Partitions Numériques de God's Time, God's Love"" pour Ensemble de Percussions

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God's Time, God's Love""
Non classifié 128

Piano & claviers
Piano seul 50
Piano, Voix et Guitare 50
Piano, Voix 39
Piano Facile 9
Orgue 7

Instruments en Do 6
Piano Trio: piano, violon, violoncelle 3
1 Piano, 4 mains 1

+ 3 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 2
Guitare notes et tablatures 2
3 Guitares (trio) 1
2 Guitares (duo) 1
Guitare 1

Voix
Chorale SATB 82
Chorale Unison 16
Chorale 3 parties 14
Chorale 2 parties 5
Chorale SSATB 1

Voix haute 1
Voix seule 1
Chorale SSAA 1
Voix Alto, Piano 1
Voix Baryton, Piano 1
Chorale TTBB 1
Voix Tenor 1

+ 7 instrumentations

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Vents
2 Flûtes traversières (duo) 15
Clarinette 12
Quatuor de Saxophones: 4 saxophones 9
Hautbois (partie séparée) 9
Flûte traversière et Piano 9

Saxophone Alto et Piano 5
Flûte traversière 4
Saxophone Alto 4
Quatuor de Clarinettes: 4 clarinettes 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Clarinette et Piano 3
Saxophone Tenor 2
Clarinette, Guitare (duo) 2
Hautbois, Piano (duo) 2
Quintette de Flûte : 5 flûtes 1
Quatuor de Flûtes : 4 flûtes 1
Quintette de Saxophone: 5 saxophones 1
2 Clarinettes (duo) 1
Flûte et Guitare 1
Flûte, Hautbois, Clarinette, Basson 1
Saxophone (partie séparée) 1
Cor anglais, Piano 1
Ensemble de saxophones 1
Saxophone Tenor et Piano 1
2 Saxophones (duo) 1
Cornemuse 1
Flûte, Clarinette (duo) 1
Saxophone Baryton, Piano 1

+ 23 instrumentations

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Cuivres
Trompette 3
Trombone et Piano 3
Tuba 3
Trompette, Piano 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Cor et Piano 1
Cor anglais, Piano 1
2 Trompettes (duo) 1

+ 4 instrumentations

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Cordes
Violon et Piano 13
Quatuor à cordes: 2 violons, alto, violoncelle 9
Violoncelle, Piano 6
2 Violons (duo) 6
Violon 5

Violoncelle 5
Alto, Piano 3
Harpe, Voix 2
Violon, Violoncelle (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
2 Violoncelles (duo) 2
Violon, Clarinette, Piano (trio) 1

+ 7 instrumentations

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Orchestre & Percussions
Cloches 9
Orchestre d'harmonie 7
Orchestre 6
Ensemble de cuivres 5
Orchestre à Cordes 4

Ensemble de Percussions 3

Jazz combo 2
Quintette de Cuivres: autres combinaisons 1
Ensemble Jazz 1
Orchestre de chambre 1

+ 5 instrumentations

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Crtitères actifs :

God's Time, God's Love""

Ensemble de Percussions

Partitions à imprimer

3 partitions trouvées

Christmas Calypso for Percussion Sextet

Christmas Calypso for Percussion Sextet #Ensemble de Percussions #FACILE #Noël #Dan Heslink #Christmas Calypso for Percussi #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...(+)

Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience â€“ fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherdsâ€™ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. Itâ€™s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.

$4.99 ≈ 4.72€

Christmas Calypso for Marimba Quartet

Christmas Calypso for Marimba Quartet #Ensemble de Percussions #Noël #Dan Heslink #Christmas Calypso for Marimba #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...(+)

Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience â€“ fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherdsâ€™ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. Itâ€™s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.

$4.99 ≈ 4.72€

Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)

Einmal möcht' Ich so verliebt sein (from Beautiful Galathea) #Ensemble de Percussions #Franz von Suppe #FlÃ¡vio RÃ©gis Cunha #Einmal möcht' Ich so verl #Flavio Regis Cunha #SheetMusicPlus

Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by FlÃ¡vio RÃ©gis Cunha. Concert,Opera,Romantic Period,Standards. Score a...(+)

Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by FlÃ¡vio RÃ©gis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schÃ¶ne GalathÃ©e (The Beautiful Galatea) is an operetta in two acts by Franz von SuppÃ© to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal mÃ¶cht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from SÃ£o Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von SuppÃ© was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schÃ¶ne GalathÃ©e was Franz von SuppÃ©'s first critical success. The sculptor Pygmalion has fallen madly in love with his statue of GalathÃ©e and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but GalathÃ©e turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches GalathÃ©e in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.

$20.00 ≈ 18.90€

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