accompaniment reproduces the original spirit of the Verdi's score.
An Die Musik - Alto Sax and Piano (Full Score and Parts)
An Die Musik - Alto Sax and Piano (Full Score and Parts) # Saxophone Alto et Piano# FACILE# Classique# Franz Schubert# César Madeira# An Die Musik - Alto Sax and Pi# Sheet Music To Play Editions# SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1270542 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,...(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.1270542 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #862912. Published by Sheet Music To Play Editions (A0.1270542). An Die Musik D.547 by Schubert. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Der Erlkönig by Schubert - Alto Sax and Piano (Full Score and Parts)
Der Erlkönig by Schubert - Alto Sax and Piano (Full Score and Parts) # Saxophone Alto et Piano# INTERMÉDIAIRE# Classique# Franz Schubert# César Madeira# Der Erlkönig by Schubert # Sheet Music To Play Editions# SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1183328 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,...(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1183328 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Thriller. Score and part. 21 pages. Sheet Music To Play Editions #782990. Published by Sheet Music To Play Editions (A0.1183328). Der Erlkönig Op.1 D.328 by Schubert. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Ode to Joy by Beethoven for Alto Sax
Ode to Joy by Beethoven for Alto Sax # Saxophone Alto et Piano# DÉBUTANT# Classique# Classique# Ludwig van Beethoven# Ander# Ode to Joy by Beethoven for Al# Woods Only, Arrangements# SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Perio...(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760681. Published by Woods Only, Arrangements (A0.1160398). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano # Saxophone Alto et Piano# FACILE# Classique# Johann Sebastian Bach# James M# Bach: Bist du bei mir BWV 508 # jmsgu3# SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
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