Look What I\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Non classifié 111 Vents Flûte traversière 7 Clarinette 6 2 Clarinettes (duo) 6 2 Saxophones (duo) 4 2 Flûtes traversières (duo) 4 Quatuor de Clarinettes: 4 clarinettes 3 Hautbois, Piano (duo) 3 Clarinette et Piano 3 Quatuor de Saxophones: 4 saxophones 3 Saxophone Tenor 3 Hautbois (partie séparée) 2 Saxophone Alto 2 Flûte traversière et Piano 2 3 Clarinettes (trio) 2 Saxophone Alto et Piano 2 Flûte, Hautbois, Clarinette (trio) 1 3 Saxophones (trio) 1 Quatuor de Flûtes : 4 flûtes 1 Flûte, Clarinette, Violon (trio) 1 Flûte, Hautbois, Clarinette, Basson 1 Hautbois, Violon, Piano 1 Saxophone Baryton, Piano 1 2 Flûte à bec (duo) 1 Ensemble de Clarinettes 1 Trio de Flûtes: 3 flûtes 1 Cordes Quatuor à cordes: 2 violons, alto, violoncelle 19 Violon 11 Harpe 10 Violon et Piano 9 Violoncelle 6 2 Violons (duo) 4 Alto, Piano 4 2 Violoncelles (duo) 3 Violoncelle, Piano 3 Alto seul 3 Trio à Cordes: violon, alto, violoncelle 2 Trio à Cordes: 2 violons, violoncelle 2 Harpe, Voix 1 Alto, Violoncelle (duo) 1 Alto et Harpe 1 Alto (partie séparée) 1 Violon, Violoncelle (duo) 1 Quintette à cordes: 2 violons, 2 altos, violoncelle 1 Contre Basse 1 Autres
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Look What I Found
# Piano, Voix# FACILE# Pop musique# Lady Gaga# Jeff Tincher# Look What I Found# Jeff Tincher# SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.583515 By Lady Gaga. By Aaron Raitiere, Lukas Nelson, Mark Nilan Jr., Nick Monson, Paul Blair, and Stefani Germano...(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.583515 By Lady Gaga. By Aaron Raitiere, Lukas Nelson, Mark Nilan Jr., Nick Monson, Paul Blair, and Stefani Germanotta. Arranged by Jeff Tincher. Pop. Score. 16 pages. Jeff Tincher #4280657. Published by Jeff Tincher (A0.583515). Here is a real rocker from the 2018 blockbuster movie A Star Is Born. In the original key from the soundtrack CD, this one will have you moving with the music. Duration = 2:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
John Cage I-VI (2023) piano-vocal score
# Piano, Voix# INTERMÉDIAIRE/AVANCÉ# Thomas Oboe Lee# John Cage I-VI# Thomas Oboe Lee# SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. ...(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
John Cage I-VI (2023)
# Piano, Voix# INTERMÉDIAIRE/AVANCÉ# Thomas Oboe Lee# John Cage I-VI# Thomas Oboe Lee# SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. ...(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
Contemplation can make you think of the time you spend some nights, looking at the sky, and just con
# Piano, Voix# INTERMÉDIAIRE# RAZAFINDRAZAHA Tojomahefa Fran# Contemplation can make you thi# RAZAFINDRAZAHA Francky# SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1031514 Composed by RAZAFINDRAZAHA Tojomahefa Francky. Arranged by RAZAFINDRAZAHA Tojomahefa Francky. 20th Century...(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1031514 Composed by RAZAFINDRAZAHA Tojomahefa Francky. Arranged by RAZAFINDRAZAHA Tojomahefa Francky. 20th Century,Classical,Contemporary,Romantic Period,Spiritual. Score. 4 pages. RAZAFINDRAZAHA Francky #4782373. Published by RAZAFINDRAZAHA Francky (A0.1031514). This music will help you to meditate, or just to relax. You can try to listen to contemplation when you study too, I think it can help you to improve your concentration.Because there is no lyrics, it can fit to any kind of situations, any kind of environments. You can listen to it wherever you are.Then, you can play it on whatever instruments you master.
Thank U, Next
# Piano, Voix# FACILE# Pop musique# Ariana Grande# Mario Stallbaumer# Thank U, Next# Mario Stallbaumer# SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
Diamonds
# Piano, Voix# INTERMÉDIAIRE# Doug Howell# Diamonds# Creative Measures# SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.896317 Composed by Doug Howell. Christian. Score. 6 pages. Creative Measures #4726471. Published by Creative Measu...(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.896317 Composed by Doug Howell. Christian. Score. 6 pages. Creative Measures #4726471. Published by Creative Measures (A0.896317). I was dragging a bit as I walked across campus in the morning chill, wondering what the day might bring. Looking down. It had frosted during the night, and I was watching my step, I guess, when out of the corner of my eye I saw a brilliant sparkle that stopped me in my tracks. The sun, peeking above the horizon for approval, had sent out a special ray to attract my attention. When I looked closer, I saw an overturned leaf, covered with-diamonds! And oh, how I needed a promise right about then.Throughout that day and the days afterward, I was struck by just how extravagant God is with diamonds-and promises. Now that my eyes were opened, I seemed to see them everywhere: right in front of me, where I least expected them to be, in my memories, in my future. I’m still seeing them...For mp3, more notes and lyrics, sheet music, accompaniment track, and MIDI file see https://creativemeasures.com/music/songs/diamonds/
Twice on Sunday
# Piano, Voix# INTERMÉDIAIRE# Cheryl Prazak# Jon Burr, with lyrics by Chery# Jon Burr# Twice on Sunday# jbQ Media# SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #96572...(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday Â
The Birth
# Piano, Voix# DÉBUTANT# Musique Sacrée# Ian Calvert# The Birth# Ian Calvert# SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1298966 Composed by Ian Calvert. Christmas,Contemporary,Holiday,Praise & Worship,Religious. Score. 4 pages. Ian Ca...(+)
Piano,Vocal,Voice - Level 1 - SKU: A0.1298966 Composed by Ian Calvert. Christmas,Contemporary,Holiday,Praise & Worship,Religious. Score. 4 pages. Ian Calvert #888816. Published by Ian Calvert (A0.1298966). This is the first publication of a new Christmas song, set for voice and piano. The words are those of a poem by Leonard Clark (1905 – 1981). He was an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘The Birth’ is one. What I like about this poem is its simplicity and clarity – and its narrative development through the verses. It starts with the poet waking in the pre-dawn. He then realizes that it is Christmas Day and in the stillness of that time his mind turns to the birth of Jesus, as traditionally told. Then he steps out of time and space and looks through his bedroom window to contemplate the mystery of incarnation. And he finishes at the stable, offering devotion to the newborn Lord. This song is also available in a version for SATB a cappella. Drawn from the same book of poems there is available another new Christmas song, called Singing in the Streets; that one is set for baritone and piano. Ian Calvert.
He Will Lead Me Home
# Piano, Voix# INTERMÉDIAIRE/AVANCÉ# Musique Sacrée# Kevin Longley# Kevin Longley# He Will Lead Me Home# Kevin Longley# SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
Thank U, Next
# Piano, Voix# Pop musique# Ariana Grande# Mario Stallbaumer# Thank U, Next# Mario
Stallbaumer# SheetMusicPlus
Piano Solo,
Piano/Vocal/Chords -
Intermediate - Digital
Download
By Ariana Grande. Arranged by
Mario Stallbaumer. 9 pages.
Published by Mario
Stall...(+)
Piano Solo,
Piano/Vocal/Chords -
Intermediate - Digital
Download
By Ariana Grande. Arranged by
Mario Stallbaumer. 9 pages.
Published by Mario
Stallbaumer
The Gold Rush, vocal solo
# Piano, Voix# INTERMÉDIAIRE/AVANCÉ# seeking a life, eternal and pu# Kevin G# The Gold Rush, vocal solo# Kevin G. Pace# SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 page...(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.
