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1
Karrinyup Fanfare
Karrinyup Fanfare
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published b...
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Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00 ≈
68.90€
Defying Gravity - Score Only
Defying Gravity - Score Only
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Stephen Lawrence Schwartz
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Stephan Langenberg
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Defying Gravity - Score Only
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Stephan Langenberg
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1291712 Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway,Film/TV,Musical/Show,Pop,Rock...
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Full Orchestra - Level 4 - SKU: A0.1291712 Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway,Film/TV,Musical/Show,Pop,Rock. 34 pages. Stephan Langenberg #882319. Published by Stephan Langenberg (A0.1291712). The Hit Song „Defying Gravity“ from the masterpiece Musical Wicked by Stephen Schwartz, we all know and love. Arranged for a Full Orchestra (Double Woodwinds). Pretty Detailed, has high precision in color and is arranged in the full length of both, the Duett and a Solo-version in the style of the Musical-Theater-Version to give you the choice. A must-have for your audience and next concert.Note: This arrangement is transposed one half-step lower than the original. The notes allow for a performance as a duet or with a single solo singer. You can also play this arrangement as a 'song' without dialogue parts. In this case, start at the Segno (bar 29) and jump from Coda (85) to Coda (131). This way, the song is fully playable and fits smoothly in terms of key signatures.This Arrangement adds Rock-instruments to your Orchestra! (Drumset, 2 electric Guitars, Bass, Piano, Keyboards)For further information, you are invited to visit my website: Don't miss any more publications and check out my other arrangements for this lineup!
$4.99 ≈
4.58€
We Wish You a Jazzy Christmas (We Wish You a Merry Christmas)
We Wish You a Jazzy Christmas (We Wish You a Merry Christmas)
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Orchestre
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INTERMÉDIAIRE
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Noël
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Traditional
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Christian Morris
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We Wish You a Jazzy Christmas
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Hoopla Sheet Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.914576 Composed by Traditional. Arranged by Christian Morris. Christmas,Jazz,Standards. Score and parts. 58 pages. Ho...
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Full Orchestra - Level 3 - SKU: A0.914576 Composed by Traditional. Arranged by Christian Morris. Christmas,Jazz,Standards. Score and parts. 58 pages. Hoopla Sheet Music #5800763. Published by Hoopla Sheet Music (A0.914576). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of Wish You a Merry Christmas with a jazzy twist. A great showstopper at any Christmas event! An arrangement for full orchestra (includes conductor's score and parts): 2,2,2,2; 4, 2, 3, 1, timp, perc (3 players); harp, strings More Christmas music from Hoopla Sheet Music: Jingle Bells Salsa Emmanuel Rock O Come All Ye Boogie-Woogie Faithful Away in A Country Manger Hark the Funky Angels Sing Bossa Nova Bleak Midwinter God Rest Ye Good King Gospel Mashup Jump Blues Joy to the World We Three Kings (Persian Style) We Wish You a Jazzy Christmas and We Wish You a Jazzy Christmas (complete collection of all the above)
$25.99 ≈
23.88€
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99 ≈
9.18€
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Publis...
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Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00 ≈
10.11€
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