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When We Met""
Non classifié 188

Piano & claviers
Piano, Voix 71
Piano seul 71
Piano, Voix et Guitare 26
Piano Facile 14
Instruments en Do 6

Orgue 5
Piano grosses notes 2
Accordéon 2
Accompagnement Piano 1

+ 4 instrumentations

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Guitares
Guitare 7
Guitare notes et tablatures 6
Ligne De Mélodie, (Paroles) et Accords 5
Paroles et Accords 3
Piano, Guitare (duo) 2

2 Guitares (duo) 1

+ 1 instrumentations

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Voix
Chorale SATB 42
Voix Alto, Piano 11
Chorale 2 parties 7
Chorale 3 parties 5
Chorale TTBB 3

Voix Soprano, Piano 3
Chorale SSAA 2
Voix duo, Piano 2
Chorale Unison 2
Voix Tenor 1
Voix Baryton, Piano 1

+ 6 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 44
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 44
Quatuor de Saxophones: 4 saxophones 7
Ensemble de Clarinettes 6
Flûte, Hautbois, Clarinette, Basson 4

Flûte traversière et Piano 3
Quintette de Flûte : 5 flûtes 3
2 Flûtes traversières (duo) 3
Quatuor de Flûtes : 4 flûtes 3
Clarinette et Piano 3
Saxophone Alto et Piano 3
Saxophone Alto 3
Hautbois, Piano (duo) 3
Clarinette 2
Quatuor de Clarinettes: 4 clarinettes 2
Saxophone Tenor et Piano 2
Saxophone Tenor 1
3 Clarinettes (trio) 1
Flûte, Hautbois (duo) 1
2 Saxophones (duo) 1
Flûte, Clarinette, Piano (trio) 1
Ensemble de saxophones 1
Flûte à bec Tenor 1
Hautbois (partie séparée) 1
Ensemble de Flûtes 1
Flûte et Guitare 1
Flûte traversière 1
2 Cors Anglais Et Pianoforte 1
Hautbois, Guitare (duo) 1
Flûte à bec Soprano 1
Saxophone Soprano et Piano 1

+ 26 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 22
Trompette, Piano 5
Ensemble de Trombones 4
Trombone 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

Ensemble de Trompettes 2
2 Trompettes (duo) 2
Tuba 2
Quatuor de Cuivres 1
Trompette 1
Tuba et Piano 1
Cor et Piano 1
Quatuor de cuivres: 4 trombones 1
2 Tubas (duo) 1
2 Trombones (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Cors Anglais Et Pianoforte 1
Trompette, Trombone (duo) 1
4 Tubas 1
Bass Clef Instruments 1

+ 15 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 17
Violoncelle, Piano 7
Violon et Piano 6
Quintette à cordes: 2 violons, alto, violoncelle, basse 5
Ensemble de Violons 4

Violon 4
Ensemble d'Altos 4
Violon, Violoncelle (duo) 4
Alto, Piano 3
4 Violoncelles 3
Harpe 3
Violon, Alto (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Contre Basse 1
4 Contrebasses 1
Violoncelle 1
Violoncelle , Guitare (duo) 1
Quatuor à cordes: 4 violons 1
Trio à Cordes: violon, alto, violoncelle 1
2 Violons (duo) 1
Quatuor à cordes : 4 altos 1

+ 16 instrumentations

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Orchestre & Percussions
Orchestre 10
Ensemble de cuivres 7
Orchestre d'harmonie 5
Orchestre de chambre 5
Orchestre à Cordes 4

Jazz combo 3
Xylophone, Piano 1
Marimba 1
Ensemble de Percussions 1
Ensemble Jazz 1

+ 5 instrumentations

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Vous avez sélectionné:

When We Met""

Chorale TTBB

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3 partitions trouvées

The Story Of Reuben Clamzo & His Strange Daughter

The Story Of Reuben Clamzo & His Strange Daughter #Chorale TTBB #FACILE #Arlo Guthrie #Craig Hanson #The Story Of Reuben Clamzo &am #Edition Craig Hanson #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...(+)

Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. â€˜Is that you kids?â€™ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the shipâ€¦ You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâ€”them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â€¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

$3.99 ≈ 3.75€

Brisbane Ladies (Augathella Station)

Brisbane Ladies (Augathella Station) #Chorale TTBB #DÉBUTANT #Traditional #Sandra Milliken #Brisbane Ladies #Sandra Milliken #SheetMusicPlus

Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...(+)

Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that countryâ€™s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as Weâ€™ll Rant and Weâ€™ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.

$2.20 ≈ 2.07€

Coral Resurrection

Coral Resurrection #Chorale TTBB #Kjell Perder #Coral Resurrection #Bo Ejeby Forlag - Digital #SheetMusicPlus

SATB chorus and soprano saxophone - SKU: BJ.1411 Composed by Kjell Perder. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1411. Published by Bo Ejeby Forl...(+)

SATB chorus and soprano saxophone - SKU: BJ.1411 Composed by Kjell Perder. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1411. Published by Bo Ejeby Forlag - Digital (BJ.1411). 8.27 x 11.7 inches.Sometimes art and science are walking together. Coral Resurrection is not a political piece of music, but it is shaped when the climate situation is threatening us all, forcing every human to take action if we want to survive. The coral reefs are Mother Earth's nursery and what can be more crucial than to protect them? Here the solo instrument and the choir voices interact on a journey from vibrations on the sea floor to dreams of resurrection on the water surface. Angels whisper words of warning and encouragement, the stone outside the tomb is moved. Life arise! - Kjell PerderCoral Resurrection is composed for and dedicated to soprano saxophonist Anders Paulsson and the Chamber choir of Stockholm's Musikgymnasium, conductor Helene Stureborg.

$6.40 ≈ 6.01€

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