Partitions Numériques de And When I Die pour Saxophone Soprano et Piano

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And When I Die
Non classifié 365

Piano & claviers
Piano seul 304
Piano, Voix 107
Piano, Voix et Guitare 58
Piano Facile 31
Instruments en Do 19

Orgue 18
1 Piano, 4 mains 8
Orgue, Piano (duo) 8
2 Pianos, 4 mains 4
Accompagnement Piano 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano (partie séparée) 1
Piano Trio: piano, violon, violoncelle 1

+ 9 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 151
Piano, Guitare (duo) 112
Guitare 52
Guitare notes et tablatures 26
Ukulele 8

3 Guitares (trio) 4
Basse electrique 4
4 Guitares (Quatuor) 4
Paroles et Accords 3
Banjo 2
Mandoline 1

+ 6 instrumentations

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Voix
Chorale SATB 91
Chorale 3 parties 20
Chorale 2 parties 14
Chorale SSAA 10
Chorale TTBB 9

Chorale Unison 6
Voix duo, Piano 6
Voix Alto, Piano 4
Voix Soprano, Piano 3
Pack Instrumental pour Chorale 2
Voix haute 2
Voix duo 2
Voix Tenor, Piano 2
Voix Mezzo-Soprano, Piano 1
Chorale SSATTB 1
Chorale SSAATTBB 1
Voix Baryton, Piano 1
Voix Soprano 1
Voix Tenor 1

+ 14 instrumentations

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Vents
Hautbois, Piano (duo) 196
Clarinette et Piano 173
Flûte traversière et Piano 162
Saxophone Alto et Piano 125
Saxophone Tenor et Piano 124

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 52
Quintette de Saxophone: 5 saxophones 45
Clarinette 32
2 Saxophones (duo) 28
Hautbois (partie séparée) 28
2 Flûtes traversières (duo) 18
Flûte traversière 17
Quatuor de Saxophones: 4 saxophones 17
Saxophone Alto 8
3 Clarinettes (trio) 7
Ensemble de Clarinettes 6
Clarinette (partie séparée) 6
Quatuor de Clarinettes: 4 clarinettes 6
Flûte et Guitare 6
Ensemble de Flûtes 5
Flûte, Hautbois, Clarinette, Basson 4
Saxophone (partie séparée) 4
Flute (partie séparée) 4
Saxophone Baryton, Piano 4
Quatuor de Flûtes : 4 flûtes 4
Saxophone Tenor 3
Quintette de Flûte : 5 flûtes 3
2 Clarinettes (duo) 3
Ensemble de saxophones 3
Flûte, Clarinette, Piano (trio) 2
Quintette de Clarinettes: 5 clarinettes 2
Harmonica 2
Clarinette, Guitare (duo) 2
Saxophone Soprano et Piano 2

Cor anglais, Piano 2
3 Saxophones (trio) 2
Trio de Flûtes: 3 flûtes 2
Hautbois, Guitare (duo) 1
2 Flûte à bec (duo) 1
Saxophone et Guitare 1
Flûte, Violon, Piano 1
Cor Anglais 1
Quatuor de Flûtes à bec 1
Flûte, Violoncelle 1
Flûte et Quatuor à Cordes 1
Saxophone et Orgue 1
Flûte à bec Soprano 1
Flûte, Clarinette (duo) 1

+ 43 instrumentations

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Cuivres
Trombone et Piano 142
Trompette 93
Trompette, Piano 64
Quatuor de Cuivres : 2 trompettes, trombone, tuba 27
Trombone 21

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 19
Trompette (partie séparée) 15
2 Trompettes (duo) 6
Trombone (partie séparée) 5
Cor 5
2 Trombones (duo) 4
Ensemble de Trombones 4
Quatuor de cuivres: 4 trombones 3
Tuba 3
Cor et Piano 3
2 Tubas (duo) 2
Cor (partie séparée) 2
Ensemble de Trompettes 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Cor anglais, Piano 2
Tuba et Piano 1
Ensemble de Tubas 1
Tuba (partie séparée) 1
Cor Anglais 1
Trompette, Euphonium (duo) 1
Trompette, Trombone (duo) 1

+ 21 instrumentations

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Cordes
Alto, Piano 163
Violon et Piano 147
Violoncelle, Piano 132
Quatuor à cordes: 2 violons, alto, violoncelle 38
Violon 26

Violoncelle 20
Harpe 17
2 Violons (duo) 11
Violon (partie séparée) 10
Alto (partie séparée) 9
Alto seul 9
Harpe, Voix 5
Quintette à cordes: 2 violons, alto, violoncelle, basse 5
Ensemble de Violons 4
Ensemble d'Altos 4
Contrebasse (partie séparée) 3
Violon, Violoncelle (duo) 3
Violon, Alto (duo) 2
Violoncelle , Guitare (duo) 2
2 Violoncelles (duo) 2
4 Violoncelles 2
Contre Basse 2
Quatuor à cordes: 4 violons 1
Trio à Cordes: 2 violons, violoncelle 1
2 Harpes (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Harpe et Piano 1
Quatuor à cordes : 4 altos 1
Violon, Guitare (duo) 1

+ 24 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 91
Orchestre 41
Orchestre à Cordes 21
Ensemble de cuivres 14
Ensemble Jazz 12

Orchestre de chambre 10
Cloches 7
Percussion (partie séparée) 4
Jazz combo 3
Ensemble de Percussions 3
Fanfare 3
Xylophone 1
Marimba 1

+ 8 instrumentations

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And When I Die

Saxophone Soprano et Piano

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2 partitions trouvées

A Night In Tunisia

A Night In Tunisia #Saxophone Soprano et Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...(+)

Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.25€

Luther: Out of the Depths for Soprano Sax & Piano

Luther: Out of the Depths for Soprano Sax & Piano #Saxophone Soprano et Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...(+)

Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 22.90€

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