Gettin\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Non classifié 214 Vents Saxophone (partie séparée) 24 Quatuor de Saxophones: 4 saxophones 21 Flûte traversière 18 Clarinette 16 Saxophone Alto 16 Flûte, Hautbois, Clarinette, Basson 12 Saxophone Tenor 11 Clarinette et Piano 9 Flûte traversière et Piano 9 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 8 Quatuor de Clarinettes: 4 clarinettes 8 Hautbois (partie séparée) 8 Saxophone Alto et Piano 7 Hautbois, Piano (duo) 6 Flûte à Bec 5 Quatuor de Flûtes : 4 flûtes 5 Clarinette (partie séparée) 5 Saxophone Tenor et Piano 5 Ensemble de Clarinettes 4 3 Saxophones (trio) 3 3 Clarinettes (trio) 3 Saxophone Soprano 3 Clarinette, Guitare (duo) 3 Instruments en Mib 2 Ensemble de Flûtes 2 Quintette de Clarinettes: 5 clarinettes 2 Saxophone Baryton, Piano 2 Clarinette Basse, Piano 2 2 Clarinettes (duo) 2 Flûte, Clarinette (duo) 2 2 Clarinettes, Basson 2 Saxophone Soprano et Piano 2 Flute (partie séparée) 2 2 Flûtes traversières (duo) 2 Trio de Flûtes: 3 flûtes 1 Cor anglais, Piano 1 Quintette de Saxophone: 5 saxophones 1 Piccolo 1 Flûte et Guitare 1 2 Flûte à bec (duo) 1 Saxophone et Guitare 1 Cor Anglais 1 Flûte, Hautbois, Clarinette (trio) 1 Flûte à Bec, Piano 1 Quatuor de Flûtes à bec 1 Flûte, Clarinette et Basson 1 Flûte, Violon et Violoncelle 1 Flûte, Harpe et Violoncelle 1 Piccolo, Piano 1 Cordes Quatuor à cordes: 2 violons, alto, violoncelle 51 Violon 26 Violoncelle 20 Harpe 16 Violon et Piano 12 Violoncelle, Piano 10 Violon (partie séparée) 9 2 Violoncelles (duo) 9 Violon, Violoncelle (duo) 9 Alto seul 9 Alto, Piano 8 Alto, Violoncelle (duo) 6 Trio à Cordes: violon, alto, violoncelle 6 Contrebasse (partie séparée) 6 Alto (partie séparée) 4 Violon, Alto (duo) 3 2 Harpes (duo) 3 2 Violons (duo) 2 Trio à Cordes: 2 violons, violoncelle 2 Contre Basse 2 4 Harpes 1 Violoncelle , Guitare (duo) 1 2 Altos (duo) 1 Trio à Cordes: 3 violoncelles 1 Ensemble de Violoncelles 1 Contrebasse, Piano (duo) 1 Violon, Guitare (duo) 1 4 Violoncelles 1 Autres
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21 partitions trouvées
Getting To Know You
Getting To Know You # Orchestre# INTERMÉDIAIRE# Richard Rodgers# Daryl McKenzie# Getting To Know You# Daryl McKenzie# SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.718648 Composed by Richard Rodgers. Arranged by Daryl McKenzie. Broadway,Contemporary,Film/TV,Musical/Show. Score and...(+)
Full Orchestra - Level 3 - SKU: A0.718648 Composed by Richard Rodgers. Arranged by Daryl McKenzie. Broadway,Contemporary,Film/TV,Musical/Show. Score and parts. 97 pages. Daryl McKenzie #6478257. Published by Daryl McKenzie (A0.718648). Vocal with Orchestra or Big Band (with woodwind doubles). Key of Ab major with Key change to A major. Voice, 2 Fl, 2 Cl, BCl (Bari Sax sub. part available), 2 F Hns, 3 Trumpets, 2 Trombones, 2 Percussion (Tymps and Glock/Xylo), Piano, Synth (covers strings), 2 Guitars, Bass, Drums (kit), Harp, Violins 1, Violins 2, Violas, Cellos, Contrabasses.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
La Línea de la Concepción "La Sinfonía del Silencio"
La Línea de la Concepción "La Sinfonía del Silencio" # Orchestre# DÉBUTANT# Contemporain# Alicia DomÃnguez Arcos Sona# Alicia DomÃnguez Arcos# La Línea de la Concepci# Alicia Dominguez# SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Clas...(+)
Full Orchestra - Level 1 - SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
Where Eagles Dare (Theme) - Score Only
Where Eagles Dare (Theme) - Score Only # Orchestre# INTERMÉDIAIRE# Film/TV# Ron Goodwin# Chris Siddall# Where Eagles Dare# Chris Siddall Music Publishing# SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...(+)
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
Flower Through The Storm
Flower Through The Storm # Orchestre# AVANCÉ# Alex Haynes# Flower Through The Storm# Alex Haynes# SheetMusicPlus
Orchestra Cello,Double Bass,Drum Set,Flute,Percussion,Piano and Keyboard,Viola - Level 5 - Interactive Download SKU: A0.518421 By Alex Haynes. By Alex Ha...(+)
Orchestra Cello,Double Bass,Drum Set,Flute,Percussion,Piano and Keyboard,Viola - Level 5 - Interactive Download SKU: A0.518421 By Alex Haynes. By Alex Haynes. This edition: Interactive Download. Classical,Musical/Show,World. Score and parts. 90 pages. Duration 357. Alex Haynes #4ZXqfVuUkODgnOVbtDq9ac. Published by Alex Haynes (A0.518421). Key: A major.My dad gave me a huge inspiration for this piece. He said, Imagine a big room with a big screen. Imagine a lone flower on the screen, slumped over from the night. It rises with the sun, growing big and tall. Imagine a storm rushing in, trying to destroy the flower. Imagine the struggle and hardship the flower endures during the storm. The storm goes away. The sun comes out. The flower wakes back up. It starts getting dark. The flower slumps back over. The flower falls asleep. I used his imagery and the music that was already in me to make this piece.
That's The Way (i Like It)
That's The Way (i Like It) # Orchestre# INTERMÉDIAIRE# K# Kevin Riley# That's The Way# Kevin Riley# SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,P...(+)
Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
Last Of The Summer Wine Theme
Last Of The Summer Wine Theme # Orchestre# INTERMÉDIAIRE# Ronald Hazlehurst# Kevin Riley# Last Of The Summer Wine Theme# Kevin Riley# SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin...(+)
Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.
