Partitions Numériques de THE INVITATION pour Clarinette Basse, Piano

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THE INVITATION
Non classifié 584

Piano & claviers
Piano seul 113
Piano, Voix 40
Piano Facile 34
Piano, Voix et Guitare 22
Instruments en Do 3

1 Piano, 4 mains 2
Clavecin 1
2 Pianos, 4 mains 1
Piano (partie séparée) 1
Accompagnement Piano 1

+ 5 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 15
Guitare 10
Guitare notes et tablatures 9
Paroles et Accords 4
Guitare (partie séparée) 3

Basse electrique 1
Piano, Guitare (duo) 1

+ 2 instrumentations

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Voix
Chorale SATB 90
Chorale 2 parties 38
Chorale Unison 18
Chorale 3 parties 12
Chorale TTBB 3

Voix duo 2
Voix moyenne, Piano 1
Chorale SSAA 1
Voix duo, Piano 1
Voix haute 1
Voix Baryton, Piano 1
Voix Alto, Piano 1
Voix seule 1

+ 8 instrumentations

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Vents
Flûte traversière et Piano 24
Clarinette et Piano 20
Hautbois, Piano (duo) 17
Saxophone Soprano et Piano 15
Saxophone Tenor et Piano 15

Saxophone Alto et Piano 14
Saxophone (partie séparée) 8
Flûte et Guitare 6
2 Flûtes traversières (duo) 6
Flûte traversière 6
Saxophone Alto 4
Flûte, Hautbois, Clarinette, Basson 4
Flûte, Violoncelle 4
Quatuor de Flûtes : 4 flûtes 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Clarinette, Violoncelle (duo) 3
Clarinette 2
Clarinette, Guitare (duo) 2
Saxophone Tenor 2
Flûte, Trombone (duo) 2
Quatuor de Saxophones: 4 saxophones 2
Hautbois 2
Clarinette, Basson (duo) 2
Saxophone Soprano 2
Instruments en Mib 1
Clarinette et Alto 1
Saxophone Baryton, Piano 1
2 Clarinettes (duo) 1
Flûte, Violon, Piano 1
Clarinette, Alto et Piano (trio) 1
2 Saxophones (duo) 1
Flûte, Violon, Violoncelle et Piano 1
Ensemble de Flûtes 1
5 Flûtes à bec 1
Quatuor de Clarinettes: 4 clarinettes 1
Flûte, Alto (duo) 1
Quintette de Saxophone: 5 saxophones 1
2 Clarinettes, Piano 1
Flûte à Bec 1
Ensemble de saxophones 1
Clarinette Basse, Piano 1

Quatuor de Flûtes à bec 1

+ 37 instrumentations

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Cuivres
Trombone et Piano 17
Trompette, Piano 16
Cor et Piano 14
Trombone (partie séparée) 9
Trompette (partie séparée) 4

Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Trompette 2
Cor, Violoncelle (duo) 2
Trombone 2
Cor 2
Ensemble de Trompettes 1
Bass Clef Instruments 1
Euphonium, Piano (duo) 1
Instruments en Sib 1
Quatuor de Cuivres 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Ensemble de Cors 1
2 Trompettes, Clavier (piano ou orgue) 1

+ 14 instrumentations

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Cordes
Violon et Piano 23
Quatuor à cordes: 2 violons, alto, violoncelle 17
Violoncelle, Piano 15
Alto, Piano 14
2 Violons (duo) 10

Trio à Cordes: violon, alto, violoncelle 6
Violon 3
Violoncelle 3
Harpe 3
2 Harpes (duo) 3
Contrebasse (partie séparée) 2
2 Violoncelles (duo) 2
Alto seul 2
Violoncelle , Guitare (duo) 1
Contrebasse, Piano (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Harpe, Violon (duo) 1

+ 12 instrumentations

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Orchestre & Percussions
Orchestre 11
Orchestre de chambre 6
Orchestre à Cordes 6
Ensemble Jazz 5
Cloches 3

Orchestre d'harmonie 3
Batterie (partie séparée) 2
Vibraphone 2
Ensemble de cuivres 2
Marimba 2
Ensemble de Percussions 1
Orchestre, Violon 1

+ 7 instrumentations

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THE INVITATION

Clarinette Basse, Piano

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1 partition trouvée

DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano

DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano #Clarinette Basse, Piano #FACILE #Classique #Antonin Dvorak #James M #dynamic control #DvoÅ™ák: Largo from #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...(+)

Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. DvoÅ™Ã¡k Background AntonÃn DvoÅ™Ã¡k (1841 â€“1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia). Â DvoÅ™Ã¡k relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame DvoÅ™Ã¡k was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to DvoÅ™Ã¡k in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed DvoÅ™Ã¡k to the publisher Simrock. Later, the publisher commissioned DvoÅ™Ã¡k to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, DvoÅ™Ã¡k's worldwide status was launched. International Status DvoÅ™Ã¡k visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed DvoÅ™Ã¡k as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, DvoÅ™Ã¡k composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.

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