Partitions Numériques de Sonata for Clarinet and Piano pour Cor anglais, Piano

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Sonata for Clarinet and Piano
Non classifié 70

Piano & claviers
Piano seul 19
Accompagnement Piano 5
2 Pianos, 4 mains 1
Piano Facile 1

Guitares

Voix

Vents
Clarinette et Piano 167
Clarinette 61
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 41
Clarinette Basse, Piano 27
Flûte, Hautbois, Clarinette, Basson 19

2 Clarinettes (duo) 11
Quatuor de Clarinettes: 4 clarinettes 10
Flûte traversière et Piano 7
Flûte, Clarinette (duo) 6
Saxophone Alto et Piano 5
Clarinette, Guitare (duo) 4
Quintette de Clarinettes: 5 clarinettes 4
Ensemble de Clarinettes 4
Clarinette, Violoncelle, Piano (trio) 3
3 Clarinettes (trio) 3
Saxophone Tenor et Piano 3
Clarinette (partie séparée) 2
Hautbois, Piano (duo) 2
Saxophone Soprano et Piano 2
Saxophone, Clarinette (duo) 2
2 Flûtes traversières (duo) 2
Cor anglais, Piano 1

Flûte, Hautbois, Clarinette (trio) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
2 Hautbois (duo) 1
Clarinette, Basson (duo) 1
2 Flûte à bec (duo) 1
Saxophone Baryton, Piano 1
Clarinette, Violon (duo) 1

+ 24 instrumentations

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Cuivres
Euphonium, Piano (duo) 4
Trompette 2
Trompette, Piano 2
Trombone et Piano 2
Cor anglais, Piano 1

Cordes
Violon et Piano 10
Alto, Piano 6
Violoncelle 1
Violon, Alto (duo) 1
Quatuor à cordes: 2 violons, alto, violoncelle 1

Violoncelle, Piano 1

+ 1 instrumentations

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Orchestre & Percussions
Orchestre de chambre 15
Orchestre 12
Orchestre d'harmonie 2
Orchestre à Cordes 1

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Sonata for Clarinet and Piano

Cor anglais, Piano

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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano #Cor anglais, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...(+)

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

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