Partitions Numériques de This Is Living Now pour Saxophone Baryton, Piano

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This Is Living Now
Non classifié 70

Piano & claviers
Piano seul 40
Piano, Voix 11
Orgue 9
Instruments en Do 5
Piano, Voix et Guitare 4

Piano Facile 3
Accompagnement Piano 2
Piano Quatuor: piano, violon, alto, violoncelle 2
1 Piano, 4 mains 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Trio: piano, violon, violoncelle 1
2 Pianos, 4 mains 1

+ 7 instrumentations

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Guitares
Basse electrique 2
Guitare 2
Guitare notes et tablatures 2

Voix
Chorale SATB 40
Chorale 3 parties 9
Chorale TTBB 6
Chorale Unison 3
Chorale 2 parties 3

Voix duo, Piano 1
Voix Alto, Piano 1

+ 2 instrumentations

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Vents
Saxophone Alto et Piano 5
Clarinette et Piano 3
Hautbois, Piano (duo) 3
Flûte traversière et Piano 3
Saxophone Tenor et Piano 2

Saxophone Baryton, Piano 2

Flûte traversière 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Quatuor de Clarinettes: 4 clarinettes 1
Ensemble de Flûtes 1
Clarinette 1
Saxophone (partie séparée) 1
2 Flûtes traversières (duo) 1
Saxophone Alto 1
Flûte, Hautbois, Clarinette, Basson 1
Hautbois (partie séparée) 1
Saxophone Soprano et Piano 1

+ 12 instrumentations

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Cuivres
Trompette, Piano 3
Trombone et Piano 2
Cor et Piano 2
Quatuor de Cuivres 1
Euphonium, Piano (duo) 1

2 Euphoniums et 2 Tubas 1
2 Cors (duo) 1
Trompette (partie séparée) 1
Quatuor de cuivres: 4 trombones 1
Tuba et Orgue 1
Tuba et Piano 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

+ 7 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 7
Violon et Piano 5
Harpe 4
Trio à Cordes: violon, alto, violoncelle 3
Trio à Cordes: 2 violons, violoncelle 2

Violoncelle, Piano 2
2 Violons (duo) 2
Violon, Violoncelle (duo) 2
Alto, Piano 2
Violon 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violoncelle 1
Alto seul 1

+ 8 instrumentations

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Orchestre & Percussions
Orchestre à Cordes 5
Cloches 5
Orchestre d'harmonie 4
Orchestre 4
Ensemble de cuivres 3

Orchestre de chambre 2
Jazz combo 1
Ensemble Jazz 1

+ 3 instrumentations

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This Is Living Now

Saxophone Baryton, Piano

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2 partitions trouvées

Jingle Bells for Baritone Sax & Piano

Jingle Bells for Baritone Sax & Piano #Saxophone Baryton, Piano #DÉBUTANT #Noël #James Pierpont #James M #piano #Jingle Bells for Baritone Sax #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages....(+)

Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850â€™s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com

$24.95 ≈ 23.50€

Fauré: Élégie Op. 24 for Baritone Sax & Piano

Fauré: Élégie Op. 24 for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...(+)

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ 31.04€

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