Partitions Numériques de Turning Point pour Guitare

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Turning Point
Non classifié 12

Piano & claviers
Piano seul 13
Piano Facile 7
Piano, Voix et Guitare 2
Piano, Voix 2
Instruments en Do 1

Orgue 1

+ 1 instrumentations

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Guitares
Guitare 3

Guitare notes et tablatures 3

Voix
Chorale SATB 5
Voix duo 3
Chorale 2 parties 2
Chorale 3 parties 2

Vents
Flûte traversière et Piano 2
Quatuor de Saxophones: 4 saxophones 2
Quatuor de Flûtes : 4 flûtes 2
Clarinette 1
2 Saxophones (duo) 1

2 Clarinettes (duo) 1
Flûte, Hautbois, Clarinette, Basson 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Flûte et Guitare 1

+ 4 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trombone basse et Piano 1
Tuba et Piano 1
Trombone et Piano 1

Cordes
Violon (partie séparée) 3
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violoncelle 1
Alto (partie séparée) 1
Violoncelle, Piano 1

Contrebasse (partie séparée) 1
Harpe 1

+ 2 instrumentations

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Percussions & orchestre
Orchestre 9
Ensemble Jazz 3
Orchestre d'harmonie 2
Orchestre à Cordes 1
Orchestre de chambre 1

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Turning Point

Guitare

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3 partitions trouvées

Prelude No 3 in C (Streams)

Prelude No 3 in C (Streams) #Guitare #INTERMÉDIAIRE/AVANCÉ #Simon James #Prelude No 3 in C #DML #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published ...(+)

Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarregaâ€™s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarregaâ€™s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces.Â The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.

$2.99 ≈ 2.70€

Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)

Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan) #Guitare #INTERMÉDIAIRE #Classique #Aaron Larget-Caplan #Aaron Larget-Caplan #Prelude No. 1 in C Major by J. #Aaron Larget-Caplan #SheetMusicPlus

Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,C...(+)

Solo Guitar - Level 3 - SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac AlbÃ©niz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â

$5.00 ≈ 4.51€

Imitation Rag

Imitation Rag #Guitare #FACILE #Doug Smith #Imitation Rag #Doug Smith Guitar Studio #SheetMusicPlus

Solo Guitar - Level 2 - SKU: A0.1166201 Composed by Doug Smith. Classical,Folk,Instructional,Ragtime. Individual part. 6 pages. Doug Smith Guitar Studio...(+)

Solo Guitar - Level 2 - SKU: A0.1166201 Composed by Doug Smith. Classical,Folk,Instructional,Ragtime. Individual part. 6 pages. Doug Smith Guitar Studio #766580. Published by Doug Smith Guitar Studio (A0.1166201). Imitation Ragn is an energetic little piece in the first position that begins in the key of C major, then transitions to E minor and A major before returning to C major.Â There are slurs, strums, bass runs. Pimi arpeggios and at one point a five fret stretch.

$1.99 ≈ 1.79€

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