Partitions Numériques de James Gilber pour Cor anglais, Piano

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James Gilber
Non classifié 364

Piano & claviers
Piano seul 347
Orgue 306
Piano, Voix 23
Piano Facile 10
1 Piano, 4 mains 4

Piano Quatuor: piano, violon, alto, violoncelle 2
2 Pianos, 4 mains 2
Piano Trio: piano, violon, violoncelle 2
Accompagnement Piano 1
Piano (partie séparée) 1
Piano, Voix et Guitare 1

+ 6 instrumentations

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Guitares
Ensemble de guitares 2
4 Guitares (Quatuor) 2
Ukulele 2
Guitare notes et tablatures 2
Guitare 1

Voix
Chorale SATB 21
Chorale Unison 4
Voix seule 4
Chorale 4
Chorale 2 parties 3

Chorale 3 parties 2
Chorale TTBB 1

+ 2 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 17
Saxophone Tenor et Piano 16
Hautbois, Piano (duo) 13
Clarinette et Piano 12
Flûte traversière et Piano 12

Saxophone et Piano 11
Clarinette 9
Flûte traversière 8
Saxophone Baryton, Piano 7
Saxophone Alto et Piano 7
Flûte, Hautbois, Clarinette, Basson 5
Saxophone Alto 4
Hautbois 2
2 Clarinettes (duo) 2
Saxophone Baryton 2
2 Flûtes traversières (duo) 2
Saxophone Tenor 2
Quatuor de Saxophones: 4 saxophones 2
2 Saxophones (duo) 2
Flûte à Bec 2
3 Clarinettes (trio) 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte, Clarinette (duo) 1
Quatuor de Clarinettes: 4 clarinettes 1
Flûte, Violon 1
Quintette de Saxophone: 5 saxophones 1
Cor anglais, Piano 1

Piccolo, Piano 1
Clarinette Basse, Piano 1
Clarinette, Violon (duo) 1

+ 25 instrumentations

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Cuivres
Cor et Piano 18
Trompette 17
Trombone et Piano 14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 13
Trombone 6

Trompette, Piano 5
Quatuor de Cuivres 5
Cor 4
Quatuor de cuivres: 4 trombones 3
2 Trombones (duo) 2
Trio de Cuivres 2
2 Trompettes (duo) 2
3 Trompettes (trio) 1
3 Trombones (trio) 1
Tuba et Piano 1
Cor anglais, Piano 1

Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Euphonium, Piano (duo) 1

+ 13 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 52
Violon et Piano 13
Alto, Piano 11
Violoncelle, Piano 11
Violoncelle 10

Alto seul 9
Violon 6
2 Violoncelles (duo) 2
Violon (partie séparée) 2

+ 4 instrumentations

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Orchestre & Percussions
Orchestre 108
Cloches 57
Orchestre d'harmonie 22
Quintette à Vent 14
Ensemble de cuivres 12

Orchestre de chambre 5
Ensemble Jazz 3
Batterie 3
Xylophone 2
Orchestre à Cordes 2
Percussion (partie séparée) 2
Fanfare 1

+ 7 instrumentations

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Artistes :
• Bay, James
• Taylor, James
• Dillon, James

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James Gilber

Cor anglais, Piano

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1 partition trouvée

Sullivan: The Lost Chord for English Horn & Piano

Sullivan: The Lost Chord for English Horn & Piano #Cor anglais, Piano #INTERMÉDIAIRE/AVANCÉ #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for E #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...(+)

English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

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