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Vous avez sélectionné:
Chapter Two
Piano, Voix
Partitions à imprimer
6 partitions trouvées
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1
Chapter Two from Up Here - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Chapter Two from Up Here - Pia
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Musicnotes
Sheet Music for Chapter Two from Up Here arranged for Piano/Vocal/Chords;Singer Pro in Bb Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Chapter Two from Up Here arranged for Piano/Vocal/Chords;Singer Pro in Bb Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.32€
Play - Sing (Multi-dimensional Music Reading Studies)
Play - Sing (Multi-dimensional Music Reading Studies)
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Piano, Voix
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FACILE
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Onder Ozkoc
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Play - Sing
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Onder Ozkoc
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by O...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by Onder Ozkoc (A0.1003152). This book has been prepared for the purpose of doing self-accompanied music reading (solfeggio) practice. For this, 70 pieces were designed; with these pieces, it is aimed to develop multi-layered thinking and hearing elements in music. The four parts in the book, which are sorted according to the level of difficulty, are written on a single string, the notes with the stems downwards are accompanied by the notes, and the ones that upwards belong to the reading party. The accompaniment of the pieces is sometimes considered as a single sound, chord, or rhythmic structure, and sometimes as a combination of these structures. The accompaniment, which comes as a rhythmic structure in the 2nd and 4th chapters, is written with rhythmic notation on a separate staff.The accompaniments of the pieces in the first part can be played with instruments such as the piano or guitar, where two or three voices can be played at the same time and music can be played while performing, while the accompaniments are designed only as a rhythm for the parts in the second part can be played by hitting them with the hand or another instrument.The pieces in the third part were written in a way that the upper part can be read when the lower part is played and the lower part is read when the upper part is played, considering the translatable counterpoint technique, thus 4 working ways are derived from one piece. The monophonic accompaniments of the pieces in this section can also be played with instruments that can be read while playing.The fourth chapter of the book contains pieces that combine the understanding of the first two chapters, which can be called advanced when compared to the other chapters.The pieces in the book were read many times with students from different age groups at different levels, and their interpretations contributed to the shaping of the pieces. It is thought that the book, which includes studies that can help with simultaneous melody/rhythm hearing, reading scores, or rhythmic analysis, will contribute to the development of multi-layered thinking and hearing in music by making accompanying music reading studies on its own, and this is a basic requirement for every musician.
$10.00 ≈
9.19€
He Spoke in Parables
He Spoke in Parables
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Piano, Voix
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FACILE
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Musique Sacrée
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John W
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He Spoke in Parables
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John Fisher
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1298557 Composed by John W. Fisher. Christian,Instructional,Jazz,Praise & Worship,Sacred. Score. 7 pages. John Fis...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1298557 Composed by John W. Fisher. Christian,Instructional,Jazz,Praise & Worship,Sacred. Score. 7 pages. John Fisher #888452. Published by John Fisher (A0.1298557). This Sermon song for soloist and quartet was inspired by two sermons on September 3 and September 10, 2023 by Dr. Paul de Jong at First Presbyterian Church Fort Myers, Florida. It is based on Mark chapter 4 and it defines what parables are and how that was the way in which Christ spoke to the masses. He spoke to the disciples directly. The music is lively with three solo verses and quartet choruses to follow. The piano accompaniment is jazzy and the whole piece comes across like a Negro spiritual.
$7.00 ≈
6.43€
Gao's Waltz Mini Ballet
Gao's Waltz Mini Ballet
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Johnson Gao
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Johnson Gao
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Gao's Waltz Mini Ballet
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Johnson Gao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1458135 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century. Score. 213 pages. Johnson Gao #1037...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1458135 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century. Score. 213 pages. Johnson Gao #1037106. Published by Johnson Gao (A0.1458135). This song has 14 chapters representing 12 waltzes mixed. The music sheet has 213 pages and can be electronically converted to a soundtrack playing for about 21 minutes. Some songs (chapters) were composed of ancient Chinese poems by famous poets like Liu Bang, Bai Juyi, Tao Yuan-ming, Su Dong-po, et al. A video with the same title has been posted on YouTube.com, which contains more than 130 images of photos and a few short videos with the background melody of this song. Although most of the songs were published before as early as 2008 and later, the author re-composed carefully based on his memory with certain modifications and key signature changes to adjust an even playing of the song in one whole piece. The highlights of the stories' songs are as follows: The beginning part of the song is originally called the prelude of Tao Yuan-ming's The Eutopia of the Peach Land Spring; which is followed by the historical long poem of 616 Chinese characters called Pi Pa Xing by Bai Ji-yi around 1:30. Around 8:06 is a small bird feeding her young chicken and its tail-dancing matches with the melody of the song which was modified from Beijing Opera by the composer. Around 11:30 is the song called Wedding Waltz for Su Dong-po's poem Written on the West Wood Wall; around 13:40 is the Chi Le Song; around 14:00 to 15:00 is the song - Love Forever, which was jointly created with his son Raymond and his wife Catherine 25 years ago. The playing time at 15:30 is the song the author wrote for his poem called Life and Sea in 100 Chinese Characters; around 18:00 to 19:00 is King's Wedding by the author. Two songs around 11:00 are Raise the Championship Cup and 19:30 Bon Voyage which the composer wrote for the 2008 Bejing Olympic Games. 這首歌有14個章節，代表12首華爾滋混合曲。樂譜有 213 頁，可以透過電子方式轉換為播放約 21 分鐘的配樂。部分歌曲（篇章）取自劉邦、白居易、陶淵明、蘇東坡等著名詩人的中國古詩詞。 YouTube.com上已發布同名視頻，其中包含130多張照片和一些短視頻,有這首歌的背景旋律。雖然大部分歌曲早在2008年及以後就已發表，但作者根據記憶重新精心創作，進行了一定的修改和調號變化，以調整整首歌曲的均勻演奏。故事歌曲的亮點如下： 歌曲的開頭部分原為陶淵明《桃花源記》的前奏；接下來是1點30分左右，白居易創作的616字的歷史長詩《琵琶行》。 8點06分左右，一隻小鳥正在餵小雛，它的尾巴舞動與作曲家根據京劇改編的歌曲旋律相匹配。 11點30分左右，蘇東坡詩《題西林壁》的《婚禮華爾兹》； 13點40分左右是《敕勒歌》； 14:00至15:00左右是歌曲《Love Forever》，這是25年前他與兒子雷蒙和妻子凱瑟琳共同創作的歌曲。 15點30分播放的是作者為詩作的歌曲《大海人生百字歌》； 18:00到19:00左右是作者的《國王的婚禮》。 11:00左右的兩首歌曲是作曲家為2008年北京奧運創作的《舉金盃》和19:30的《一路順風》。.
$4.99 ≈
4.58€
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Erbarme dich mein Gott -
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1133934 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,East...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1133934 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #734061. Published by Flavio Regis Cunha (A0.1133934). This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.Advanced Intermediate.Format: Concert, 9 x 12 inches.12 pages.
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4.58€
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
Bach: Erbarme dich mein Gott - Matthäuspassion - (for Alto Solo and Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Erbarme dich mein Gott -
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FRC Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1134073 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1134073 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional. Score. 12 pages. FRC Music #734177. Published by FRC Music (A0.1134073). This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
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Chapter Two
