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Voix Chorale SATB 1 640 Chorale 3 parties 504 Chorale 2 parties 460 Voix seule 322 Chorale TTBB 209 Voix duo, Piano 173 Chorale Unison 165 Chorale SSAA 111 Pack Instrumental pour Chorale 100 Voix duo 57 Chorale 48 Voix haute 40 Voix Soprano, Piano 34 Voix Baryton, Piano 16 Voix Alto, Piano 16 Voix Tenor, Piano 15 Voix moyenne, Piano 9 Voix basse, Piano 7 Voix Mezzo-Soprano, Piano 5 Voix Tenor 4 Chorale SSAB, Piano 3 Chorale SSATTB 3 Chorale SSATB 3 Voix, Guitare 2 Chorale SAATB A Cappella 1 Chorale SSAB a cappella 1 Chorale SSAATTBB 1 Voix basse 1 Soli, choeur mixte et accompagnement 1
Vents Saxophone 1 050 Flûte traversière 800 Clarinette 606 Flûte traversière et Piano 400 Hautbois, Piano (duo) 348 Clarinette et Piano 320 Saxophone Alto et Piano 270 Saxophone Alto 247 Saxophone Tenor et Piano 242 Saxophone Tenor 235 2 Saxophones (duo) 167 Quatuor de Saxophones: 4 saxophones 164 Saxophone (partie séparée) 163 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 143 Flûte, Hautbois, Clarinette, Basson 125 2 Flûtes traversières (duo) 118 Flûte à Bec 116 2 Clarinettes (duo) 98 Quatuor de Clarinettes: 4 clarinettes 98 Hautbois (partie séparée) 92 Quatuor de Flûtes : 4 flûtes 81 Saxophone Soprano et Piano 79 Quintette de Saxophone: 5 saxophones 67 Ensemble de Clarinettes 65 Ensemble de saxophones 53 Flûte à bec Soprano 52 Flûte et Guitare 51 Flûte, Clarinette (duo) 47 Saxophone Baryton, Piano 45 2 Hautbois (duo) 44 Saxophone Soprano 37 Ensemble de Flûtes 36 Hautbois 36 Trio de Flûtes: 3 flûtes 29 Flute (partie séparée) 27 Hautbois, Basson (duo) 26 3 Saxophones (trio) 26 3 Clarinettes (trio) 24 Clarinette (partie séparée) 23 Quatuor de Flûtes à bec 22 2 Flûte à bec (duo) 20 Clarinette, Guitare (duo) 20 Hautbois, Clarinette (duo) 20 Cor anglais, Piano 17 Quintette de Clarinettes: 5 clarinettes 17 Flûte, Violon 17 Clarinette, Violon (duo) 14 Saxophone, Clarinette (duo) 14 Clarinette et Alto 14 Flûte, Violoncelle 14 Clarinette Basse, Piano 14 Flûte, Violon et Violoncelle 12 Flûte à bec Alto 11 Quintette de Flûte : 5 flûtes 11 Instruments en Mib 11 Hautbois, Flûte 11 Flûte, Alto (duo) 11 Clarinette, Trompette (duo) 10 Flûte, Violon, Piano 10 Cor Anglais 9 Hautbois, Guitare (duo) 8 Cor anglais, Guitare (duo) 8 Harmonica 7 Flûte, Harpe et Violoncelle 6 Hautbois, Clarinette, Basson (trio d'anches) 6 Flûte à bec Tenor 6 Flûte, Basson et Piano 6 2 Flûtes traversières, Piano 5 Flûte, Hautbois, Clarinette (trio) 5 Flûte, Saxophone (duo) 5 Flûte, Hautbois (duo) 5 Flute, harpe et violon 5 Ocarina 5 Flûte irlandaise 5 Clarinette, Harpe (duo) 5 Saxophone et Guitare 5 Flûte à bec Alto, Piano 5 Clarinette, Violoncelle (duo) 5 Flûte, Clarinette, Piano (trio) 5 Flûte, Violoncelle, Piano (trio) 4 2 Saxophones, Piano 4 Quintette de Clarinette: Clarinette, Quatuor à Cordes 4 Flûte à bec Soprano, Piano 4 Saxophone Baryton 4 Flûte, Trombone (duo) 4 Hautbois, Basson et Piano 3 Clarinette, Violoncelle, Piano (trio) 3 Ensemble De Flûte à bec 3 Clarinette, Basson (duo) 3 Flûte, Clarinette et Basson 3 Piccolo 3 3 Flûtes à bec (trio) 3 2 Cors Anglais Et Pianoforte 3 2 Clarinettes, Piano 3 Flûte, Hautbois, Basson 3 Piccolo, Piano 2 Flûte et Trio à cordes 2 Flûte, Hautbois, Piano (trio) 2 Clarinette, Basson, Piano (trio) 2 Flûte, Alto et Piano 2 Saxophone, Violon (duo) 2 Flûte, trombone et piano 2 Clarinette, Trombone (duo) 2 4 Hautbois 1 Hautbois, Violoncelle 1 2 Hautbois, Piano 1 Cornemuse 1 Flûte, Alto et Violoncelle 1 Hautbois, Harpe 1 Clarinette, Tuba 1 Flûte et Quatuor à Cordes 1 5 Flûtes à bec 1 Clarinette, trompette et piano 1 Clarinette, Orchestre 1 Flûte à bec Alto, Basse continue 1 Clarinette, Orgue 1 Clarinette, Alto et Piano (trio) 1 Flûte, Clarinette, Violon (trio) 1 Saxophone et Orgue 1 Clarinette, Contrebasse (duo) 1 Flute, Cor (duo) 1 Saxophone et Piano 1
Cuivres Trompette 615 Trombone 489 Trombone et Piano 273 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 242 Trompette, Piano 205 Trompette (partie séparée) 126 Cor 113 Quatuor de Cuivres : 2 trompettes, trombone, tuba 104 Cor et Piano 95 Trombone (partie séparée) 88 Tuba 62 2 Trompettes (duo) 50 Quatuor de Cuivres 47 2 Trombones (duo) 44 Ensemble de Trompettes 43 Euphonium 40 Ensemble de Trombones 34 Quatuor de cuivres: 4 trombones 33 Tuba et Piano 32 Trompette, Trombone (duo) 31 Quatuor de Cuivres: 2 trompettes, Cor, trombone 24 Euphonium, Piano (duo) 23 Cor (partie séparée) 18 2 Cors (duo) 18 Cor anglais, Piano 17 Bass Clef Instruments 14 Instruments en Sib 14 2 Tubas (duo) 13 Trio de Cuivres 13 Trombone, Tuba (duo) 12 Tuba (partie séparée) 12 Trompette, Saxophone (duo) 11 Quatuor de cuivres: 4 cors 11 Cor Anglais 9 Quatuor de cuivres: 4 trompettes 9 2 Euphoniums et 2 Tubas 9 Cor anglais, Guitare (duo) 8 Trompette, Cor (duo) 6 2 Euphoniums (duo) 5 Trompette, violon (duo) 4 Ensemble de Cors 4 3 Trompettes (trio) 4 Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3 2 Cors Anglais Et Pianoforte 3 Trompette, Violoncelle (duo) 2 Quatuor de cuivres: 2 trompettes, 2 trombones 2 Instruments en Fa 2 Trompette, Violoncelle et Piano 2 2 Trompettes, Clavier (piano ou orgue) 1 2 Trombones, Piano 1 3 Trombones (trio) 1 Trombone basse et Piano 1 Ensemble de Tubas 1 Euphonium, Tuba (duo) 1 4 Euphoniums 1 Cor et Orgue 1 4 Tubas 1 Clarinette, Cor (duo) 1 Trompette, Tuba (duo) 1 Tuba ou Euphonium ou Saxhorn 1 2 Cors, Piano 1 Trompette, Euphonium (duo) 1 Trombone et orchestre 1
Cordes Quatuor à cordes: 2 violons, alto, violoncelle 1 054 Violon 849 Violon et Piano 473 Violon, Violoncelle (duo) 442 Violoncelle 442 Trio à Cordes: violon, alto, violoncelle 367 Alto, Piano 328 Violoncelle, Piano 304 Alto seul 267 Harpe 235 Quintette à cordes: 2 violons, alto, violoncelle, basse 158 2 Harpes (duo) 156 2 Violons (duo) 134 Violon, Alto (duo) 105 2 Violoncelles (duo) 77 2 Altos (duo) 74 Contre Basse 65 Trio à Cordes: 2 violons, violoncelle 55 Alto (partie séparée) 50 Alto, Violoncelle (duo) 37 Contrebasse, Piano (duo) 32 Violon (partie séparée) 31 Contrebasse (partie séparée) 26 Violon, Guitare (duo) 25 Trio à cordes: 3 violins 20 Harpe, Flûte (duo) 19 Harpe, Violon (duo) 18 Violoncelle , Guitare (duo) 16 Violoncelle, Contrebasse (duo) 16 Piano Trio: Violon, Alto, Piano 16 Quatuor à cordes: 4 violons 14 4 Violoncelles 13 2 Contrebasses (duo) 13 Harpe, Violoncelle (duo) 11 Trio à Cordes: 2 violons, alto 11 Ensemble de Violons 10 Alto et Harpe 9 2 Violons, Piano 9 Trio à Cordes: 3 violoncelles 7 Quintette à cordes: 2 violons, 2 altos, violoncelle 7 Ensemble d'Altos 7 Harpe, Voix 6 Alto, Guitare (duo) 6 Flûte, Contrebasse (duo) 6 Trio à cordes: 3 altos 5 Violoncelle, Orchestre 5 Harpe, Violon, Violoncelle 4 Quatuor à cordes : 4 altos 4 Quintette à cordes : 2 violons, alto et 2 violoncelles 4 4 Contrebasses 4 Violoncelle (partie séparée) 3 Harpe et Piano 3 2 Altos, Piano 2 Alto et Basson 1 2 Violoncelles, Piano 1 Violoncelle, Orgue 1 3 Harpes 1 Violon, Tuba (duo) 1 Ensemble de Violoncelles 1 Violon, Clarinette, Piano (trio) 1
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Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces # Ensemble de Percussions # AVANCÉ # Salvador Rojo Gamón # Four Forces # Salvador Rojo-Gamon # SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
Mix & Match Ensembles - Volume I - Duets
Mix & Match Ensembles - Volume I - Duets # Ensemble de Percussions # INTERMÉDIAIRE # Lawrence H # Mix & Match Ensembles - Vo # Lawrence H Underwood # SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.968568 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 page...(+)
Percussion Ensemble - Level 3 - SKU: A0.968568 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. Lawrence H Underwood #6666543. Published by Lawrence H Underwood (A0.968568). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
Mbube (wimoweh) - Score Only
Mbube (wimoweh) - Score Only # Ensemble de Percussions # DÉBUTANT # The Weavers # Joan Lithgow # Mbube # Joan Lithgow Music # SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1295822 By The Weavers. By Solomon Linda. Arranged by Joan Lithgow. Broadway,Children,Contemporary,Multicultural...(+)
Percussion Ensemble - Level 1 - SKU: A0.1295822 By The Weavers. By Solomon Linda. Arranged by Joan Lithgow. Broadway,Children,Contemporary,Multicultural,Musical/Show,Traditional,World. 6 pages. Joan Lithgow Music #886148. Published by Joan Lithgow Music (A0.1295822). This piece is ideally suited for Marimba Workshop (Pty) Ltd marimbas, www.marimbaworkshop.co.za but can be played on a variety of instruments.This simple, yet effective arrangement of the popular piece entitled Mbube or Lion Sleeps Tonight was originally written and recorded by Solomon Linda, a migrant worker in South Africa for the South African Gallo Record Company in 1939.  All parts are simply written on the stave to facilitate ease of reading.I have layered the entrance of the various parts to create an introduction. Feel free to experiment the way you layer your parts.This is a firm favourite for all marimba bands as it is well-known and fun to play.In this YouTube video you can see the Goede Hoop Marimba Band playing a medley of Waka Waka, Mbube and Ode To Joy ... all arrangements are available at sheetmusicplus. I hope you have fun learning this arrangement. I would love to hear your version of this piece. Please send your email to: joan@marimbaworkshop.co.zaÂ
Waka Waka (this Time For Africa) - Score Only
Waka Waka (this Time For Africa) - Score Only # Ensemble de Percussions # FACILE # Shakira # Joan Lithgow # Waka Waka # Joan Lithgow Music # SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1165968 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Ma...(+)
Percussion Ensemble - Level 2 - SKU: A0.1165968 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Mahola. Arranged by Joan Lithgow. Children,Instructional,Multicultural,Pop,Traditional,World. Score and parts. 5 pages. Joan Lithgow Music #766344. Published by Joan Lithgow Music (A0.1165968). I have taught this arrangement very successfully to many African Marimba Ensembles. It is written for African diatonic marimbas in C but can be played on a variety of different instruments. The arrangement is ideally suited for the Marimba Workshop (Pty) Ltd marimbas. (www.marimbaworkshop.co.za)I hope you enjoy playing this arrangement. I would love to hear your version: joan@marimbaworkshop.co.za.
Asibe Happy - Score Only
Asibe Happy - Score Only # Ensemble de Percussions # FACILE # Kabza De Small / Dj Maphorisa # Bradley Lithgow # Asibe Happy - Score Only # Bradley Lithgow # SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1315902 By Kabza De Small / Dj Maphorisa / Ami Faku. By Amanda Faku, Ami Faku, Kabelo Motha, and Themba Sekowe. ...(+)
Percussion Ensemble - Level 2 - SKU: A0.1315902 By Kabza De Small / Dj Maphorisa / Ami Faku. By Amanda Faku, Ami Faku, Kabelo Motha, and Themba Sekowe. Arranged by Bradley Lithgow. 21st Century,Contemporary,Multicultural,New Age,Pop,World. 13 pages. Bradley Lithgow #904680. Published by Bradley Lithgow (A0.1315902). I love this piece of music! I hope you have fun enjoying this easy arrangement, I have made it as accessible easy as possible, please feel free to make the inner parts more complex and create your own version! The arrangement is for The Marimba Workshop (PTY) Ltd Instruments but can be adapted (diatonic in C, South African Style Marimba Bands). Please drop me an email for further arrangments on bradley@marimbaworkshop.co.zaI would love to hear from you!
Calm Down - Score Only
Calm Down - Score Only # Ensemble de Percussions # FACILE # rema # Bradley Lithgow # Calm Down - Score Only # Bradley Lithgow # SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1316039 By rema. By Alexandre Uwaifo, Divine Ikubor, Michael Hunter, Rema Gomez, and Selena Gomez. Arranged by B...(+)
Percussion Ensemble - Level 2 - SKU: A0.1316039 By rema. By Alexandre Uwaifo, Divine Ikubor, Michael Hunter, Rema Gomez, and Selena Gomez. Arranged by Bradley Lithgow. 21st Century,Contemporary,Multicultural,Pop,Traditional,World. 6 pages. Bradley Lithgow #904788. Published by Bradley Lithgow (A0.1316039). I have made this an easy accessible arrangement, ideally suited for marimbas made by The Marimba Workshop (PTY) Ltd (see www.marimbaworkshop.co.za), but can be adapted for other instruments. Diatonic in C, in the style of South African Marimba Bands. I would love to hear your version of this arrangement, please drop me an email on bradley@marimbaworkshop.co.za.
The COVID Awakening
The COVID Awakening # Ensemble de Percussions # INTERMÉDIAIRE/AVANCÉ # Adam Grim # The COVID Awakening # Adam B. Grim # SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. ...(+)
Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet # Ensemble de Percussions # INTERMÉDIAIRE # Methodes # Joshua Hauser #   # Donut Etudes vol. 3: Don&rsquo # Slide Ride # SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...(+)
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!