Partitions Numériques de A Night Like This pour Clarinette Basse, Piano

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A Night Like This
Non classifié 312

Piano & claviers
Piano seul 145
Piano, Voix 63
Piano, Voix et Guitare 56
Piano Facile 34
Instruments en Do 16

Orgue 7
Piano Trio: piano, violon, violoncelle 6
Piano Quatuor: piano, violon, alto, violoncelle 4
Accompagnement Piano 3
1 Piano, 4 mains 3
2 Pianos, 4 mains 1
Accordéon 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 31
Ukulele 20
Ligne De Mélodie, (Paroles) et Accords 16
Guitare 13
Piano, Guitare (duo) 6

Basse electrique 5
Paroles et Accords 3
Ensemble de guitares 1
Ensemble de Ukulélés 1
4 Guitares (Quatuor) 1

+ 5 instrumentations

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Voix
Chorale SATB 65
Chorale 3 parties 30
Chorale TTBB 20
Chorale 2 parties 16
Chorale Unison 9

Chorale SSAA 6
Voix duo 5
Voix duo, Piano 3
Voix Soprano, Piano 3
Voix haute 3
Voix Alto, Piano 2
Voix Baryton, Piano 2
Voix basse, Piano 1
Chorale SSAATB 1
Soli, choeur mixte et accompagnement 1
Chorale 1

+ 11 instrumentations

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Vents
Clarinette et Piano 29
Hautbois, Piano (duo) 29
Flûte traversière et Piano 27
Saxophone Alto et Piano 24
Flûte, Hautbois, Clarinette, Basson 21

Saxophone Tenor et Piano 19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 16
2 Flûtes traversières (duo) 14
Quatuor de Saxophones: 4 saxophones 14
2 Saxophones (duo) 11
Clarinette 8
Quintette de Saxophone: 5 saxophones 7
Quatuor de Clarinettes: 4 clarinettes 6
Clarinette (partie séparée) 6
Saxophone Tenor 6
Quatuor de Flûtes : 4 flûtes 6
Ensemble de saxophones 5
Saxophone Alto 5
Hautbois (partie séparée) 5
Ensemble de Clarinettes 5
Saxophone Soprano et Piano 5
2 Clarinettes (duo) 5
Flûte traversière 5
Cor anglais, Piano 4
Clarinette, Violon (duo) 4
2 Flûte à bec (duo) 3
Ensemble de Flûtes 3
Saxophone Baryton, Piano 3
2 Hautbois (duo) 3
Quintette de Clarinettes: 5 clarinettes 3
Flûte, Violon 3
Flûte, Clarinette et Basson 2
Hautbois 2
Flûte à bec Soprano 2
3 Saxophones (trio) 2
Saxophone, Clarinette (duo) 2
Clarinette, Trompette (duo) 2
Flute (partie séparée) 2
Flûte, Alto (duo) 2
Flûte, Clarinette (duo) 2
Clarinette et Alto 2
Hautbois, violon (duo) 1
Hautbois, Flûte 1
Clarinette Basse, Piano 1

Hautbois, Violoncelle 1
Flûte, Trompette (duo) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Trio de Flûtes: 3 flûtes 1
Clarinette, Guitare (duo) 1
Quatuor de Flûtes à bec 1
Flûte, Saxophone (duo) 1
Hautbois, Basson (duo) 1
Quintette de Flûte : 5 flûtes 1
Clarinette, Violoncelle (duo) 1
Saxophone (partie séparée) 1
Clarinette, Basson (duo) 1
Flûte, Violoncelle 1
Hautbois, Clarinette (duo) 1
Flûte, Hautbois (duo) 1
Ensemble De Flûte à bec 1
Hautbois et alto (duo) 1

+ 56 instrumentations

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Cuivres
Trombone et Piano 25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 14
Cor et Piano 14
Trompette, Piano 13
Trompette 12

Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Tuba et Piano 9
Quatuor de Cuivres: 2 trompettes, Cor, trombone 8
2 Trompettes (duo) 7
Cor 4
Cor anglais, Piano 4
Trompette (partie séparée) 4
2 Trombones (duo) 4
Euphonium, Piano (duo) 3
Trombone (partie séparée) 3
Quatuor de Cuivres 3
Trombone 3
Trompette, Trombone (duo) 2
2 Tubas (duo) 2
2 Cors (duo) 2
Trompette, Saxophone (duo) 2
Ensemble de Trombones 2
Cor (partie séparée) 2
Trompette, Cor (duo) 2
Tuba (partie séparée) 2
Trompette, Euphonium (duo) 1
Quatuor de cuivres: 4 trombones 1
2 Trompettes, Clavier (piano ou orgue) 1

+ 23 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 35
Violon et Piano 26
Alto, Piano 23
Violoncelle, Piano 21
Violon 11

Violoncelle 10
Violon, Violoncelle (duo) 10
Harpe 10
Trio à Cordes: violon, alto, violoncelle 8
Violon, Alto (duo) 8
Violon (partie séparée) 7
Contrebasse, Piano (duo) 7
2 Violons (duo) 6
Alto seul 6
Quintette à cordes: 2 violons, alto, violoncelle, basse 6
2 Violoncelles (duo) 5
2 Altos (duo) 5
Trio à cordes: 3 violins 3
Alto (partie séparée) 3
Piano Trio: Violon, Alto, Piano 2
Alto et Harpe 2
Harpe, Violon (duo) 2
Contre Basse 2
Harpe, Flûte (duo) 2
Trio à Cordes: 3 violoncelles 2
Alto, Violoncelle (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Contrebasse (partie séparée) 2
Harpe, Voix 2
Violoncelle (partie séparée) 1
2 Contrebasses (duo) 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Harpe, Violoncelle (duo) 1
Quatuor à cordes: 4 violons 1
Ensemble d'Altos 1
Trio à cordes: 3 altos 1
Ensemble de Violons 1

+ 32 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 80
Orchestre 29
Orchestre à Cordes 22
Ensemble Jazz 9
Ensemble de cuivres 7

Fanfare 4
Orchestre de chambre 4
Percussion (partie séparée) 3
Cloches 2
Batterie 1
Ensemble de Percussions 1
Jazz combo 1
Instrumentation Flexible 1
Marimba 1

+ 9 instrumentations

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Autres
Théorie de la musique 1

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A Night Like This

Clarinette Basse, Piano

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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

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