Partitions Numériques de When We Sing Together pour Saxophone Tenor et Piano

Piano,Tenor Saxophone - Level 2 - SKU: A0.590378 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. Score and pa...(+)

Piano,Tenor Saxophone - Level 2 - SKU: A0.590378 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. Score and part. 27 pages. David McKeown #6204565. Published by David McKeown (A0.590378). 15 Favourite Hymns for Thanksgiving and Harvest for Tenor Saxophone and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo Tenor Saxophone and Piano. The file contains both the piano score and a separate part for the solo instrument.15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or twoâ€™s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.The hymns are in alphabetical order and are as followsâ€¦Â· All Things Bright and Beautiful, (The 29thMay)Â· Come Thou Fount of Every Blessing, (Nettleton)Â· Come, Ye Thankful People Come, (St Georgeâ€™s, Windsor)Â· Count Your Blessings, (Blessings)Â· For All the Blessings of the Year, (Oldbridge)Â· For the Beauty of the Earth, (Dix)Â· Now Thank We All Our God, (Nun Danket)Â· O Store Gud, (Trad. Swedish, also used for How Great Thou Art)Â· Praise God from Whom All Blessings Flow, (Old Hundredth)Â· Praise My Soul, the King of Heaven, (Laude Anima)Â· Praise to the Lord, the Almighty, (Lobe den Herren). Rejoice Today with One Accord, (Ein Feste Burg)Â· We Gather Together, (Kremser)Â· We Plough the Fields and Scatter, (Wir PflÃ¼gen)Â· When Morning Gilds the Skies, (Laudes Domini)There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$7.60 ≈ 6.98€

A Night In Tunisia

A Night In Tunisia #Saxophone Tenor et Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...(+)

Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.26€

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