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Elegy for Clarinet
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Vous avez sélectionné:
Elegy for Clarinet
Orchestre d'harmonie
Partitions à imprimer
8 partitions trouvées
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1
Elegy Sentimentale for Concert Band
Elegy Sentimentale for Concert Band
#
Orchestre d'harmonie
#
Keith Terrett
#
Elegy Sentimentale for Concert
#
Keith Terrett
#
SheetMusicPlus
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749).
(+)
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00 ≈
26.80€
Elegy-Field of Blood
Elegy-Field of Blood
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
(+)
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00 ≈
10.72€
Elegy-Field of Blood
Elegy-Field of Blood
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
(+)
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00 ≈
71.45€
Elegy for Solo Clarinet and Band
Elegy for Solo Clarinet and Band
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Joel Jacklich
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Elegy for Solo Clarinet and Ba
#
Joel Jacklich
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.723622 Composed by Joel Jacklich (ASCAP). Concert,Contemporary. Score and parts. 31 pages. Joel Jacklich #3046585. Publ...
(+)
Concert Band - Level 3 - SKU: A0.723622 Composed by Joel Jacklich (ASCAP). Concert,Contemporary. Score and parts. 31 pages. Joel Jacklich #3046585. Published by Joel Jacklich (A0.723622). Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band.
$40.00 ≈
35.73€
Elegy For Albinoni - Bb Bass Clarinet
Elegy For Albinoni - Bb Bass Clarinet
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Shelley Hanson
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Elegy For Albinoni - Bb Bass C
#
Hal Leonard - Digital
#
SheetMusicPlus
Concert band Bb Bass Clarinet - Level 4 - SKU: HX.200284 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part. 1 pages. Du...
(+)
Concert band Bb Bass Clarinet - Level 4 - SKU: HX.200284 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part. 1 pages. Duration 270. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.200284).
$6.00 ≈
5.36€
Elegy For Albinoni - Eb Alto Clarinet
Elegy For Albinoni - Eb Alto Clarinet
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Shelley Hanson
#
Elegy For Albinoni - Eb Alto C
#
Hal Leonard - Digital
#
SheetMusicPlus
Concert band Eb Alto Clarinet - Level 4 - SKU: HX.200283 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part. 1 pages. Du...
(+)
Concert band Eb Alto Clarinet - Level 4 - SKU: HX.200283 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part. 1 pages. Duration 270. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.200283).
$6.00 ≈
5.36€
Elegy For Albinoni - Bb Clarinet or Sop. Saxophone
Elegy For Albinoni - Bb Clarinet or Sop. Saxophone
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Shelley Hanson
#
Elegy For Albinoni - Bb Clarin
#
Hal Leonard - Digital
#
SheetMusicPlus
Concert band Bb Clarinet or Sop. Saxophone - Level 4 - SKU: HX.200279 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part...
(+)
Concert band Bb Clarinet or Sop. Saxophone - Level 4 - SKU: HX.200279 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part. 1 pages. Duration 270. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.200279).
$6.00 ≈
5.36€
Elegy For Albinoni - Eb Contra Alto Clarinet
Elegy For Albinoni - Eb Contra Alto Clarinet
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Shelley Hanson
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Elegy For Albinoni - Eb Contra
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Eb Contra Alto Clarinet - Level 4 - SKU: HX.200285 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part. 1 pa...
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Concert band Eb Contra Alto Clarinet - Level 4 - SKU: HX.200285 Composed by Shelley Hanson. Classical,Contest,Festival. Individual instrument part. 1 pages. Duration 270. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.200285).
$6.00 ≈
5.36€
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