Partitions Numériques de It's All Over Now pour Saxophone et Orgue

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It's All Over Now
Non classifié 705

Piano & claviers
Piano seul 245
Piano, Voix 131
Piano grosses notes 115
Piano Facile 90
Piano, Voix et Guitare 51

Orgue 45
Instruments en Do 32
Piano Trio: piano, violon, violoncelle 7
Piano Quintette: piano, 2 violons, alto, violoncelle 4
Piano (partie séparée) 3
Piano Quatuor: piano, violon, alto, violoncelle 3
Clavier 2
2 Pianos, 8 mains 2
1 Piano, 4 mains 2
2 Pianos, 4 mains 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Accompagnement Piano 1

+ 12 instrumentations

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Guitares
Guitare notes et tablatures 19
Guitare 17
Ukulele 14
Ligne De Mélodie, (Paroles) et Accords 9
Guitare (partie séparée) 6

Basse electrique 6
Paroles et Accords 5
2 Guitares (duo) 3
Piano, Guitare (duo) 3
Banjo 3
Mandoline 3
3 Guitares (trio) 1
2 Ukuleles 1
4 Guitares (Quatuor) 1

+ 9 instrumentations

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Voix
Chorale SATB 97
Chorale 3 parties 30
Chorale SSAA 17
Chorale TTBB 17
Chorale 2 parties 17

Chorale Unison 15
Voix Alto, Piano 11
Voix Soprano, Piano 7
Voix Tenor 2
Voix Baryton, Piano 2
Voix duo, Piano 2
Soli, choeur mixte et accompagnement 1
Voix moyenne, Piano 1
Voix haute 1
Voix Tenor, Piano 1

+ 10 instrumentations

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Vents
Clarinette et Piano 92
Quatuor de Saxophones: 4 saxophones 88
Flûte traversière et Piano 84
Clarinette 66
Saxophone Alto et Piano 63

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 63
Hautbois, Piano (duo) 59
Quintette de Saxophone: 5 saxophones 58
Ensemble de saxophones 54
Flûte, Hautbois, Clarinette, Basson 54
Saxophone Tenor et Piano 51
Saxophone Soprano et Piano 49
2 Saxophones (duo) 48
Saxophone Baryton, Piano 47
Flûte traversière 44
Saxophone (partie séparée) 37
Saxophone Alto 36
2 Flûtes traversières (duo) 33
Saxophone Tenor 29
Hautbois (partie séparée) 25
Hautbois 23
Cor anglais, Piano 22
Quatuor de Clarinettes: 4 clarinettes 21
Clarinette Basse, Piano 20
Ensemble de Clarinettes 14
Saxophone Soprano 13
2 Clarinettes (duo) 13
Saxophone Baryton 11
Ensemble de Flûtes 11
2 Hautbois (duo) 8
Flûte, Clarinette (duo) 8
Flûte à bec Soprano 7
Saxophone, Clarinette (duo) 6
3 Saxophones (trio) 6
Quatuor de Flûtes : 4 flûtes 6
3 Clarinettes (trio) 6
Quintette de Clarinettes: 5 clarinettes 5
Flûte, Clarinette, Cor, Basson (Quartet) 5
Clarinette, Violon (duo) 4
Quintette de Flûte : 5 flûtes 4
Clarinette, Guitare (duo) 3
Clarinette, Trompette (duo) 3
Flute (partie séparée) 3
Clarinette (partie séparée) 3
Hautbois, Clarinette (duo) 2
Clarinette et Alto 2
Hautbois, Basson (duo) 2
Flûte, Violon 2
Flûte, Alto (duo) 2
Flûte à bec Soprano, Piano 2
Flûte et Guitare 2
Hautbois, Flûte 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Piccolo, Piano 2
Trio de Flûtes: 3 flûtes 2
Quatuor de Flûtes à bec 2
Flûte, Trompette (duo) 2
Clarinette, Basson (duo) 2
5 Flûtes à bec 1
Clarinette, Harpe (duo) 1
Flûte à bec Alto 1
Flûte à Bec 1
Flûte, Hautbois, Clarinette (trio) 1
Ocarina 1
Saxophone et Orgue 1

2 Flûte à bec (duo) 1
Cor anglais et Harpe (duo) 1
3 Flûtes à bec (trio) 1
Flûte, Saxophone (duo) 1

+ 64 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 74
Trombone et Piano 59
Cor et Piano 53
Quatuor de Cuivres: 2 trompettes, Cor, trombone 53
Trompette 50

Tuba 47
Trompette, Piano 36
Trombone 34
Cor 33
Euphonium, Piano (duo) 30
Quatuor de Cuivres 30
Quatuor de Cuivres : 2 trompettes, trombone, tuba 29
Cor anglais, Piano 22
Tuba et Piano 22
Trombone (partie séparée) 17
Trompette (partie séparée) 13
Quatuor de cuivres: 4 trombones 13
2 Trombones (duo) 9
2 Trompettes (duo) 8
Ensemble de Trombones 8
2 Cors (duo) 7
Ensemble de Trompettes 6
Trompette, Trombone (duo) 5
Trompette, Saxophone (duo) 4
Ensemble de Cors 4
Cor (partie séparée) 3
Tuba (partie séparée) 3
2 Tubas (duo) 3
3 Trombones (trio) 2
Ensemble de Tubas 1
Tuba et Orgue 1
Quatuor de cuivres: 4 trompettes 1
2 Euphoniums (duo) 1
Cor anglais et Harpe (duo) 1
Trompette, Euphonium (duo) 1
Trompette, Cor (duo) 1

+ 31 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 169
Violoncelle 69
Alto, Piano 65
Violoncelle, Piano 59
Violon 58

Violon et Piano 54
Violon, Violoncelle (duo) 31
Contre Basse 30
Contrebasse, Piano (duo) 30
Quintette à cordes: 2 violons, alto, violoncelle, basse 29
Alto seul 26
2 Violons (duo) 21
Trio à Cordes: violon, alto, violoncelle 21
Trio à Cordes: 2 violons, violoncelle 17
2 Violoncelles (duo) 14
2 Altos (duo) 11
Violon, Alto (duo) 8
Harpe 4
Trio à Cordes: 3 violoncelles 4
Alto (partie séparée) 4
Contrebasse (partie séparée) 4
2 Contrebasses (duo) 3
Ensemble de Violons 3
Harpe, Flûte (duo) 3
Violon (partie séparée) 3
Quintette à cordes: 2 violons, 2 altos, violoncelle 3
4 Violoncelles 3
Ensemble d'Altos 3
Alto, Violoncelle (duo) 1
Trio à cordes: 3 altos 1
4 Contrebasses 1
Quatuor à cordes: 4 violons 1
Quatuor à cordes : 4 altos 1
Harpe, Voix 1
Violon, Clarinette, Piano (trio) 1
Trio à cordes: 3 violins 1

+ 31 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 95
Orchestre 60
Orchestre à Cordes 27
Ensemble Jazz 16
Ensemble de cuivres 14

Orchestre de chambre 13
Jazz combo 4
Ensemble de Percussions 4
Batterie (partie séparée) 3
Fanfare 2
Cloches 2
Vibraphone et Marimba 1
Percussion (partie séparée) 1
Piano et Orchestre 1
Marimba 1
Quintette de Cuivres: autres combinaisons 1

+ 11 instrumentations

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It's All Over Now

Saxophone et Orgue

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1 partition trouvée

What Would Nina Simone Say? For Soprano Sax & Organ (9'50")

What Would Nina Simone Say? For Soprano Sax & Organ (9'50") #Saxophone et Orgue #AVANCÉ #Contemporain #Judith Cloud #What Would Nina Simone Say? Fo #Judith Cloud #SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...(+)

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940â€™s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think sheâ€™d be mad as hell and screaming about revolution, probably still advocating for the use of violence. Iâ€™ve used some of Simoneâ€™s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Lukeâ€™s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.

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