Partitions Numériques de Piano sonata in C major pour Clarinette Basse, Piano

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Piano sonata in C major
Non classifié 70

Piano & claviers
Piano seul 387
Piano Facile 31
1 Piano, 4 mains 8
Piano, Voix 5
Piano Trio: piano, violon, violoncelle 2

Piano, Voix et Guitare 2
2 Pianos, 4 mains 2
Instruments en Do 2
Clavecin 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Orgue, Piano (duo) 1

+ 6 instrumentations

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Guitares
Guitare notes et tablatures 3
Banjo 2
2 Guitares (duo) 1
Mandoline, Piano (duo) 1
Ukulele 1

Guitare 1

+ 1 instrumentations

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Voix
Chorale 2 parties 4
Chorale 3 parties 2
Voix duo, Piano 1
Chorale SATB 1
Chorale TTBB 1

Vents
Flûte traversière 38
Flûte traversière et Piano 28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10
Flûte, Hautbois, Clarinette, Basson 9
Clarinette et Piano 8

Saxophone Soprano et Piano 6
Saxophone Alto et Piano 5
Saxophone Tenor et Piano 5
Hautbois, Piano (duo) 5
Clarinette 5
Flûte à Bec, Piano 3
Saxophone Baryton, Piano 3
Quatuor de Flûtes : 4 flûtes 3
Cor anglais, Piano 3
2 Saxophones (duo) 2
Saxophone Alto 2
Saxophone Tenor 2
Ensemble de Flûtes 2
2 Clarinettes (duo) 2
Quatuor de Clarinettes: 4 clarinettes 2
Clarinette Basse, Piano 2

2 Flûtes traversières (duo) 1
Piccolo, Piano 1
Flûte, Violon, Piano 1
Quatuor de Saxophones: 4 saxophones 1

+ 20 instrumentations

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Cuivres
Trompette 8
Trombone et Piano 6
Trompette, Piano 5
Euphonium, Piano (duo) 4
Tuba et Piano 3

Cor anglais, Piano 3
Cor 2
Cor et Piano 2
Trombone 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trompette, Trombone (duo) 1

+ 6 instrumentations

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Cordes
Violon et Piano 31
Quatuor à cordes: 2 violons, alto, violoncelle 25
Violoncelle, Piano 16
Alto, Piano 15
Violon 3

Alto seul 3
Violoncelle 3
2 Violons, Piano 3
Contre Basse 1
2 Altos (duo) 1
2 Violons (duo) 1
Violon (partie séparée) 1
2 Violoncelles (duo) 1
Contrebasse, Piano (duo) 1
Violon, Alto (duo) 1
Violoncelle, Basse continue 1

+ 11 instrumentations

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Orchestre & Percussions
Orchestre à Cordes 16
Orchestre de chambre 10
Orchestre 1
Ensemble Jazz 1

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Piano sonata in C major

Clarinette Basse, Piano

Partitions à imprimer

2 partitions trouvées

Telemann: Four Sonatas for Bass Clarinet & Piano

Telemann: Four Sonatas for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Georg Philipp Telemann #James Guthrie, ASCAP #Telemann: Four Sonatas for Bas #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.551669 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Stand...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.551669 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330389. Published by jmsgu3 (A0.551669). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.

$49.95 ≈ 46.37€

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.52€

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