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An Unknown Work""
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Vous avez sélectionné:
An Unknown Work""
Orgue
Partitions à imprimer
4 partitions trouvées
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Complete Organ Works
Complete Organ Works
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Orgue
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INTERMÉDIAIRE
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Peter Morhard
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Complete Organ Works
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q47858 10 Chorale Settings. Composed by Peter Morhard. This edition: Sheet music. Masters of the North German Scho...
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Organ - intermediate - SKU: S9.Q47858 10 Chorale Settings. Composed by Peter Morhard. This edition: Sheet music. Masters of the North German School for Organ. Downloadable. Op Band 19. Schott Music - Digital #Q47858. Published by Schott Music - Digital (S9.Q47858). The organist and composer Peter Morhard (date of birth unknown, died in Lüneburg in 1685) belongs to the North German organ school. Little is known about his life, but from 1662 until his death he worked as an organist at the Michaelskirche of Lüneburg. 10 chorale arrangements for organ by Morhard have survived and are now published in an annotated and carefully edited urtext edition.
$27.99 ≈
25.98€
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Orgue
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Classique
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Men...
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Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99 ≈
3.70€
"Hymne de Matin" by 19th Century French composer, transcribed for organ or piano
"Hymne de Matin" by 19th Century French composer, transcribed for organ or piano
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Orgue
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INTERMÉDIAIRE
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Jean-Amédée Lefroid de M
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Robert M
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"Hymne de Matin" by
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Bob Thompson
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SheetMusicPlus
Organ - Level 3 - SKU: A0.984501 Composed by Jean-Amédée Lefroid de Mereux (1802-1874). Arranged by Robert M. Thompson, A.Mus.D. (b. 1940). Romant...
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Organ - Level 3 - SKU: A0.984501 Composed by Jean-Amédée Lefroid de Mereux (1802-1874). Arranged by Robert M. Thompson, A.Mus.D. (b. 1940). Romantic Period,Sacred,Standards. Score. 4 pages. Bob Thompson #6119521. Published by Bob Thompson (A0.984501). Mereux was a noted French musicologist, composer and pianist. His father was an organist, composer, pianist and friend of Chopin. He is mostly unknown today. This Hymne de Matin for violin and organ or piano, works very well on organ alone with very little pedal work. .
$11.90 ≈
11.05€
Fantasy on "O Come, O Come Emmanuel"
Fantasy on "O Come, O Come Emmanuel"
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Orgue
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INTERMÉDIAIRE
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15th century plainsong melody
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Matthew F
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Fantasy on "O Come, O Com
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Matthew F. Walicke
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SheetMusicPlus
Organ - Level 3 - SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christmas,Classical,Rena...
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Organ - Level 3 - SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christmas,Classical,Renaissance,World. Score. 7 pages. Matthew F. Walicke #5743219. Published by Matthew F. Walicke (A0.923860). A bold and surprising advent prelude, Fantasy on 'O Come, O Come Emmanuel' based on the 15th century chant, features opportunities to show off your organ's solo stops and chimes and welcome in the season of Advent. Starting with a plaintive solo section (with optional chimes), the song bursts into a fast and fun Renaissance inspired dance with alternating meters, and finally ends with a Baroque styled waltz and fanfare. A versatile work, this piece is great as a diverse prelude that starts meditative and ends with celebration, and it's big finish makes for an excellent closer as well. Great for the first or last weeks of Advent or even Christmas!
$5.95 ≈
5.52€
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