Partitions Numériques de Antonin Dvorak pour Ensemble de Violons

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Antonin Dvorak
Non classifié 303

Piano & claviers
Piano seul 168
Piano, Voix 111
Piano Facile 77
1 Piano, 4 mains 39
Orgue 15

2 Pianos, 4 mains 7
Piano Trio: piano, violon, violoncelle 7
Piano, Voix et Guitare 5
Piano Quatuor: piano, violon, alto, violoncelle 3
Orgue, Trompette (duo) 2
Accordéon 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
1 Piano, 6 mains 1
Accompagnement Piano 1

+ 9 instrumentations

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Guitares
Guitare notes et tablatures 17
Guitare 9
4 Guitares (Quatuor) 5
Ligne De Mélodie, (Paroles) et Accords 5
2 Guitares (duo) 4

Ukulele 3
Ensemble de guitares 3
3 Guitares (trio) 1
Mandoline 1
Mandoline, Guitare (duo) 1
3 Dulcimers (trio) 1

+ 6 instrumentations

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Voix
Chorale SATB 28
Chorale 3 parties 18
Chorale SSAA 9
Voix seule 9
Chorale 2 parties 9

Chorale TTBB 7
Voix haute 6
Voix duo, Piano 5
Voix basse, Piano 2
Voix Tenor, Piano 2
Voix duo 1
Voix moyenne, Piano 1
Chorale Unison 1
Chorale 1
Voix Moyenne 1
Pack Instrumental pour Chorale 1
Voix Soprano, Piano 1
Voix Baryton, Piano 1

+ 13 instrumentations

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Vents
Flûte traversière et Piano 45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 40
Clarinette et Piano 40
Quatuor de Clarinettes: 4 clarinettes 39
Quatuor de Saxophones: 4 saxophones 34

Hautbois, Piano (duo) 29
Saxophone Alto et Piano 24
Saxophone Tenor et Piano 23
Saxophone Soprano et Piano 21
Quatuor de Flûtes : 4 flûtes 20
2 Flûtes traversières (duo) 19
Clarinette 17
Flûte, Hautbois, Clarinette, Basson 17
Flûte traversière 16
Clarinette (partie séparée) 13
Quintette de Saxophone: 5 saxophones 12
Ensemble de Clarinettes 11
Ensemble de saxophones 10
Flûte, Clarinette (duo) 10
Quintette de Clarinettes: 5 clarinettes 10
2 Clarinettes (duo) 10
2 Saxophones (duo) 9
Flûte et Guitare 8
3 Saxophones (trio) 8
Saxophone Tenor 8
Saxophone Alto 8
Saxophone (partie séparée) 6
3 Clarinettes (trio) 6
Cor anglais, Piano 5
Hautbois (partie séparée) 5
Saxophone Baryton, Piano 5
Trio de Flûtes: 3 flûtes 4
Quintette de Flûte : 5 flûtes 4
Clarinette Basse, Piano 4
Hautbois, Basson (duo) 3
Ensemble de Flûtes 3
Flûte, Clarinette et Basson 2
Clarinette, Basson (duo) 2
3 Flûtes à bec (trio) 2
Piccolo, Piano 2
Saxophone et Guitare 2
Quatuor de Flûtes à bec 2
Flûte à Bec 2
2 Hautbois (duo) 2
Flûte à bec Alto 1
Flûte, Trombone (duo) 1
2 Flûte à bec (duo) 1
Flûte et Trio à cordes 1
Hautbois, Flûte 1
Ensemble à vent 1
Cor Anglais 1
Flûte à bec Soprano, Piano 1
Flûte, Violoncelle 1
Hautbois 1
Ensemble de Hautbois 1
Harmonica 1
Flûte, Violon 1
Clarinette, Guitare (duo) 1
Flûte à bec Soprano 1

+ 54 instrumentations

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Cuivres
Cor 30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 29
Trompette, Piano 28
Trombone et Piano 28
Cor et Piano 20

Trompette 17
Trombone 16
Quatuor de Cuivres : 2 trompettes, trombone, tuba 16
Trompette (partie séparée) 13
Trombone (partie séparée) 12
Quatuor de Cuivres 7
Euphonium, Piano (duo) 6
Trompette, Trombone (duo) 6
3 Euphoniums 5
Quatuor de cuivres: 4 trombones 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Cor anglais, Piano 5
Tuba et Piano 4
Ensemble de Trombones 4
Ensemble de Trompettes 4
Tuba 3
Trompette, Cor (duo) 3
Trombone basse et Piano 3
2 Cors (duo) 3
2 Trombones (duo) 2
4 Tubas 2
Euphonium 2
3 Trompettes (trio) 2
Tuba et Orgue 2
Quatuor de cuivres: 4 cors 2
2 Trompettes (duo) 2
Euphonium, Tuba (duo) 1
Cor, Tuba (duo) 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Cor et Orgue 1
Trompette, Euphonium (duo) 1
Cor Anglais 1
2 Euphoniums et 2 Tubas 1
Trombone, Orgue 1
Trio de Cuivres 1

+ 35 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 94
Violon et Piano 55
Violoncelle, Piano 39
Alto, Piano 31
Violon 20

Violon, Violoncelle (duo) 17
Violoncelle 17
Violon (partie séparée) 16
4 Violoncelles 9
Alto seul 8
Harpe 8
Quintette à cordes: 2 violons, alto, violoncelle, basse 8
Alto (partie séparée) 6
Contrebasse, Piano (duo) 5
Trio à Cordes: violon, alto, violoncelle 4
Violoncelle (partie séparée) 4
Contrebasse (partie séparée) 3
2 Violons (duo) 3
Contre Basse 3
2 Violoncelles (duo) 3
Trio à cordes 3
Ensemble de Violons 2

Trio à Cordes: 2 violons, violoncelle 2
2 Altos (duo) 2
Trio à cordes: 3 violins 2
Violoncelle, Orchestre 2
Piano Trio: Violon, Alto, Piano 2
Violon, Alto (duo) 2
Quatuor à cordes: 4 violons 2
2 Contrebasses (duo) 1
Harpe, Flûte (duo) 1
Violoncelle , Guitare (duo) 1
Violoncelle, Contrebasse (duo) 1

+ 28 instrumentations

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Orchestre & Percussions
Orchestre 66
Orchestre à Cordes 56
Orchestre d'harmonie 49
Ensemble de cuivres 15
Orchestre de chambre 11

Cloches 5
Orchestre, Violon 3
Ensemble Jazz 2
Percussion 2
Fanfare 1
Quintette à Vent 1
Percussion (partie séparée) 1
Xylophone 1

+ 8 instrumentations

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Antonin Dvorak

Ensemble de Violons

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2 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.

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