Partitions Numériques de All Of Me Trombone pour Trompette

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All Of Me Trombone
Non classifié 607

Piano & claviers
Instruments en Do 5
Accompagnement Piano 5
Piano seul 4
Orgue 2
Piano, Voix et Guitare 1

Piano, Voix 1

+ 1 instrumentations

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Guitares
Guitare (partie séparée) 2

Voix
Chorale SATB 7
Chorale TTBB 4
Voix Tenor, Piano 2
Voix Soprano, Piano 2
Chorale 2 parties 1

Vents
Saxophone (partie séparée) 5
Flûte, Hautbois, Clarinette, Basson 5
Hautbois (partie séparée) 4
Clarinette 3
Flute (partie séparée) 3

Hautbois, Piano (duo) 2
Quintette de Saxophone: 5 saxophones 2
Ensemble de Clarinettes 1
Flûte traversière et Piano 1
2 Saxophones, Piano 1
Saxophone Alto et Piano 1
Flûte traversière 1
Saxophone Alto 1

+ 8 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 159
Trombone 97
Trombone et Piano 71
Quatuor de Cuivres : 2 trompettes, trombone, tuba 53
Quatuor de cuivres: 4 trombones 49

Quatuor de Cuivres 28
2 Trombones (duo) 22
Quatuor de Cuivres: 2 trompettes, Cor, trombone 18
Trombone (partie séparée) 16
Trompette, Trombone (duo) 15
Trio de Cuivres 9
Trompette (partie séparée) 5
Ensemble de Trombones 3
Cor 3
Tuba 3
Trombone basse et Piano 3
3 Trombones (trio) 2
Trompette 2

Trompette, Trombone, Piano 2
Bass Clef Instruments 2
Instruments en Sib 2
Trombone basse 2
Euphonium, Piano (duo) 1
Trombone, Cor (duo) 1
Trompette, Piano 1
Trombone, Tuba (duo) 1
Trombone, Orgue 1
Cor et Piano 1

+ 23 instrumentations

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Cordes
Violon 4
Violon et Piano 4
Contre Basse 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violoncelle 1

Alto (partie séparée) 1
Violoncelle (partie séparée) 1
Harpe 1
Contrebasse (partie séparée) 1
Violoncelle, Piano 1
Alto seul 1

+ 6 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 80
Ensemble Jazz 80
Orchestre 34
Ensemble de cuivres 33
Fanfare 10

Orchestre de chambre 7
Jazz combo 7
Batterie (partie séparée) 1
Piano et Orchestre 1
Ensemble de Percussions 1

+ 5 instrumentations

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All Of Me Trombone

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2 partitions trouvées

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1 #Trompette #AVANCÉ #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...(+)

Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 ≈ 3.25€

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2 #Trompette #AVANCÉ #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...(+)

Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 ≈ 3.25€

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